CFP: Women in Art and Music: An Early Modern Global Conference, The Juilliard School and the National Gallery of Art, 18-20 Oct 2023

[AMS]

The Juilliard School and the Center for Advanced Study in the Visual Arts, National Gallery of Art, announces a symposium on women in art and music in the early modern period (ca. 1500–ca. 1800), in honor of the National Gallery’s recent acquisition of Bolognese painter Lavinia Fontana’s portrait of 16th-cnt. singer and lute player, Lucia Garzoni (b. 1561). Our goal is to think broadly about women as creators, as part of the cultural and global economy, and as experts in their chosen field of art. We suggest that visual art and musical performance were so tightly enmeshed at this time as to form their own language, particularly in women-centered spaces. We, therefore, seek a new way of addressing this shared space—not necessarily as an interdisciplinary zone where art and music converge—but one in which modes of creation are shared in codependent and overlapping ways.

Early modern scholarship has recently suggested that identity is a process, a fluid phenomenon rather than fixed formation, in which the interaction between groups (be they national, religious, social, gendered, or racial) is the crucial point of study. What happens when we apply this idea to the realm of artistic identity? How does reading art and music as coexistent entities enhance our understanding of women in the early modern era? How did art-/music-making offer women pathways for independence? How did issues of class, race, and gender play into advances for women on the global stage? We hope that the co-mingling of a museum and a conservatory will help to answer some of these questions. Live music will be provided alongside papers to reveal how crucial performance is to the study of music and the sister arts in the early modern period; public concerts will also occur on both days.

We invite submissions from scholars across the humanities that engage with early modern women as artists and/or musicians. Papers are particularly encouraged that consider cross-cultural connections in how they address issues of art-making and performance in Africa, the Americas, Asia, Europe, and beyond. A selection of papers will be published in an edited volume by the Center/Yale. To submit a proposal, please send paper title, abstract, and CV by Fri, Dec. 9, to: Dr. Eve Straussman-Pflanzer, Curator and Head of Italian and Spanish Paintings, NGA and Dr. Elizabeth Weinfield, Professor of Music History, Juilliard; Director, Sonnambula.

For more information: https://www.juilliard.edu/