Fwd: New issue of Eighteenth-Century Music is available on Cambridge Journals Online
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Aug 17, 2016, 9:34:53 AM8/17/16
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Eighteenth-Century Music Volume 13 / Issue 02 , September 2016, pp 175 - 345
ISSN: 1478-5706, EISSN: 1478-5714
ISSN: 1478-5706, EISSN: 1478-5714
http://journals.cambridge.org/ECM
EDITORIAL
MICHAEL BURDEN
Articles
THE POLONAISE AND MAZURKA IN MID-EIGHTEENTH-CENTURY DRESDEN: STYLE AND STRUCTURE IN THE MUSIC OF JOHANN CHRISTIAN ROELLIG
NIGEL SPRINGTHORPE
C. P. E. BACH ‘IN TORMENTIS’: GOUT PAIN AND BODY LANGUAGE IN THE FANTASIA IN A MAJOR, h278 (1782)
MATTHEW HEAD
MOZART, KIRNBERGER AND THE IDEA OF MUSICAL PURITY: REVISITING TWO SKETCHES FROM 1782
MARKUS RATHEY
ON THE VENUES FOR AND DECLINE OF THE ACCADEMIES AT ESZTERHÁZA IN HAYDN'S TIME
JÁNOS MALINA
MOZART'S BAWDY CANONS, VULGARITY AND DEBAUCHERY AT THE WIEDNERTHEATER
DAVID J. BUCH
Reviews: Books
STEFANO CASTELVECCHI SENTIMENTAL OPERA: QUESTIONS OF GENRE IN THE AGE OF BOURGEOIS DRAMA Cambridge: Cambridge University Press, 2013 pp. xix + 277,isbn 978 0 521 63214 0
CLAUDIO VELLUTINI
MARY SUE MORROW AND BATHIA CHURGIN (EDS) THE SYMPHONIC REPERTOIRE, VOLUME I: THE EIGHTEENTH-CENTURY SYMPHONY Bloomington: Indiana University Press, 2012 pp. xvii + 897 + CD-ROM,isbn 978 0 253 35640 6
MICHAEL SPITZER
JULIA SIMON ROUSSEAU AMONG THE MODERNS: MUSIC, AESTHETICS, POLITICS University Park, Pennsylvania: Pennsylvania State University Press, 2013 PP. X + 227,isbn 978 0 271 05958 7
NAOMI WALTHAM-SMITH
Reviews: Editions
BERNARD DE BURY (1720–1785), ED. RUTA BLOOMFIELD FOUR SUITES FOR HARPSICHORD: CRITICAL EDITION New York: Edwin Mellen, 2015 PP. XIII + 74,isbn 978 0 7734 0081 8
DAVID CHUNG
WILLIAM SHIELD (1748–1829), ED. ROBERT HOSKINS, ORCHESTRATED BY DAVID VINE ODE TO CAPTAIN COOK, FROM OMAI, OR, A TRIP ROUND THE WORLD Hong Kong: Artaria, 2014 PP. IX + 135,isbn 1 877369 80 2
VANESSA AGNEW
FRANCESCO GASPARINI (1661–1727), ARRANGED BY JOHANN SEBASTIAN BACH (1685–1750), ED. PETER WOLLNY MISSA A QUATTRO VOCI Stuttgart: Carus, 2015 pp. 24,ismn 979 0 0071 6516 1
ANDREW FRAMPTON
JOHANN KUHNAU (1660–1722), ED. NORBERT MÜLLEMANN SÄMTLICHE WERKE FÜR TASTENINSTRUMENT / COMPLETE WORKS FOR KEYBOARD Munich: Henle, 2015 pp. xv + 221,ismn M 2018 0956 4
JOHN MCKEAN
Reviews: Recordings
CHRISTOPH GRAUPNER (1683–1760), JOHANN DAVID HEINICHEN (1683–1729), GEORG PHILIPP TELEMANN (1681–1767) ICH HEBE MEINE AUGEN AUF: TELEMANN, HEINICHEN & GRAUPNER IN LEIPZIG Veronika Winter (soprano) / Alex Potter (countertenor) / Hans Jörg Mammel (tenor) / Markus Flaig (bass) / L'arpa festante / Rien Voskullen (director) Carus 83.337, 2015: one disc, 78 minutes
ANDREW FRAMPTON
THOMAS TUDWAY (c1650–1726) MUSIC FOR WIMPOLE HALL Eboracum Baroque / Chris Parsons (director) National Trust, 2015; one disc, 73 minutes
FIONA SMITH
Communications: Conference Reports
MOZART AND HIS CONTEMPORARIES TUFTS UNIVERSITY, 11–13 SEPTEMBER 2015
JOSEPH FORT
‘FROM WHERE DO THESE CHORDS COME?’: THEORETICAL TRADITIONS IN THE ENLIGHTENMENT BOSTON UNIVERSITY, 23 OCTOBER 2015
JASON YUST
MUZIO CLEMENTI AND THE BRITISH MUSICAL SCENE COMPLESSO MONUMENTALE DI SAN MICHELETTO, LUCCA, 24–26 NOVEMBER 2015
SIMONE LAGHI
SAMMELN – MUSIZIEREN – FORSCHEN. ZUR DRESDNER HÖFISCHEN MUSIK DES 18. JAHRHUNDERTSMUSIC DEPARTMENT OF THE SÄCHSISCHE LANDESBIBLIOTHEK – STAATS- UND UNIVERSITÄTSBIBLIOTHEK DRESDEN, 21–23 JANUARY 2016
JANICE B. STOCKIGT
INSTRUMENTALMUSIK ‘NEBEN’ HAYDN UND MOZART: ANALYSE, AUFFÜHRUNGSPRAXIS UND EDITION UNIVERSITÄT DES SAARLANDES, 18–19 FEBRUARY 2016
MARKUS NEUWIRTH, MATTEO GIUGGIOLI
SEVENTH BIENNIAL CONFERENCE OF THE SOCIETY FOR EIGHTEENTH-CENTURY MUSIC UNIVERSITY OF TEXAS AT AUSTIN, 25–28 FEBRUARY 2016
SARAH BUSHEY
EDITORIAL
MICHAEL BURDEN
Articles
THE POLONAISE AND MAZURKA IN MID-EIGHTEENTH-CENTURY DRESDEN: STYLE AND STRUCTURE IN THE MUSIC OF JOHANN CHRISTIAN ROELLIG
NIGEL SPRINGTHORPE
C. P. E. BACH ‘IN TORMENTIS’: GOUT PAIN AND BODY LANGUAGE IN THE FANTASIA IN A MAJOR, h278 (1782)
MATTHEW HEAD
MOZART, KIRNBERGER AND THE IDEA OF MUSICAL PURITY: REVISITING TWO SKETCHES FROM 1782
MARKUS RATHEY
ON THE VENUES FOR AND DECLINE OF THE ACCADEMIES AT ESZTERHÁZA IN HAYDN'S TIME
JÁNOS MALINA
MOZART'S BAWDY CANONS, VULGARITY AND DEBAUCHERY AT THE WIEDNERTHEATER
DAVID J. BUCH
Reviews: Books
STEFANO CASTELVECCHI SENTIMENTAL OPERA: QUESTIONS OF GENRE IN THE AGE OF BOURGEOIS DRAMA Cambridge: Cambridge University Press, 2013 pp. xix + 277,isbn 978 0 521 63214 0
CLAUDIO VELLUTINI
MARY SUE MORROW AND BATHIA CHURGIN (EDS) THE SYMPHONIC REPERTOIRE, VOLUME I: THE EIGHTEENTH-CENTURY SYMPHONY Bloomington: Indiana University Press, 2012 pp. xvii + 897 + CD-ROM,isbn 978 0 253 35640 6
MICHAEL SPITZER
JULIA SIMON ROUSSEAU AMONG THE MODERNS: MUSIC, AESTHETICS, POLITICS University Park, Pennsylvania: Pennsylvania State University Press, 2013 PP. X + 227,isbn 978 0 271 05958 7
NAOMI WALTHAM-SMITH
Reviews: Editions
BERNARD DE BURY (1720–1785), ED. RUTA BLOOMFIELD FOUR SUITES FOR HARPSICHORD: CRITICAL EDITION New York: Edwin Mellen, 2015 PP. XIII + 74,isbn 978 0 7734 0081 8
DAVID CHUNG
WILLIAM SHIELD (1748–1829), ED. ROBERT HOSKINS, ORCHESTRATED BY DAVID VINE ODE TO CAPTAIN COOK, FROM OMAI, OR, A TRIP ROUND THE WORLD Hong Kong: Artaria, 2014 PP. IX + 135,isbn 1 877369 80 2
VANESSA AGNEW
FRANCESCO GASPARINI (1661–1727), ARRANGED BY JOHANN SEBASTIAN BACH (1685–1750), ED. PETER WOLLNY MISSA A QUATTRO VOCI Stuttgart: Carus, 2015 pp. 24,ismn 979 0 0071 6516 1
ANDREW FRAMPTON
JOHANN KUHNAU (1660–1722), ED. NORBERT MÜLLEMANN SÄMTLICHE WERKE FÜR TASTENINSTRUMENT / COMPLETE WORKS FOR KEYBOARD Munich: Henle, 2015 pp. xv + 221,ismn M 2018 0956 4
JOHN MCKEAN
Reviews: Recordings
CHRISTOPH GRAUPNER (1683–1760), JOHANN DAVID HEINICHEN (1683–1729), GEORG PHILIPP TELEMANN (1681–1767) ICH HEBE MEINE AUGEN AUF: TELEMANN, HEINICHEN & GRAUPNER IN LEIPZIG Veronika Winter (soprano) / Alex Potter (countertenor) / Hans Jörg Mammel (tenor) / Markus Flaig (bass) / L'arpa festante / Rien Voskullen (director) Carus 83.337, 2015: one disc, 78 minutes
ANDREW FRAMPTON
THOMAS TUDWAY (c1650–1726) MUSIC FOR WIMPOLE HALL Eboracum Baroque / Chris Parsons (director) National Trust, 2015; one disc, 73 minutes
FIONA SMITH
Communications: Conference Reports
MOZART AND HIS CONTEMPORARIES TUFTS UNIVERSITY, 11–13 SEPTEMBER 2015
JOSEPH FORT
‘FROM WHERE DO THESE CHORDS COME?’: THEORETICAL TRADITIONS IN THE ENLIGHTENMENT BOSTON UNIVERSITY, 23 OCTOBER 2015
JASON YUST
MUZIO CLEMENTI AND THE BRITISH MUSICAL SCENE COMPLESSO MONUMENTALE DI SAN MICHELETTO, LUCCA, 24–26 NOVEMBER 2015
SIMONE LAGHI
SAMMELN – MUSIZIEREN – FORSCHEN. ZUR DRESDNER HÖFISCHEN MUSIK DES 18. JAHRHUNDERTSMUSIC DEPARTMENT OF THE SÄCHSISCHE LANDESBIBLIOTHEK – STAATS- UND UNIVERSITÄTSBIBLIOTHEK DRESDEN, 21–23 JANUARY 2016
JANICE B. STOCKIGT
INSTRUMENTALMUSIK ‘NEBEN’ HAYDN UND MOZART: ANALYSE, AUFFÜHRUNGSPRAXIS UND EDITION UNIVERSITÄT DES SAARLANDES, 18–19 FEBRUARY 2016
MARKUS NEUWIRTH, MATTEO GIUGGIOLI
SEVENTH BIENNIAL CONFERENCE OF THE SOCIETY FOR EIGHTEENTH-CENTURY MUSIC UNIVERSITY OF TEXAS AT AUSTIN, 25–28 FEBRUARY 2016
SARAH BUSHEY
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