VENTA POR
CORREO ------------------------------------------------------------
NUEVAS ENTRADAS EN DISTRIBUCIÓN
| | PVP 29.95 os. 912 páginas.14x21 cm. Tapa dura. Jon Savage explora cómo la comunidad LGBTQ influyó decisivamente en la música y la cultura popular entre 1955 y 1979, transformando la marginalidad en una fuerza central de la modernidad. A través de figuras como Little Richard, David Bowie y Sylvester, analiza los hitos que llevaron la cultura gay al mainstream. El libro también reivindica la resiliencia de la comunidad LGBTQ y alerta sobre la importancia de proteger los derechos conquistados. | | |
- Single (7")
| | Recorded during an almost 24-hour marathon first-day session for All My Relations, "Mitote" emerged from group improvisation and composition, featuring Sunny Jain (Red Baraat) on the dhol. Bosco and the band worked up an arrangement quickly with a heavy backbeat, building the melody on a blues form-embodying the world's nature of ecstasy and struggle. "D i l o" was recorded during the Ancestros Futuros sessions, but was left off the album. The rhythmic framework was composed by Brian Wolfe and arranged by the band. The song features call and response between the percussion and saxophone punctuated by high bell patterns and low bottom drum hits. | | | | 5020422065178
DAMAGED GOODS | Just to be difficult, the Cyanide Pills wanted to release a new single at the same time as releasing their complete singles album, so, yes, this limited 7" features two new tracks NOT featured on their double LP/CD 'Singled Out'... You know...pure punk 77. | | | | | Back in stock! Three tracks, nine minutes. Featuring three non-album tracks recorded at the same time as The Argument at Inner Ear with Don Zientara. This is now back in stock on 140g clear vinyl. | | | | | "Any Old Fool", the previously unreleased track from the stewards of sweet soul is a dancefloor friendly proclamation of love, whose funky guitars, raw bassline and hard hitting drums provide the perfect groove and vibe for Josh Lane's smooth vocal swagger. One of the stand out tracks on their sophomore LP 'Got a Story to Tell', "Price I'll Pay" is a moody, mid-tempo banger about the price one is willing to pay for the love that they crave. | | | | | Western Australian garage rock legends The Stems return with an explosive new single, delivering their signature fuzz-driven sound at full power. Featuring original members Dom Mariani, Julian Matthews, and Dave Shaw alongside Davey Lane, the release also includes the B-side "Malasaña," a stylish instrumental inspired by 1960s spy movie soundtracks. | | |
| | The 2nd Coming emerged from Florida's late-1960s psychedelic rock scene, where musicians like Larry Reinhardt, Dickey Betts, and Berry Oakley helped shape the foundations of Southern Rock and influenced the creation of The Allman Brothers Band. In 1969, the band recorded the album Evaluations in Jacksonville, but financial problems prevented its release, and the master tapes were lost for decades after the group dissolved. Rediscovered in the late 1990s and finally restored with Guerssen Records, the recordings now reveal a crucial moment in American music history, bridging psychedelic rock and the emerging Southern jam sound. | | | | | Back in stock! The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion's How Could Hell Be Any Worse for their own purposes, Asocial's tracks are blindingly fast and Bedrövlers' down and dirty-rare Swedish hardcore, at its best! | | | | | Get Back sessions. Unreleased Tracks From The Get Back Sessions 13 songs recorded by the Beatles at Twickenham studios in January 2, 1969. A1 I've Got a Feeling 11:01 A2 I've Got a Feeling 5:00 A3 I've Got a Feeling 4:04 A4 I've Got a Feeling 2:00 B1 I've Got a Feeling 1:22 B2 Dialogue And Slates 1:43 B3 Dialogue And Slates 3:21 B4 I've Got a Feeling 1:29 B5 I've Got a Feeling 1:21 B6 I've Got a Feeling 5:37 B7 I've Got a Feeling 4:01 B8 Sun King - Don't Let Me Down 2:07 B9 Sun King - Don't Let Me Down 1:55 | | | | | Unreleased Tracks From The Get Back Sessions 12 songs recorded by the Beatles at Twickenham studios in January 1969. A1 She came in Through the Bathroom Window (3:51) A2 She came in Through the Bathroom Window (2:34) A3 She came in Through the Bathroom Window (3:08) A4 For You Blue (7:25) A5 All Things Must Pass (4:54) B1 Let It Down (5:47) B2 Let It Down (2:53) B3 Get Back (0:35) B4 Let It Down (1:44) B5 Sexy Sadie / Old Brown Shoe / She Gets Heavy (3:08) 6. Dig It (6:53) B7 My Mashup (0:55) | | | | | Unreleased Tracks From The Get Back Sessions 20 songs recorded by the Beatles at Twickenham studios in January 2, 1969. A1 Don't Let Me Down 4:17 A2 Dig a Pony 3:06 A3 Don't Let Me Down 3:10 A4 Let It Down 2:14 A5 Improvisation 0:58 A6 Brown-Eyed Man 1:44 A7 I've Got a Feeling 1:20 A8 A Case of the Blues 1:09 A9 Improvisation 0:24 A10 Improvisation 0:52 A11 On the Road to Marrakesh 2:09 B1 I Shall Be Released 1:54 B2 Sun King 2:20 B3 Sun King - Don't Let Me Down 5:00 B4 Don't Let Me Down 3:34 B5 I've Got a Feeling 3:40 B6 Speak to Me 1:58 B7 Mighty Quinn (Quinn of Eskimo) 1:06 B8 Well... All Right 1:12 B9 Well... All Right 1:08 | | | | | A collection of recordings by this Scottish progressive rock act taken from the German WDR Studio Beat Club show and live from the Nautilus Club in Italy. | | | | 0637913518270
SURVIVALRESEARCH | Back in stock! During the mid-1970s, Jorge Ben could do no wrong. Known as the father of samba rock, Ben gained an international audience with an infectious singing style marked by bright optimism and funny satire; A Tábua de Esmeralda deviated from the script by delving into the alchemy of the Middle Ages, as well as the second coming of Jesus, but the production is so nuanced and his voice so agreeable that the album was a surefire hit, and Ben manages to squeeze in some groovy numbers saluting womanhood, and slave leader Zumbi dos Palmares. The result is a must-have Jorge Ben gem that has stood the test of time, and then some! | | | | | Riot Grrrl fire and noise meets musical debauchery from Latin America. Born in Argentina in 2017, Blanco Teta is more than just a band. The project melts experimental rock, punk-pop and trash noise to develop a statement that pass over genre limits. The quatuor digs with intensity into noise, dance, avant-garde but also into politic with a clear speech on transfeminism. From the suburbs of Buenos Aires to some of the most interesting opean festivals, passing by an outstanding KEXP session, the live iteration of Blanco Teta proposes something so fresh crossing border of performance to create an immersive experience at high level of energy and madness. 'Rompe Paga' is their third record material but also their first LP. Going from trashy skate-punk vibe tracks to serious noise experiences, the band experiments with no limit. Using a lot of glitches effect or digital mixing tools as autotune, the album is a real mind blower. With very political lyrics, Blanco Teta goes further than just a punky project, it demonstrates the power of music and put the audience into something real. | | | | | Geneva-based duo Bound By Endogamy delivers a heavy blend of rave, synth-punk, and industrial music. Shlomo Balexert and Kleio Thomaïdes are both prominent figures in the local squat and punk scene, having been involved in numerous projects over the past decade. Following several cassette releases and a remarkable debut 7'' on Lux Records, the band presents a self-titled album that combines raw, growling basslines, crisp analog rhythms, and passionate vocals ranging from breathy to fiercely cutting. On stage, the project consists of drums, a sampler, and vocals. Shlomo handles the drums alongside sharp synthesizers, while Kleio delivers powerful vocals reminiscent of a professional boxer. Expect a fusion of DAF and Kleenex with a hardcore edge. | | | | | Punk rock heroes Conflict ended their career quite a while before the release of this album. Collecting 20 of their songs together on one collection, this is a document of some of the most politically charged punk to grace England's shores. Spewing their anarchist views with the assault of contemporaries such as Killing Joke and Dead Kennedys, Conflict helped pioneer the murky, dark sounds of many of the fringe punk rockers that sprung up in their wake. The music that they made was often very clouded and eerie, which reflected the view they had of the time they lived in. Unfortunately, that same sound does not translate as well given time and a different political climate. The album is still quite interesting and serves well as a historical document. But as a block of music, there are definitely some weaknesses that are hard for the casual listener to overcome. This is an important document of a band who will probably only appeal to a very small group of open-minded listeners | | | | | Back in stock! Now green translucent. | | | | | Whatever Happened To...? by Dave is a rare and highly sought-after psychedelic album, recorded anonymously in a North London garage studio with a raw lo-fi sound inspired by late-'60s psych, folk-rock and krautrock. Originally self-pressed in only 50 copies, the record became a cult collector's item thanks to its dreamy vocals, fuzzed-out guitars and experimental atmosphere reminiscent of bands like Pink Floyd, Spacemen 3 and Flying Saucer Attack. This new reissue restores the sound quality with newly mixed tracks from the original tapes, adds two previously unreleased songs, and includes detailed liner notes from co-creator Peter Harknett. | | | | | Back in stock! This album is where the Dogs' REALLY captured their balls-out LIVE SOUND on record! Recorded at Egg Studios in the middle of their 2nd USA tour of March 1993 with the supporting "party-ambience" babble. | | | | | A highly influential dub LP originally released on Jah Works in 1995, produced by the late Jah Rej, a key figure in the UK reggae and dub scene. The album reimagines classic Jah Works tracks with deep dub effects, featuring mostly live instrumentation alongside members of Revolutionary Dub Warriors and Radical Dance Faction. Recorded at Channel One under Martin Campbell's supervision, the record also includes two of his vocal performances. | | | | | Back in stock! Embrace is the debut record and the only release by the American post-hardcoreband Embrace. The album, released by Dischord Records, consists of songs composed and performed in the context of Washington, D.C.'s 1985 Revolution Summer by one of its mainstay acts. Although recorded between November 1985 and February 1986, the album would not be released until 1987, after the demise of that social movement and the dissolution of the band. | | | | | Forest Law's debut album, 'Zero,' is a vibrant journey blending Balearic funk with urban Tropicalia, showcasing his adept guitar playing, old-school sampling, and UK-styled beats alongside his mellow yet sombre vocals. Recorded across eclectic locations from Icelandic fish net factories to a garden shed in Romford, this innovative release marks a new chapter for the multi-instrumentalist producer. Released in collaboration with the UK home for jazz and electronic sounds, Total Refreshment Centre, 'Zero' is Forest Law's first release since his debut EP on Brownswood Recordings four years ago, marking a new and exciting chapter for the up-and-coming talent. Crafted over seven years, 'Zero' is deeply influenced by Law's experiences, from immersive stays in Porto where he delved into Portuguese music to an artist residency in a remote Icelandic fishing village. The album was finished, and recorded in his garden shed in Romford, East London. It's a beautiful juxtaposition about a boy from Essex, who fell in love with international music, discovered the world, and then produced a musical treatise about his adventures from his shed. | | | | | Back in stock! Red Medicine shows Fugazi expanding beyond the raw sound of In on the Kill Taker, with stronger rhythms and more playful, loose arrangements while keeping their intensity and intelligence. The album experiments with unusual sounds and humor, including samples, piano touches, and Joe Lally singing one of the standout tracks. | | | | | back in stock! A punk band from Santa Cruz blends fast skate punk with hardcore, known for their "intellectual aggression" and melodic yet intense sound. Their lyrics, led by Russ Rankin, focus on social justice, animal rights, and political critique, highlighting punk's activist roots. Still relevant today, they continue releasing new music and touring globally, using punk as a platform for change. | | | | 0828887117716
UPSETTHERHYTHM | For nearly two decades, Gun Outfit have prioritised longevity over trend, building a body of work rooted in shared experience and steady evolution. Formed in Olympia in 2006 and later settled in Los Angeles, they've grown from a raw duo into a supple five-piece whose sound balances space and intimacy with a persistent experimental streak. Process & Reality is their most wide-ranging statement: an 80-minute double album recorded over a single month in late summer 2020 on a Pine Flat ranch, with a forest fire burning less than ten miles away. The setting seeps into the music's atmosphere. The title nods to Alfred North Whitehead's philosophy, foregrounding intuition, experience and connection. Core members Dylan Sharp and Carrie Keith are joined by Daniel Swire, Henry Barnes and Kayla Cohen, with contributions from Chris Cohen, Warren Lee and Danny Sasaki. Dulcimer, autoharp, sitar, melodica, homemade electronics and layered acoustic and electric textures broaden the palette. Reggae and dub inflect the production's sense of space, while post-punk angles, folk currents and West Coast songwriting drift in and out of view. | | | | | Back in stock! Never-before-heard unreleased junkshop glam gold dust from the genre's No. 1 band. Portsmouth's Hector are widely regarded as the very best of the junkshop glam rock bands introduced to us in the early 2000s by the RPM's lipsmackin' '70s CD series. Comes in die-cut gatefold sleeve with full colour double sided poster insert with unpublished photos provided by the band and liner notes. | | | | | Back in stock! US psych Holy Grail from 1969! Killer Doorsy organ and fuzzed-out guitars, including all-time psychedelic classics like 'Colors', 'Workshop' and 'Mind Machine'. Transplanted from Portland to the Sunset Strip, Hunger played at all the hip places (Whisky a Go Go, Cheetah, Kaleidoscope...), rubbing shoulders with bands like Hour Glass (pre-Allman Brothers), the Doors or Steppenwolf. In 1969 they released 'Strictly from Hunger!' for the small Public label. Highly sought after, we're proud to present a straight reissue of such collectable album. Original artwork in hard cardboard sleeve + OBI. Remastered sound. Insert with liner notes by Clark Faville and rare photos. | | | | | Repress!!! Tubby did three original dub albums, Dub From The Roots. The Roots of Dub and the third is Brass Rockers with Tommy McCook pon the flying cymbals. Where he mixed it with the horn going in and out in a dub way and one named Shalom Dub you can call Tubbys too because he mixed the versions as they were off forty fives | | | | | Double LP version. An hour of finely crafted grooves where cosmic atmospheres meet late night bangers While on a break due to a certain pandemic, L'Eclair threw itself in the making of a new album. Until that point recording sessions were usually really short. Former albums were made in only a few days and recorded mostly live on tape. That changed as the band decided to do four recording sessions over nine months, hence allowing the group and its sound engineer/manager Benoit Erard to spend more time and energy on the production. With the ability to step back and reflect on the work in progress, L'Eclair had the occasion to take things a step above in terms of arrangements, compositions and structures. The result is an hour-long 12 track record, which is more diversified and concise than previous efforts. Titled Confusions, the album shows L'Eclair's obsession with groove in all its forms. It blends club vibes with psychedelic grooves, rhythmic trances and ambient comedowns while retaining a true coherence. Produced and organic, danceable and ethereal, spontaneous and cerebral, joyful and melancholic, Confusions is always on the fence between very different moods without ever wandering off. The band's never fading influences are still there: you can hear hints of CAN, Piero Umiliani or Tangerine Dream here and there. But it's melted with different universes, such as late '80s Madchester or Aphex Twin and Boards Of Canada's textured worlds. | | | | | L'Eclair's new EP shows the band taking new directions and approaches to its commitment to the groove. "Cebando" is a percussion heavy opener that is filled with liquid synths and multiple riffs, all mixed in an old school dub fashion. Then comes "Atlantis", an introspective and dreamy polyrhythmic meditation. Carried by a hypnotic rhythm section and coastal nostalgia, the track is a genuine underwater fantasy. Trippy times guaranteed! "Dallas", the B side opener, is a very sample friendly song and was conceived with a DJ/digger's approach in mind. It's got a nasty drum break, a Black Sabbath-esque bridge and wild solos. Last but not least, "Carousel" is without a doubt the most modern track on this EP. Blending minimal synth sequences with an unconventional cold post-dub groove, the song reaches climax with duelling basses and is turned into a total club banger. | | | | | Les Disques Bongo Joe, hand in hand with Dunganga Records, are pleased to announce the release of the first album of Istanbul based almighty trio Lalalar! Riding a wave of fierce energy and acclaim generated by their show-stopping festival performances at Le Guess Who and Trans Musicales, Lalalar now unleash their hotly-anticipated debut album, 'Bi Cinnete Bakar.' The brainchild of three of Turkey's most active and innovative alternative artists - Ali Güçlü Simsek, Barlas Tan Özemek and Kaan Düzarat - the album is a thrilling mix of punk energy, dark electronics and Turkish instrumentation and samples. For listeners whose knowledge of Turkish music extends only as far as '70s Anatolian rock, Lalalar might come as a surprise. Though Ali, main songwriter, suggests that those psychedelic classics are "in the veins" of all three members, Lalalar are much more than just another retro outfit. Instead, they weave subtle samples of timeless Turkish folk music into their electronic stews. In fact, the sounds of the '80s are a much more important point of reference for Lalalar - and for an underground Istanbul scene that for Ali says is currently fixated on "dark wave and dance." | | | | | After setting opean stages on fire with the release of their first LP in 2022, the mighty Turkish band returns with 'En Kötü Iyi Olur,' an album that reflects their image: edgy, independent, political, and tremendously effective. With their roots in Anatolian poetry and sounorities, but their focus on club-oriented, uncompromising rock, Lalalar has not given up and is once again ready to turn everything upside down. | | | | | Back in stock! We have compiled some great tracks recorded by this fantastic group of musicians. With the added extra magic of Mr Bunny Lee calling it out as only he can on the microphone. Yes Run Sound Boy Run the version master is here.Respect | | | | | Available for the first time - The current line up of LOVE captured in all their glory playing the ultimate set of classic cuts in Cleveland, Ohio. Available on cream white 180g vinyl | | | | | A trio from geneve, Switzerland. They foloow in the footstep of Kleenex minimalism. MASSICOT sounds as if it can barely keep its own energy under control. The songs are reduced to mere skeletons that burst with intensity. | | | | | Amsterdam-based Mauskovic Dance Band blend global rhythms, dub, post-punk, and electronic influences into synth-driven, sound-system-inspired dance music, constantly reinventing musical traditions. Their album Bukaroo Bank draws inspiration from New York's industrial sounds and dub culture, showcasing the band's unique "Mauskovic riddim" philosophy shaped by frontman Nico Mauskovic and a close-knit family lineup. | | | | 4059251750420
SUNNY BASTARDS | After a decade-long hiatus, moskovSKAya returns with their signature high-energy ska, blending styles from polka to punk, reggae, and jazz. The nine-piece band is known for explosive live shows that get audiences dancing, from clubs to major festivals. More than labels, they represent unity and a shared passion for music, creating unforgettable moments on and off stage. | | | | | Tracklist : Side One I Can See It (But I Can't Feel It) Lose My Breath When You Wake (You're Still In A Dream) Feed Me With Your Kiss Sugar How Do You Do It Side Two Angel Map Reference 41 N 93 W Instrumental No2 Instrumental No1 We Have All The Time In The World | | | | | Back in stock...Maximum Ulysses : transforms each aspect of everyday life. A wild kingdom of sweeping broadsword concerns and the trivial aspects which comprise and illuminate them. | | | | | o reissue of the much sought after debut album from legendary US hardcore punk band NECROS. Originally released in 1983 "Conquest For Death" features 13 tracks of ferocious hardcore à la Negative Approach. Its short, intense tracks capture the urgency and rebellious spirit that made Necros a cornerstone of the 1980s hardcore scene. | | | | | Back in stock! The Olympians return with In Search Of A Revival on Daptone. The project began when Toby Pazner gathered a group of New York players around a Tascam 388 in 2008, leading to a debut 45 on Truth & Soul. That first spark later evolved into the 2016 Daptone album a cult favourite in instrumental soul and one that quietly, steadily grew into a streaming success. Since then, Pazner has written and toured with Lee Fields, while also starting a family experiences that inform this next chapter. A decade after the self-titled debut, In Search Of A Revival revisits the original dream narrative, but now with a more reflective, widescreen sensibility. Pazner composed, arranged and produced every track, joined by a 17-player cast of trusted collaborators old and new. While the debut leaned toward classic Curtis Mayfield and James Brown influences, this record reaches further into Wrecking Crew shimmer, Gold Star Studio lushness and vintage film score drama ancient Greek myth refracted through tough rhythm, brass and cinematic colour. | | | | | Back in stock! Thee Sacred Souls are a soul three-piece from San Diego, California. Their sound blends the sweetest versions of Chicano, Philly, Chicago and Memphis soul, amazing vocals and delicately funky instrumentation. Their self-titled debut album was recorded on analog equipment, making for an authentic, perfectly imperfect sound. Recommended for soul fans everywhere. | | | | | DOUBLE-LP of Sid's last ever four shows! 39 tracks - mostly unavailable elsewhere. Gatefold sleeve with detailed 8,000-word Sid dmeline and Steve Dior eyewitness story. Features New York Dolls' rhythm secdon: - the late Arthur Kane & Jerry Nolan. | | | | | The Staches is a 10-year relationship. They are not a couple, nor two couples, neither a ''quadrouple'', but do love each other, and do fight sometimes. Becoming masters and mistresses in the art of managing the goat and the cabbage, they create together songs, or tricky strategies challenging any tags or boxes. Driven by the fear of the Undefined, some have tried to describe their music and confused themselves with designations like punk, post-punk, lo-fi pop, prog rock, garage and lost themselves even more with comparisons with any rock band including at least one woman. Fool that they are. Who the fuck cares. These young dinguses are fun to listen to and fun to watch | | | | | What a treat for fans of the almighty Stranglers! "BBC Radio One recordings 77-82" contains the first two Peel Sessions (both from 1977) and a powerful Evening Show performance from 1982, presenting the band on top of their idiosyncratic game, with their enormous personality showing on every note played. 11 tracks of pure, unaltered Stranglerism, a glorious thing to inject into our sorry ears! Tracks: A Side A1 - Hanging Around A2 - I Feel Like A Wog A3 - Goodbye Toulouse A4 - Something Better Change A5 - Dead Ringer A6 - No More Heroes A7 - Burning Up Time B Side B1 - Bring On The Nubiles B2 - The Man They Love To Hate B3 - Nuclear Device,Genetix B4 - Down In The Sewer | | | | 5060135762780
KINGSTON SOUNDS | Back in stock! Tapper Zukie still asking the questions and stating the facts that few artists of his calibre would attain to.His classic Dee-Jay style has been copied by many but bettered by few.Over some of his killer rhythms that he previously worked up while producing fellow roots groups such as 'Prince Allah', 'Knowledge' and unior Ross and the Spears'. Alongside some fresh rhythms, he has taken these as a backbone to some further questions and biblical reasoning that needed answering. Tapper tells it as it is on this mighty collection of tunes put together under the name 'X is Wrong'. This is the first time this set of remarkable tracks have seen a proper release only previously being available as a download from Tapper's website. A great set of songs that finally get the release they deserve.. Hope you enjoy the set.. | | | | | A pioneering 1968 psychedelic concept album, Fifth Pipe Dream Volume I brings together key San Francisco bands in a unified, experimental listening experience. Produced by Matthew Katz, it blends garage, folk-rock, and extended psychedelic jams from acts like Tripsichord Music Box and It's A Beautiful Day. The album reflects both the creative peak and industry controversies of the late '60s Bay Area music scene. Now a cult classic, it stands out for its innovative format, rare recordings, and lasting influence. Original artwork in gatefold sleeve. Four-panel color insert with detailed liner notes and photos / memorabilia. Tracklist: Side 1: 1. IT'S A BEAUTIFUL DAY - Bulgaria - 2. SAN FRANCISCO SOUND HOUSE BAND - Aquarian Dream - 3. TRIPSICHORD MUSIC BOX - You're The Woman - 4. TRIPSICHORD MUSIC BOX - It's Not Good - 5. WEST COAST NATURAL GAS - Two's a Pair - 6. WEST COAST NATURAL GAS - Beyond This Place Side 2: 1. WEST COAST NATURAL GAS - Hashish - 2. WEST COAST NATURAL GAS - Water or Wine - 3. TRIPSICHORD MUSIC BOX - Family Song - 4. BLACK SWAN - Lady Blonde - 5. BLACK SWAN - She Encircles Me | | | | | Rise Above: 24 Black Flag Songs to Benefit the West Memphis Three is a powerful tribute album that reimagines Black Flag classics through performances by acclaimed artists such as Henry Rollins, Tom Araya, Lemmy, Ice T, Corey Taylor, and members of Metallica and Iggy Pop. Blending punk, metal, and hard rock, the compilation honors Black Flag while supporting the cause of the West Memphis Three, resulting in an energetic and socially meaningful collection. | | | | | | | | | | Writing On The Wall were a legendary Scottish underground psych/prog band whose explosive live reputation rivaled the early UK heavyweights of the late '60s / early '70s From Edinburgh soul rebels to theatrical psychedelic warriors, they were signed to the Middle Earth label, releasing their sole album, "The Power Of The Picts", in 1969. Sadly, despite critical praise, major live popularity and opportunities to break internationally, the band's career became trapped in management disputes, failed label deals and bad luck, leaving much of their finest material unreleased for decades. This compilation gathers some of that material: their killer non-LP "Lucifer Corpus / Child On A Crossing" 45; early psych stuff including the rare Jury acetate; the 7-minute Mellotron fuelled "Buffalo" and rare TV broadcast recordings. | | |
---------------------------------------------- |
