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NUEVAS ENTRADAS EN DISTRIBUCIÓN - Single (7") MECAGOENDIOS | | "Tiempos modernos" empezó a echar chispas desde el primer día que Iñaki (DiscosMeCagoEnDios) nos propuso sacar esta canción en un 7" por una cara y por la otra lo que quisiéramos. Accedimos antes de que se arrepintiera y pensamos en dos temas cortos para la cara oculta, "Sin desperdicio" y "Volverte a ver" que también empezaron a producir chispas rápidamente. De ahí, el nombre de "TRIFASICO" llegó solo." Son palabras del propio Cap. Entresijos, este es su nuevo 7" limitado a tan solo 100 copias. No te duermas en los laureles, que se acaba a la de ya. | | |
- LP (Album) BANG! RECORDS | | "Dubrovnik Blues" on Vinyl: The Australian Super-Band That Changed Everything! Attention all lovers of raw, unfiltered rock'n'roll! Bang! Records proudly presents the vinyl reissue of "Dubrovnik Blues", the celebrated debut LP from The Dubrovniks - the Australian super-group born straight from the beating heart of the country's punk underground. Formed in Sydney in 1986 (originally as The Adorable Ones), The Dubrovniks brought together true icons of the Aussie scene: James Baker, legendary drummer for Beasts of Bourbon, founding member of Hoodoo Gurus, and a driving force in The Scientists; Roddy Radalj, co-founder of Hoodoo Gurus and veteran of The Scientists; and Boris Sujdovic, who also played with both The Scientists and Beasts of Bourbon. Far from being "just another debut," Dubrovnik Blues was an instant statement of intent - a wild blend of garage rock grit, glam swagger, punk attitude and classic rock'n'roll hooks. Think The Troggs and T. Rex colliding with the spirit of the New York Dolls. Originally released in August 1989 on Timberyard Records, the album went on to earn a nomination for Best Independent Release at the ARIA Awards in 1990. Now, Bang! Records brings this cult gem back to life on vinyl - a must-have for collectors, vintage-sound purists, and anyone ready to relive (or discover) the raw, electric energy of late-80s Australian rock at its finest. TRACKLIST SIDE A A1. Christine A2. Like Fire A3. Missionary Girl A4. One Horse Town A5. Dubrovnik Girls A6. Freezing Rain SIDE B B1. Speedway Girls B2. Twist Me Around B3. I Had A Dream B4. I'd Walk The Plank For You Baby B5. Run Baby Run B6. Angel Love | Garage/Surf/Instrumental
17/10/2025 | |
| | Back in stock! Alright, put on your dancing shoes and get ready for a weird trip to the dance floor, to a time when the Soviet Union -still alive and under the flag of the hammer and sickle- managed to produce some wonderfully odd and hypnotic disco hits, mutant funk smashers and electro hip breakers. Coming from all over the huge landscape that the USSR was, the artists on this killer compilation showcase a variety of visions on the subject of shaking the ass that will surprise even the most cynical connoiss of the genre. * A mindblowing introduction to the obscure world of soviet dance music. * 12 tracks of pure soviet disco fever. | | | | | Repress!!! Due to its extremely complex history, Taiwan in the 70's saw the creation of some incredibly special music in which the sounds coming at the moment from the west collided with the special sensitivity of Taiwanese musicians, creating a delicious mixture you'll need to hear to believe. "Taiwan Disco" shines a light on the music created by Taiwanese women during those years (70's and early 80's) to present a mind-blowing collection of songs with sounds ranging from wild Funk to apace Glam, exotic Disco or fuzzed out Soul. Here's the ticket to some crazy Taiwan nights, get those dancing shoes ready, it's time to shake it! SIDE A: 1. Wu Xiu Zhu 2. Hua Yi Bao 3. Cui Tai Jing 4. Zou Juan Juan 5. Chen Lan Li 6. Wang Xiang Ling SIDE B: 1. Tian Lu Lu 2. Liu Guan Lin 3. Wu Xiu Zhu 4. Luo Yan Li 5. Yu San Shan 6. Zhang Bei Xin | | |
NUEVAS ENTRADAS EN DISTRIBUCIÓN | | AG delivers 10 intense ultrafast mince core blasts, recorded in 2013 at DM-STUDIOS in JAKARTA, INDONESIA, on a free night when AG was touring in INDONESIA. So Cal's rowdiest grinding drug lords are out on bail & back. MPG blasts through six tracks of ganja induced madness in less than 7 minutes. Making you overdose or at least catch a contact high along the way. Raw & uncut like Pomona you won't feel your face for a week after this grindviolence onslaught. | | | | | Featuring a pounding cover of The Troggs' "I Can't Control Myself" on the topside - James was the world's biggest Troggs fan, and he would occasionally venture out from behind his drums (handing his sticks to Brad Shepherd) to sing this one for an encore in his Hoodoo Gurus days - and the hilarious and raunchy New York Dolls-inspired original "Born To Be Punched" (which sounds like a long lost track by another of James' faves the Hollywood Brats) on the flip, the single was recorded not long after James and the Gurus parted ways. It features a young Tex Perkins on bass and James' mate from Scientists and later Dubrovniks day, Rod Radalj as well as Tex's mate Stu Spasm on guitars. | | | | | Dos figuras de la música de Perth, James Baker y Dom Mariani (The Stems, DM3, DATURA4), se unieron para grabar un nuevo y maravilloso sencillo bajo el nombre de The James Baker Beat. «Friday Night Friends» y «She Said (Bad Weekend)», ambas compuestas por James y Dom, son clásicos instantáneos del garage punk y el pop que evocan los sonidos y la tradición del rock and roll de los primeros Scientists y Stems | | | | | During the first week in August 1963, the Beatles were touring in Lancashire, so they fulfilled their obligation to record the tracks for episodes 11 and 12 of Pop Go The Beatles at the BBC's Playhouse Theatre in Hulme, South Manchester on August 1st. From Me To You, I'll Get You and Money were broadcast as part of show #12. Also recorded on August 1st was a rousing version of Twist & Shout that was broadcast on show #11. George solos blues-style on the customary, instrumental version of Pop Goes The Weasel that started and finished each show. | | | | | On Tuesday 3rd September 1963, the Beatles recorded all eighteen tracks for the last three Pop Go The Beatles shows. The venue was the Aeolian Hall in Mayfair, used by the BBC for the recording and broadcast of concerts and recitals. The standout track here is a very confident sounding Misery with Duane Eddy-style ending. Along with From Me To You and Till There Was You from that session, we include here the rock'n'roll instrumental version of Pop Goes The Weasel that started and finished each show. Also featured on this EP is a seasonal medley version of Eddy's Shazam plus some a cappella tunes sung by the boys for Saturday Club on 17th December 1963, including All I Want For Xmas and You Were Made For Me. | | | | | " The session that Clarence Daniel featured Obie (Young) Jessie on as the vocalist, consisted of three marvelous jazz/soul tracks. Two sides sold very poorly on release on the Modern subsidiary Affiliated in 1966. However, early in the next millennium, 'Hard Working Girl' was picked up and played by retro DJs to great acclaim. The demand for the few, scarce existing copies, rocketed the price, thereby leading to Kent re-releasing it. " The third recorded track at the session, was equally excellent, so we have taken the opportunity to release 'Got A Good Thing Going On' on vinyl as a Kent Select 45 for its many fans. With 'Hard Working Girl' now deleted and still needed by more recent converts, it makes for a great new release. | | | | | Having built a strong reputation across the West Coast scene with appearances alongside Lee Fields, Thee Sacred Souls, The Altons, The Charities and The Mystery Lights, The Emkays unveil a lush, two-track single that blends classic soul with cinematic elegance. The A-side, Let Love Walk Out Again, is a shimmering, melancholic ballad steeped in orchestral bells and graceful arrangements, recalling the refined pop of The Zombies. On the flip is Through the Pines, a haunting instrumental built around soft swing, vibraphone textures and ghostly vocal inflections _ a delicate, atmospheric counterpoint that lingers long after it fades. | | | | | Back in stock! Comprising a duo formerly of Thee Sacred Souls and Juniore Scaife, The Emkays combine their local SoCal soul music and British invasion pop in distinct, evocative ways. This is the band's debut single, presenting their slickly produced '60s nostalgia in two rhythmic, beautifully harmonised pop gems. | | | | 0029667039079
GOLDEN STATE | The Golden State Recorders LP that Leo Kulka cut on Jeanette Jones in 1969 lives on, despite being undiscovered until this millennium. With the funkier end of the soul spectrum becoming more in vogue in recent years, 'You'd Be Good For Me' comes into its own as a perfect dance track for several current scenes. Co-written by Jeanette with the distinguished Gerry Goffin and Barry Goldberg, the song and production are exemplary - this 45 rpm release is well-earned. We've grabbed the chance to reactivate 'Cut Loose' from the same sessions, as the original Kent 45 release now fetches a couple of hundred quid. With legendary 100 Club DJ Butch now spinning it from a recently acquired original acetate, it will only gain more interest among rare soul fans. | | | | | The Money Records 2" multi-track tape of 'Sugar Love' and 'You Bet I Would' revealed an unknown title 'We've Reached A Dead End'. This turned out to be a beautiful Richard Cason-penned ballad which featured a lush, dramatic arrangement by Los Angeles musician Ray Jackson, complete with male backing vocals. Cason co-produced the three songs with producer Hadley Murrell who licensed the recordings to Ruth Dolphin at Money. 'Sugar Love' only appeared on the flip of the second pressing of 'You Bet I Would', the instrumental was used initially. 'Sugar Love' is in itself in-demand as a dance track. Money 606 did not sell enough to warrant a further release and the track lay unmixed in the vault until now. Interestingly the tape was dated May 1973, just prior to the two releases, and was described on the box as a rework of a tape from July 1971 - the music certainly wasn't rushed. | | | | | The Mystery Lights return with a brand new, MC5-flavoured banger "Before You Realise It". With its pummeling rhythm section, searing guitars and singer Mike Brandon's frantic, shout-sing delivery, "Before You Realise It" is a rare example of a band at peak power, capturing the raw, chaotic energy of their live show onto 8-track tape. On the flip you'll find the lysergic nightmare "Cerebral Crack". A creeping, psychedelic hell-ride into the nether regions of the human psyche. | | | | | Cuatro canciones propias cantadas en castellano en las que el grupo barcelonés reafirma su inconfundible estilo: metales incendiarios, potentes bases groove, producción cuidada al milímetro y la carismática voz de Victor Asensio ejercen de nuevo de sello inapelable. Un trabajo que condensa todo lo que ha convertido en una de las bandas más queridas del soul y el freakbeat estatal. | | | | | West coast writer / producer George Semper recorded four sides on the Sherilles ? a group led by Vessie Simmons, who had been lead singer for the Ribbons in the early 60s. She would go on to have a prolific solo career in the 70s, right through to the 90s. Ace sleuth Alec Palao found four Semper-produced sides on two DCT acetates and we licensed the rights from the Semper family. These fully realised recordings are from 1968 when the group had to swiftly change their name from the attempted one of the Shirelles ? which they had hoped to get away with, and presumably cash in on that outfit's fame. A court injunction put paid to that plan and though the name change was only slight, it was never tested in court, as the tracks were never issued. 'Nobody's Gonna Love You' is an excellent George Semper song and judging by the 100 Club's audience reaction to recent plays will become a staple of forward-thinking club's playlists. 'Make It On My Own' is in the same groove and not far short of the A side. Vessie would re-write and re- record it in 1975 as 'I Can Make It On My Own' for a solo release on her Simco label. | | | | | This exciting 45, features two previously unheard 60s, New York soul, dance tracks. Big Apple session singer and occasional composer, Doris Willingham, first had a rare release on the Hi- Monty label in 1966 and then in 1968 cut four sides for drummer Bernard "Pretty" Purdie. All were produced by Richard Tee and co-written with Doris. They were licensed to Ed Kassner who launched his Jay Boy label with 'You Can't Do That' in both the UK and the USA. A change of strategy caused the US label to be discontinued after two releases and the UK then switched primarily to home-produced recordings. The two best Willingham sides lay dormant at President's tape library until Ace released the killer ballad 'Too Much To Bear' in 2005. The fourth track is this superb dance number featuring the great Purdie band, no doubt featuring his usual bassist Jimmy Tyrell, who arranged the Hi-Monty 45. The Taylor Brothers 'Holding On' is a much grittier affair, produced by Maxine Brown's husband at the time, Mal Williams. The duo were Bennie "Earl" Bunn and Sam "The Man" Taylor and they wrote this, the third track recorded at the session that produced the 'People In Love' single on Joy. Sam had been a major mover in NYC black music circles since the 50s with his own bands and had fingers in many pies. The duo gave a performance worthy of some of the great 60s male soul couplings. | | |
| | First time on vinyl for over 30 years, and now with a bonus disc with 13 extra tracks. The only properly recorded Adicts live album, how they should be heard. Originally mixed by The Adicts and now remastered. Limited edition in milky clear vinyl, with improved sleeve art | | | | 8055515234169
DESTINATIONMOON | Clear vinyl. Numbered.Formed in 1961 when Dennis Wilson, the only Beach Boy to regularly visit the beach, asked his brother Brian to write a song about the sport of surfing. The Beach Boys reached number 75 in national charts with their first single (the resultant song 'Surfin') and were immediately signed to a major label. Though many debut albums in the early '60s were mainly built around a few smash-hits, the Beach Boys' 1962 full length debut on Capitol (featuring such hits as 'Surfin' Safari', '409' and their version of the Eddie Cochran classic 'Summertime Blues') remains one of the greatest first steps in American pop culture, and a mandatory chapter in the history of rock and roll. | | | | 5060135762544
KINGSTON SOUNDS | Johnny Clarke stands tall as one of the great vocalists that ruled the Jamaican reggae scene from the mid 1970's to the early 1980's Dancehall period. This re/issue of his "Don't Stay Out Late" set shows his versatility to sing any song that was put in front of him and make it his own. Under producer Bunny "Striker" Lee's guidance, Mr Clarke produced a run of singles and albums few could match. Johnny Clarke (b 1955, Jamaica, West Indies) cut his first record od Made the See and Sun', after winning a local singing contest in the Bull Bay area of Jamaica. Although the single was not a hit, it led to two follow up tracks for producer Rupie Edwards, Everyday Wandering' and ulie' that fared much better, both on the island and overseas in England and Canada. These tracks also brought the singer to the attention of producer Bunny Lee and a working relationship that would go on to produce a prolific catalogue of music. Johnny Clarke's Dread Conscious& Love Song style were to grace many hits around this time in 1974. Such tunes as one Shall Escape The Judgement' , ove Out Of Babylon' , ock With Me Baby' , nter The Gates With Praise' to name but a few. All new songs added to a host of cover tunes, recommended by Bunny Lee, many taken from singer John Holt's catalogue, that suited Clarke's vocal style. The rhythms were cut at various studios around the Island. Randy's Studio 17, Channel I, Treasure Isle, Dynamic Sounds and Harry J's by a group of musicians loosely called The Aggravators and voiced King Tubby's studio. All great tracks backed by great rhythms, cut by Mr Johnny Clarke with a voice that few could equal. | | | | 8055515237146
DESTINATIONMOON | Clear vinyl. Numbered. Originally released in 1962, Takin' Off marked Herbie Hancock's debut as a leader, showcasing his balance of sophistication and accessibility. While influenced by Horace Silver's hard bop, Hancock's style was lighter, more cerebral, and adventurous in its harmonies. The album includes the iconic Watermelon Man, which became a jazz standard after its hit cover by Mongo Santamaria. Other highlights include the introspective Alone and I, the minor-key The Maze, and the bluesy Empty Pockets. Backed by Freddie Hubbard, Dexter Gordon, Butch Warren, and Billy Higgins, this debut laid the foundation for Hancock's future innovations in jazz. | | | | 8055515237061
DESTINATIONMOON | Clear vinyl. Numbered. A true icon of jazz, Billie Holiday (1915-1959) redefined vocal artistry with her raw emotion and unmistakable phrasing. Discovered by producer John Hammond in 1933, she recorded with Benny Goodman before rising to fame alongside jazz greats. Her haunting voice and timeless classics, like Strange Fruit, captured both beauty and pain. Though personal struggles and addiction took their toll, her influence remains immeasurable. Arrested for heroin possession on her deathbed, she left behind a legacy that still resonates through generations. | | | | 8055515235487
DESTINATIONMOON | Clear vinyl. Numbered. Her first for Chess, 1961's At Last! was a stunning comeback album for Etta James, with hits 'All I Could Do Was Cry,' 'Trust In Me' and the title track bringing her to both the pop and R&B charts in the USA. The varied approach brought out the best in James, tackling Willie Dixon's 'I Just Want To Make Love To You' as competently as her takes of 'Stormy Weather' and 'A Sunday Kind Of Love,' and there are stirring originals co-written by Harvey Fuqua in 'It's A Crying Shame,' 'If I Can't Have You' and 'My Heart Cries.' She's clearly at the top of the peak throughout this beautiful record, which is easily one of her very best. | | | | | The tapes for "Ronnie McNeir Makes A Move" were found in Mickey Stevenson's extensive master tape collection. A full new LP of classic McNeir is an absolute treat for his many soul fans; particularly in ope where he is so admired. Ronnie recorded over twenty tracks with Mickey Stevenson's production company in 1971. Eleven of these were featured on his RCA LP "Ronnie McNeir", but another ten were left in the vaults. The title track, `Let's Make A Move' is an urgent, exciting funk sound, composed with Ronnie's frequent writing partner, Andre Moore. `I'm Sorry' is an earlier version of `Gone Away' which featured on the 1972 RCA "Ronnie McNeir" LP, without the female singer's vocal response track. `Say You' is the Motown song first recorded by the Monitors in 1965. It has a more laid-back treatment here, giving it a whole new dimension. We issued the single version on a Kent Select 45 in 2022; both versions are featured on the CD. Another re-envisaged Motown number is `The Girl's Alright With Me' which features Hodges, James, Smith & Crawford's backing vocals - as do other tracks on this album. Surprisingly, Bob Dylan's `Blowing In The Wind' is also covered; in a pleasing, jaunty treatment. `My Day Will Come' is a slow-burning number Ronnie co-wrote with his wife Mona. It is one he is particularly proud of and has been picked up by modern soul DJs as a potential crossover hit. `Tell Your Mama' is a sensuous, Marvin Gaye-influenced groove, while `East Side, West Side' is more streetwise, dealing with the social problems that face many young people. As a multi-instrumentalist, heavily influenced by jazz, it comes as no surprise that Ronnie would record two jazz / soul instrumental jams which he simply named `Ronnie's Bag #1' and `Ronnie's Bag #2'. The tracks are keyboard-lead, piano and possibly organ - or more likely one of the early synthesisers that Ronnie pioneered. `Ronnie's Bag #1' is more jazz-oriented, while `Ronnie's Bag #2' goes funky. | | | | | The Oldians -this super Catalan combo bringing together the crème de la crème of the 2000s Spanish ska & reggae scene- release their ninth full-length album Som uns soulful fucking lovers in autumn 2025, with a 12" vinyl edition by Madrid-based ska, rocksteady and reggae specialist label Liquidator Music, featuring stunning artwork by Txarly Brown. It has taken almost 25 years for the band, led by restless guitarist from Ripollet (BCN) Javier García Murcia aka Sir J The Oldian, to deliver an album in Catalan. From an original idea by Osona-born saxophonist Ricard Vinyets, part of the combo since their 2008 debut Old Secrets, Sir J The Oldian set the wheels in motion earlier this year: selecting 12 classics from the band's extensive repertoire, adapting the lyrics, recording overdubs, producing new mixes, and handing them over for Catalan singer Memi Sillah to perform and breathe new life into. | | | | | Reissue one of Parliament's classic LPs, "Funkentelechy Vs. The Placebo Syndrome". The album got to #2 in Billboard's R&B chart and #13 on the Billboard Top 200 album chart. Originally released in 1977, "Funkentelechy" found George Clinton and his crew on top form. Although best known for featuring their smash club hit 'Flash Light', every track on the album shines from 'Bop Gun' to 'Wizard Of Finance'. This reissue is not only pressed on 180gm vinyl but comes with the 8-page comic book that also graced the original issue. | | | | 0637913288739
SURVIVALRESEARCH | Live at K?kumeikan, Tokyo 1987 captures the raw, immersive power of Les Rallizes Dénudés at their peak. Blending droning psychedelia, ear-shattering noise, and hypnotic melodies, this recording is a testament to the band's uncompromising approach to sound. Tracklist : Side A Flames Of Ice Night Of The Assassin Side B Field Of Artificial Flowers The Last One | | | | 8055515237139
DESTINATIONMOON | Clear vinyl. Numbered. Nina Simone's 1957 debut, Little Girl Blue, introduced her singular blend of jazz, blues, and classical influences. Backed by bassist Jimmy Bond and drummer Albert "Tootie" Heath, she delivered timeless renditions of My Baby Just Cares for Me and I Love You, Porgy, songs that would define her career. This essential release captures Simone's early genius, now enriched with bonus tracks from her first Town Hall concert. | | | | | Repress of this album that has become a classic featuring the last recordings by Skatalite's original drummer Lloyd Knibb plus alto sax Lester Sterling and vocals by Doreen Shaffer. | | | | | Absurd-Ditties is the seventh album from UK punk rockers Toy Dolls, recorded in September 1992 and hitting shelves in January 1993 via Receiver Records. Often hailed as one of their standout releases-both by fans and frontman Olga-it delivers the band's trademark mix of fast-paced punk and witty lyricism. The title is a playful mash-up of "absurd" (meaning bizarre or illogical) and "ditties" (short, catchy tunes), perfectly summing up the album's collection of eccentric and energetic songs. | | | | | One More Megabyte is the ninth studio album by English punk rock band Toy Dolls, packed with their signature humor and high-energy punk rock. Embracing the rise of computers, the album blends witty social commentary with themes of love, eccentric characters, and playful jabs at pop culture. Featuring several covers, including The Proclaimers' I'm Gonna Be (500 Miles), and punctuated by comedic skits, it's a must-have for fans of fast, fun, and unapologetically quirky punk. | | | | 5060135760434
KINGSTON SOUNDS | Repress!! The shuffle rhythm that was born from the American Rhythm and Blues tunes that hit Jamaica in the 1950's would soon fuse under its Jamaican influence and find an emphasis on the second and fourth bars of the beat. This Off-Beat would create the Ska Sound and no fine exponent of this in the sounds early days was Theo Beckford. Side 1 1. Dont Have a Ticket Dont Worry - T. Beckford 2. Come On My People - Daniel Johnson 3. Love Me or Leave Me - Lloyd Clarke 4. Seven Long Years - T. Beckford 5. Hit You Like You Feel It - The Tenor Twins 6. Daphne - T. Beckford 7. On Your Knees - Frank Cosmo 8. Grudgeful People - T. Beckford Side 2 1. Flip Flip and Fly - T. Beckford 2. Brother Nathan - Daniel Johnson 3. Streets of Glory - Basil Gabiddon 4. Bajan Girl - T. Beckford 5. Now Youre Gone - Shenley & Annette 6. Mr Downpressor - T. Beckford 7. Boiler Man - T. Beckford 8. Ungrateful People - T. Beckford | | |
| | PVP 35 os. 200 páginas. 22.50x30 cm. Tapa dura. El libro que reúne el trabajo del fotógrafo que supo captar mejor que nadie la primera escena punk de Los Angeles: The Cramps, Patti Smith, The Damned, Lydia Lunch, The Ramones, Dead Boys, Nick Cave, The Gun Club, Blondie... Las alucinantes fotografías en blanco y negro de David Arnoff, tanto posados como en vivo, comienzan en el Los Angeles de 1976. Son un impresionante quién es quién de todos aquellos que marcaron tendencia desde aquel primer destello. Sus imágenes espontáneas, crudas, íntimas y con una fuerza que emociona, nos transportan a sótanos, garitos y escenarios difíciles de encontrar ya, donde auténticas leyendas del lado oscuro quedan inmortalizadas con una cercanía pocas veces vista. | | | | | PVP 28 os. 752 páginas. 14x21 cm. Tapa dura. Antes de que Elvis cambiara la historia y los Beatles conquistaran el mundo, la música popular ya tenía un pasado vibrante y lleno de anécdotas fascinantes. En Let's Do It, Bob Stanley nos lleva a descubrirlas en un viaje que arranca a comienzos del siglo XX y se extiende hasta el nacimiento del rock and roll. Desde los primeros éxitos grabados hasta los ritmos que marcaron generaciones, Stanley explora el impacto de figuras legendarias como Louis Armstrong, Duke Ellington y Frank Sinatra, pero también rescata a artistas olvidados que dejaron una huella indeleble y nos invita a escuchar con nuevos oídos los sonidos que definieron una era. Más que un simple repaso histórico, Let's Do It muestra cómo el pasado y el presente de la música están entrelazados. ¿Quiénes fueron las primeras grandes estrellas del disco? ¿Qué papel jugaron compositores como George Gershwin en la construcción del sonido popular? ¿Cómo se unieron Broadway y el cine? ¿Qué implicaciones tuvieron las guerras mundiales en el desarrollo de la música? | | |
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