| | | | | | | MINOR THREAT - OUT OF STEP OUTTAKES (COLOR) Back in stock! In January 1983, Minor Threat went into Inner Ear Studio for the first time as a five-piece (Brian Baker had moved from bass to second guitar and Steve Hansgen was now playing bass). They had six new songs that would end up being the center piece of what became the Out of Step 12" EP. The band had also decided to re-record the song "Out of Step" with some extra language to try to clarify the lyrics, as well as "Cashing In", a tongue-in-cheek song about the DC punk scene which they had only played live once. After much debate, "Cashing In" was added as a hidden track on the original vinyl release though not listed on the cover or label. There was still blank tape on the reel, so they decided to record an instrumental with the working title, "Addams Family" and then recorded new versions of "In My Eyes" and "Filler" to hear what they sounded like with two guitars. "Addams Family" ended up being used as a coda to "Cashing In", but the other two songs were never mixed and largely forgotten for over 35 years until the multitrack tapes were taken into the studio to be digitized in 2021. Surprised by the discovery, Ian and Don Zientara mixed the two songs along with the complete take of "Addams Family". | | | | | Iconic tracks that would later be re-recorded for their first album, comprised the demo. Recorded on four tracks, it displayed clear influences from psychedelia, garage rock, and 60s folk-rock: the Beatles, the Byrds, the Seeds not forgetting local bands like Los Salvajes. This early demo, released on cassette, introduced them to the underground scene of the time, even getting airplay on Radio 3's "Diario Pop" program. | | | | | Iconic tracks that would later be re-recorded for their first album, comprised the demo. Recorded on four tracks, it displayed clear influences from psychedelia, garage rock, and 60s folk-rock: the Beatles, the Byrds, the Seeds not forgetting local bands like Los Salvajes. This early demo, released on cassette, introduced them to the underground scene of the time, even getting airplay on Radio 3's "Diario Pop" program. Now, for the first time on vinyl, you can enjoy these four brilliant songs exactly as they were originally conceived. | | | | | It's a wild tribute to the chain-smoking Moto-Man from 1938 a character with so much hubris, he makes HAL 9000 look like a bundle of anxious circuits. On the A-side, "Elektro Returns" blasts off as a Clavioline-driven stomper with a bouncy beat and feverish chord changes. Think JEAN JACQUES PERREY on a bad LSD trip. On the other side, "I Am Elektro '25", reinvents their 2019 track of the same name. This fuzz-drenched pounder could have made THE VENTURES' Nokie Edwards wish he'd been built as a robot! Back from the future and ou_a space LES ROBOTS return from their intergalacac journey! Moog on! | | | | | Solid digital roots reggae classic from Rick Wayne, originally released on the Pathway To Freedom label in 1997, backed with a minimalist dub version with emphasis on the juggernaut rhythm. 'Almighty Father' has gained popularity in recent times due to its inclusion on shared recordings of late-1990 Jah Shaka sessions that have been circulated. | | |
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TOPSY-TURVY | A concept album, each song the soundtrack to an imaginary movie trailer, represented by the four posters on the cover. MOVIE MOVIE is based out of NYC and features members of the bands TWIN GUNS, THE ELECTRIC MESS, and THE ABOVE. The band combine elements of power pop, '60s, '70s and '80s garage, classic, alternative and glam rock, but they have a sound all their own, with a focus on strong hooks and melodic vocals. | | | | 4251896112339
TOPSY-TURVY | THE SENSATIONAL SECOND COUSINS are a two-piece band featuring, off course: two second cousins! Hectic HENRI (THE HECK) and Ravin' JERK bring you a mix of primitive rock 'n roll/rockabilly played with a punk attitude. One guitar, a selfmade stand-up drum kit, and preaching vocals are all they need to sound like a bulldozer! A decade after their glorious and successful debut album "Earthquake", the talented duo hit the studio again with full power and recorded 10 self-composed hits at fabulous studio Teepdek. After their sensational 7"-rock'n'roll-anthem "Meatball", which is also included on the 10", "Pepper & Salt" continues in finy style, sounding like a brilliant mix of THE TRASHMEN, READYMEN, BUNKER HILL, ELVIS and ROY ORBISON. With "Pepper and Salt", THE SENSATIONAL SECOND COUSINS truly have a sensational record to offer! | | |
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OJO DE MUJER | Released in 1970 on the short-lived Truth Records label, Bandolero stands as one of the rawest and most elusive artifacts of Puerto Rico's psychedelic underground. Eleven originals burst with searing fuzz guitar, swirling organ, and driving Latin percussion, a heady mix of heavy rhythm and acid-tinged atmosphere. From the hypnotic pulse of its slow burners to the storm of its wilder jams, the album captures a moment of pure creative freedom and unfiltered energy. Long out of print and whispered about for decades, this is a blazing return for a true Latin psych-rock classic. | | | | | The Bikini Mutants were from Yeovil, Somerset and part of the All the Madmen world. In their short life as a band they recorded two demos at Monitor Studios, Milborne Port in Somerset in 1982. Let's Mutate collects these two demos on one LP, along with a 20 page booklet featuring photos, lyrics, reviews, interviews and much more. The band played mostly in Yeovil and the West Country along with the Mob and the Review, and even though they were part of the West Country anarcho scene, the sound was a mix of scratchy post punk and indie pop. Members of the band went on to be in My Bloody Valentine and the Chesterfields. The songs are intricate, delicate and engaging with the drums and bass locked in, the fuzzed out guitar weaving on top and Criss Cole's angelic voice taking each song to pop heaven. Think a mix of Girls at our Best, Au Pairs and the Marine Girls. | | | | | Formed in San Diego at the tail end of the 1970s, The Crawdaddys stood apart from the punk explosion surrounding them, reviving the raw rhythm & blues spirit of the early British Invasion with unshakable devotion. Their debut album Crawdaddy Express, originally released in l979 on Voxx Records, captures the band at full throttle, gritty guitars, swirling organ, and a ferocious live energy straight out of a sweaty basement club circa 1965. Reissued to celebrate BOMP!'s 5Oth anniversary, this essential slab of garage revival magic remains a timeless reminder of when rock & roll was wild, loud, and gloriously untamed. | | | | | The Canadian punk/hardcore classic "The Black Spot" (1995) by West Coast legends D.O.A. feat. Joey Shithead Keithley is being re-released on vinyl for the first time in three decades. . Since the late 1970s, Vancouver's D.O.A. fronted by activist and scene icon Joey Shithead Keithley have been among the most consistent and uncompromising voices in North American hardcore. Originally released in 1995 and created under tragic circumstances, The Black Spot marks a special chapter in the band's history: after the death of drummer Ken Jensen, John Wright (No Means No) took over the drums at short notice a stroke of luck that made these sixteen tracks one of the band's most intense, wildest and emotionally charged works. With songs like "Blind Men," "Road Kill," "I Know Who You Are," "Kill Ya Later," and "Big Guys Like D.O.A.," the band presents itself in absolute top form: raw, direct, politically charged, and full of iconic West Coast hardcore energy. | | | | | Swan is a warm, melodic, and emotionally direct album, blending guitars, pedal steel, and synths, with wry, heartfelt songwriting reminiscent of MJ Lenderman and David Berman- but with a distinctly antipodean voice. TRACKLIST SIDE A 1.The Perfect Swan 2. Flashes 3. Wrong Party 4. Wait Forever 5. Time to Turn SIDE B 1. Heart Goes Blank 2. Not Even Trying 3. Stupid Song 4. Rising Star 5. Anything else | | | | | HIGHLIGHTS You On Repeat is a bittersweet indie pop album shaped by warmth, immediacy, and unfiltered charm, recorded over a summer weekend on Sweden's west coast. Jangly and distorted guitars meet lo-fi textures and disarming melodies, rooted in a DIY '90s indie spirit. Moving fluidly between noise and tenderness, the record balances raw emotion with finely crafted hooks. TRACKLIST Side A. 1. Ragdoll 2. Still Do Drugs 3. Beverly Hills Kills 4. Careless Love 5. Dream 6. My Mind Is Off Side B. 1. Gymnast 2. Stationary 3. Waiting For The Sun 4. Heaven To Me 5. My Favorite Rum 6. Stop | | | | | No descuento en este artículo. Clics modernos (también conocido como Modern Clix) es el segundo álbum de estudio del cantante y multinstrumentista argentino Charly García como solista, publicado el 5 de noviembre de 1983 por la compañía SG Discos. Edición Limitada Vinilo Transparente. No descuento en este artículo. TRACKLIST CARA A 1. Nos Siguen Pegando Abajo 2. No Soy Un Extraño 3. Dos Cero Uno 4. Nuevos Trapos 5. Bancate Ese Defecto CARA B 1. No Me Dejan Salir 2. Los Dinosaurios 3. Plateado Sobre Plateado (Huellas En El Mar) 4. Ojos De Video Tape | | | | 0602561661609
OJO DE MUJER | Back on vinyl for the first time since its original 1972 release, Guggenheim is a hidden treasure from the British underground. Blending elements of jazz, prog, and acid folk, the album moves between dreamy atmosphere and sharp, rhythmic bursts, capturing the restless experimentation of its era. Long overlooked outside collectors circles, Guggenheim now returns as a vivid snapshot of early '79s creativity, adventurous free-spirited, and quietly timeless. | | | | | Ex-Hot Dogs singer with wild rocking release influenced by Johnny Thunders, Nikki Sudden, Only Ones and Mott The Hoople! Previously released on 10" in 2003, now with extra tracks! | | | | 0602561694430
SURVIVALRESEARCH | Released in 1973 on Motown's label, Share My Love is a richly layered and deeply expressive record that captures Gloria Jones at a creative crossroads. After years working behind the scenes as a songwriter and session vocalist, penning material for The Tams, The Marvellettes, and others, Jones finally takes center stage with a collection that radiates confidence, vulnerability, and undeniable soul. Known to many for her original 1964 version of "Tainted Love," later immortalized by Soft Cell, Jones brought to Share My Love a seasoned understanding of both the heartbreak and hope that lie at the core of great soul music. More than just a product of its time, Share My Love feels like a declaration, a turning point where one of soul's great, often-overlooked voices stepped into her own light. It remains a moving document of artistic self-assurance and one of the most heartfelt releases to emerge from Motown's early '70s era. | | | | 0602561552396
OJO DE MUJER | Originally released in 1963, I Feel the Spirit was the debut album from Prince Buster, one of ska's great pioneers and a key figure in shaping Jamaican popular music. Its impact reached beyond Kingston, finding an audience in London's West Indian clubs and later inspiring the two-tone movement. Backed by legends like Drumbago, Lester Sterling, and Rico Rodriguez, the record stands as a cornerstone of early ska history. | | | | | THE QUESTIONS formed in Koza, Okinawa in 2019, featuring the talented Chelio (SIX). Their original pop-infused songs blend rock, punk, and garage rock, andtogether with their wild stage presence have made them unforgeNable to anyone who sees them live. Last year, the power trio even provided the soundtrack for a Ryukyu Nissan commercialappearing in it themselves. Now, it's Sme for their debut LP: "Best Answer"! The album is incredibly catchy and versaSle. From wild, lo-fi punk instrumentals like "Beehive!!" and "Howling Bowl", to cool pop-punk tracks like "I Want You", "45", and "QuesSons-theme". There are also danceable garage punk songs like "Brighton Beach", "Koi no yokan", and "Yoakenotori ga naita". The track "I am I" references the SONICS' guitar sound and adds cool Japanese female vocals, screams, and harmonies. The album also includes two wild, punky cover versions: the R&B classic "I Got My Mojo Working", and a charming yet incredibly cool take on Jacques Dutronc's "Les Cactus". And with "Honey Pye", they even deliver a catchy off-beat tune with a feel-good pop-punk ajtude. This album is top-quality Japanese rock from beginning to end! | | | | 4251896112308
TOPSY-TURVY | The record is built around the quirky sound of a broken Optigan, a toy keyboard from the late 1960s, and features instrumental tracks full of playful, robotic weirdness. Inspired by artists and styles such as Joe Meek, The Ventures, Jean-Jacques Perrey, 50s/60s film soundtracks, Stockhausen, and The Shadows, the album surprisingly feels lively, human, and fun. The band jokingly claimsin "robot language"that it might be their best album yet, inviting listeners to relax and enjoy its carefully crafted sonic adventures. | | | | 0614537646718
HEY SUBURBIA | Formed in Palermo in 1995, at the height of the Italian-language punk rock wave, Semprefreski have always been a story unto themselves. Too fast for the pop-punk standards of the time, too rowdy for the extreme hardcore scene, and too far from any scene epicenter, they built their reputation mile after mile on tour, through high-octane shows and a near-religious dedication to building a local scene in one of the most challenging cities in Italy. They disbanded in 2002 and never truly reformed, aside from occasional reunions like the one at the 2024 edition of the "dumb little festival" par excellence, now immortalized on vinyl in the new volume of the "Live at Punk Rock Raduno" series (which also features, among others, Senza Benza, Giuda, and Klasse Kriminale). Pop-punk "tarello" at two thousand miles an hour, with anthems like "Stai ancora con quel pirla" and "Bongoloide" exploding into a chaos of singalongs, stage dives, and full-on punk rock mayhem. Limited to 300 copies: 150 on white vinyl and 150 on red vinyl. | | | | 0602561445247
HEY SUBURBIA | | | | | 8495391014927
DUST AND MEMORY | Up The Country by The Sixt Great Lake (Burlington, Vermont) is a cult favorite of late-'90s indie, blending jangly guitars, pastoral melodies, and a distinctly melodic sensibility. Originally released to quiet acclaim, the album has since gained a devoted following among collectors and indie pop fans. A timeless, understated record with strong appeal for fans of melodic, guitar-driven indie. TRACKLIST SIDE A A1. Duck Pond A2. Across The Northern Border A3. Up The Country A4. The Ballad Of A Sometimes Traveller A5. Cannon Beach A6. Descending Star A7. Blue A8. Last In Line SIDE B B1. You Make The Call B2. Shade Of Love B3. 27 Forever B4. Spin Your Wheels B5. 300 Miles B6. Rockin' Chair B7. Lovely Today | | | | 7640148983716
VOODOO RHYTHM | Sam Snitchy transforms chaos into sound. Once a street poet known as Maniporno, he now blends punk energy with techno pulse, industrial grit, dub tension, and psychedelic garage haze. | | | | | Sweet Pill is an emo band from Philadelphia, whose songs straddle the line between pop and hardcore. They released their debut album Where The Heart Is (2022) in the same year they signed with Topshelf Records, and since then they have been on an upward trajectory. A.o. strongly suggested by Hayley Williams from Paramore, who much liked their song "High Hopes" that she mentioned it on her podcast "Everything Is Emo". Sweet Pill's sophomore new album, Still There's a Glow, is a resilient response to the mounting pressures following their breakout debut, Where The Heart Is. Facing exhaustion, the band scrapped early demos to prioritize mental health, ultimately crafting a raw document of self-reflection that vocalist Zayna Youssef calls "the hardest thing I've had to do." Marking a significant evolution in their creative dynamic, the new album is the first written fully as a collaborative unit by Youssef, guitarists Jayce Williams and Sean McCall, bassist Ryan Cullen, & drummer Chris Kearney. Recorded at Gradwell House with longtime producers Matt Weber & Dave Downham, the record aims to bottle the kinetic energy of their live shows_performances that have earned them endorsements from stars like Hayley Williamsand Doja Cat. The resulting sound is an elevated mix of math-rock intricacy, urgent punk, and heartfelt emo. | | | | 8495391014910
DUST AND MEMORY | Originally released in 2001, Once is a cult favorite of West Coast indie pop, blending warm melodic guitars with subtle psychedelic and folk influences. This 25th anniversary reissue brings back a quietly influential album with timeless appeal. Ideal for collectors and fans of melodic, understated indie with strong long-term catalogue value. TRACKLIST SIDE A A1. All My Bastard Children A2. New Confessions A3. Strangers Again A4. Get Around Too A5. North Country Times SIDE B B1. The Dawn B2. Improper B3. Your Tattoos B4. Silver's Okay Michelle | Rock/Pop/Indie/Alternat.
10/04/2026 | | | 0602561104199
SURVIVALRESEARCH | Originally released on Vermillion Records in 1972, Vernon Wray's Wasted stands as a cult underground classic, capturing a raw and deeply personal vision of early '70s American outsider rock. Issued in extremely limited numbers, the album has gained legendary status over the decades for its unpolished intensity and haunting, introspective songwriting. As the older brother of Link Wray, Vernon shared a bloodline with one of rock's true innovators, yet Wasted charts its own solitary path, stripped-back, melancholic, and fiercely independent. The record reflects a moment frozen in time, where folk, country, and primitive rock converge with a confessional honesty rarely documented. Long sought after by collectors, Wasted offers listeners a rare glimpse into the fragile beauty of an artist working outside the spotlight, creating music on his own terms. A powerful document of American underground music, this release cements Wasted as an essential artifact of rock's shadow history. | | |
| | PVP 25 os. Nueva edición ampliada con traducción revisada. 360 paginas. Una banda que es más que una banda, un fenómeno que lleva décadas seduciendo a un público que los redescubre con cada nueva generación. Uno de los frutos más genuinos Formada en el Nueva York de finales de esa década por los nacidos en Ohio Lux Interior *Erick Purkhiser( y Poison Ivy Rorscharch *Kirsty Wallace(, los Cramps no solo dieron origen al psychobilly, sino que también dejaron detrás un insuperable legado de arrasadoramente bueno y primario rock?n?roll. Lux Interior era como el monstruo de Frankenstein reconstruido con partes de Gene Vincent y Eddie Cochran, mientras que Poison Ivy, con su mirada láser capaz de cortar titanio, era una de las mujeres más formidables del rock. Con entrevistas inéditas hasta ahora con Ivy, Lux y el resto de los miembros de la banda, ilustraciones y una completa discografía, este libro recorre toda la historia de los Cramps, desde sus orígenes hasta su final, con la inesperada muerte de Lux en el 2009, en lo que supone también a un viaje a una época irrepetible, el Nueva York donde cristalizó la creatividad más desbordante, y que se convirtió en el centro de la música. | | |
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