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Journal of the American Musicological Society, Summer 2023; Vol. 76, No. 2
Articles
Remember Me: Vocal Cadenzas as Mementos in Nineteenth- Century Musical Autograph Albums
STEVEN ZOHN
Race, Gender, and the Colonial Orchestral Body at the New Zealand International Exhibition, 1906
INGE VAN RIJ
"Empty Claims of Fellowship?" Erich Doflein, Paul Hindemith, Übungsmusik as Shared Task
JOEL HANEY
Aesthetic Wit(h)nessing in Anti-lynching Songs by Silvestre Revueltas and Carlos Chávez
STEPHANIE N. STALLINGS
Reviews: Books
O Say Can You Hear? A Cultural Biography of “The Star-Spangled Banner,” by Mark Clague
IMANI DANIELLE MOSLEY
Music, Subjectivity, and Schumann, by Benedict Taylor
HOLLY WATKINS
Music and Power at the Court of Louis XIII: Sounding the Liturgy in Early Modern France, by Peter Bennett
NATASHA ROULE
Seachanges: Music in the Mediterranean and Atlantic Worlds, 1550–1800, edited by Kate van Orden
RICHARD WISTREICH
Sound Relations: Native Ways of Doing Music History in Alaska, by Jessica Bissett Perea
CHAD S. HAMILL/ČNAQ’YMI
French Musical Life: Local Dynamics in the Century to World War II, by Katharine Ellis
SYLVIA KAHAN
Material Cultures of Music Notation: New Perspectives on Musical Inscription, edited by Floris Schuiling and Emily Payne
GINGER DELLENBAUGH
Carl Philipp Emanuel Bach: The Complete Works
TILMAN SKOWRONECK
Black Diamond Queens: African American Women and Rock and Roll, by Maureen Mahon
JASMINE A. HENRY
The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century, by Nicholas Mathew
ALYSON McLAMORE
Reviews: Digital and Multimedia Scholarship
American Religious Sounds Project
BO KYUNG BLENDA IM
Summer of Soul (. . . Or, When the Revolution Could Not Be Televised), directed by Ahmir “Questlove” Thompson
MARK BURFORD
The Beatles: Get Back, directed by Peter Jackson
KENNETH WOMACK