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NUEVAS ENTRADAS EN DISTRIBUCIÓN | | This 45 comprises two killer pop dancers with plenty of psych fuzz guitars, punchy horns and funky beats: the in-demand Christie Laume's mod anthem `Rouge-Rouge' and Marta Kubisova's `Tak Dej Se K Nám A Projdem Svet' a glorious LP-only song that has never available on a 45 before TRACKLIST: SIDE A: CHRISTIE LAUME - ROUGE, ROUGE SIDE B MARTA KUBISOVA - TAK DEJ SE K NAM A PROJDEM SVET | | | | | Mercenárias is an iconic band in the history of Brazilian punk and post-punk. They gained global recognition after being included in several compilations outside Brazil. Recommended for fans of The Slits, DNA, Malaria!, Kleenex, and Minutemen, this early recording by Mercenárias is more punk than their albums, but still super catchy. It has been remastered from the original tape and includes an insert with previously unseen photos and a short text by Edgard Scandurra. This is a collaboration release with the Brazilian label Nada Nada Discos. TRACKLIST: Side A 1. MERCENARIAS 2. TRASHLAND 3. MEUS PAIS 4. POLICIA Side B 1. HONRA 2. DA DO 3. VIETNA 4. O | | |
- LP (Album) Munster / Vampisoul | | "Salsa con charanga" is really a feast for all salsa music lovers, a true jewel, which deserved much better when it originally came out in 1978. It comprises eight great, solid tracks; some, new interpretations from other albums in which Mike Guagenti participated with his handsome and captivating voice - a crooner with a salsero soul -, that, at times, could remind us of the late Tito Rodríguez, and even Ray Ramos. It has developed a cult following, and finding a copy of the original could be quite expensive. Luckily, this officially licensed and restored edition will fill that void. TRACKLIST: Side A: 1. SALSA CON CHARANGA 2. SONAREMO EL TAMBO 3. DELIRIO 4. LA PELUCA Side B 1. LA PUERTA DEL DOLOR 2. A LOS MUCHACHOS DE BELÉN 3. ENSAYA CHAMACO | | | | | Mercenárias is an iconic band in the history of Brazilian punk and post-punk. They gained global recognition after being included in several compilations outside Brazil. Recommended for fans of The Slits, DNA, Malaria!, Kleenex, and Minutemen, the group stood out for their rebellious attitude, incisive lyrics, and raw sound that blended punk, post-punk, no wave and experimental elements. This is a compilation of rare tracks from 1983 to 1987, including 10 amazing songs that didn't make it onto their two albums; there's also a great early live recording, as well as a "lost" studio session. It has been remastered from the original tapes and includes an insert with previously unseen photos and a short text by Edgard Scandurra. This is a collaboration release with the Brazilian label Nada Nada Discos. TRACKLIST: Side A 1. PODER 2. DANAÇAO 3. LIMINHA 4. EU NAO CONSIGO MAIS DORMIR 5. NADA DE 6. OUÇO PASSOS 7. DO DESERTO 8. LUCIDEZ 9. CRIME INCONTIDO 10. ONTEM Side B 1. TRASHLAND 2. MEU PAIS 3. POLICIA 4. SANTA IGREJA 5. INIMIGO 6. HONRA 7. ME PERCO 8. HA DEZ ANOS PASSADOS 9. IMAGEM 10. AÇAO NA CIDADE | | |
REPRESS! - LP (Album) Vampisoul / Munster | | Brooklyn Sounds legendary 1971 debut album, full of heavy Nuyorican underground salsa dura propelled by raw trombones and in-your-face percussion, born of the barrio streets and the band's Caribbean heritage. Fully authorized by producer Bobby Marin, with liner notes detailing the Brooklyn Sounds story, featuring never-before seen photos and pressed on 180g vinyl. RACKLIST Side A 1 SUÉLTAME YA 2 MIRAME,SAN MIGUEL 3 LA-VA-EH 4 RAIN Side B 1 GUAGUANCO DE PUERTO RICO 2 TOLON 3 PERDICION 4 EN LAS TUMBAS | | | | 0602488514170
VAMPISOUL UMG | Reissued here for the first time, "Cartao Postal" is one of the best and most sought-after Brazilian funk-soul albums from the early '70s. It includes some outstanding uptempo gems like Marcos and Paulo Sergio Valle's 'Que bandeira', and the stellar 'Esperar Prá Ver', co-written by Evinha's brother Renato Corrêa who also happened to be a member of the Golden Boys. This is a classic Brazilian soul-funk title, right up there with all the greatest albums of the genre. Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics. TRACKLIST Side A 1.QUE BANDEIRA 2.FEIRA MODERNA 3.CARTAO POSTAL 4.OLHA O FUTURO 5.DE TANTO AMOR 6.ESPERAR PRA VER Side B 1.TEMA DE ADAO 2.SO QUERO 3.RICO SEM DINHEIRO 4.ENCONTRO 5.POR MERA COINCIDENCIA 6.ONZE E QUINZE | | | | | Reissue of the legendary and unbeatable first Gun Club LP, originally released on Ruby Records in 1981. TRACKLIST SIDE A A1. Sex Beat A2. Preaching The Blues A3. Promise Me A4. She Is Like Heroin To Me A5. For The Love Of Ivy A6. Fire Spirit SIDE B B1. Ghost On The Highway B2. Jack On Fire B3. Black Train B4. Cool Drink Of Water B5. Goodbye Johnny | | |
NUEVAS ENTRADAS EN DISTRIBUCIÓN | | The stomping intro to Larry Atkins' 'Ain't That Love Enough' leads into an excellent soul song by R&B stalwart Kent Harris. His mid-60s soul productions were as good as they come. The pairing repeated the formula on 'Lighten Up' a backing track that Kent also used on his partner Ty Karim's 'Lighten Up Baby'. Both sides here are recognised as Northern Soul classics. | | | | | En este single Bandits versionean un clásico de J.L. Perales como es Por Qué Te vas, que popularizara Janette en los años 70. Los Bandits elevan esta canción al más alto nivel, fusionándola en la intro con el Take Five de Dave Brubek con un resultado demoledor.En la cara B nos encontramos la versión dub del mismo tema mezclado por Roger Rivas. | | | | | The Beatles recorded seven songs for BBC's 'Saturday Club' on the evening of March 31st, 1964, three of which were covers of American rock'n'roll and country and western songs. Earlier on the same day, the group had been filming a live performance at the Scala Theatre in Kings Cross that would be included in their forthcoming film 'A Hard Days Night'. The fourth track on this EP, 'The Hippy Hippy Shake', is taken from the 'Saturday Club' show transmitted on February 15th. | | | | | The 'Saturday Club' session that the Beatles recorded at the Playhouse Theatre on the evening of March 31st, 1964 was transmitted on April 4th. At the time, the boys were filming a live performance at the Scala Theatre for the film 'A Hard Days Night' and three of the songs on this EP were due to feature in the film. 'Can't Buy Me Love' was used during the police chase sequence and 'I Call Your Name' and 'You Can't Do That' were shot as part of the film's TV concert but not included in the final cut. The version of 'Everybody's Trying To Be My Baby' included here comes from the 'Top Gear' show recorded on 17th November. | | | | 7640148983617
VOODOO RHYTHM | Bloodshot Bill, the Canadian hickup rockabilly Trash LoFi King of One Man Bands, meets Gerard Van Herk from the legendary 'Deja Voodoo' to create music that comes direct out of a rotten crypt and smells like a obscure trashend up rock'n'roll Badass Delinquent. | | | | | Songwriter / producer Larry Banks worked a lot with girl groups in the late 60s, particularly for GWP productions. The Geminis and Exciters tracks he produced were issued on the RCA imprint_ but the equally good Devonnes recordings failed to make it to wax. Kent accessed the master tapes some twenty years ago and released all four of their performances. The catchy dancer 'Doin' "The Gittin' Up"' first came out on a 100 Club anniversary 45 in 2005 and has been in demand ever since. '(You'd Better) Straighten Up And Fly Right' was issued on CD in the same year, but has never made it to vinyl until now. The song was recorded by Terri Bryant on Verve in 1967 and is highly regarded; this new coupling will be a popular choice. | | | | | Hank Jacobs was an accomplished West coast keyboard player who had an instrumental hit with 'So Far Away' in 1964. He became a Los Angeles session man who worked on many recording sessions with arranger Arthur Wright with whom he had four releases on Alton Scott's Call Me label. 'Elijah Rockin' With Soul' created a buzz on the UK soul scene and its urgent beat was perfect for Northern Soul dancefloors. The recording session was augmented by the cream of LA's musicians. The uber-cool 'East Side' with its mid-tempo groove was initially his best-known track, having been appreciated by the Lowrider and Popcorn scenes since its release. | | | | | A straight reissue of this super-rare funk single from 1970 on the Call Me label. Original copies of this political soul anthem change hands for a lot of money. | | | | | 'Search For The Inner Self', Jon Lucien's 1971 ethereal, soul masterpiece has gained admirers constantly since its 1971 release. The Beau Ray Fleming production, ingeniously arranged by Horace Ott in New York, kick-started a successful career of sensuous soul songs that saw him write and record more than a dozen albums from the 70s to the 00s. 'We've Got Love' is more of an "old school" 60s soul dancer, recorded around the same time, that was not heard until a self-released CD in 1999. It has remained under the radar to all but a few of the cognoscenti. This vinyl debut will earn it many more fans. | | | | | Regarded as the epitome of Northern Soul by many aficionados, 'I'm Gone', by Detroit's Eddie Parker, captures the adrenalin and anger of a busted relationship and he tells of his determination to start again - elsewhere. The pulsating rhythm matches that anger and producer Jack Ashford, one of Motown's key Funk Brothers, utilises his percussive know-how to produce such a vital track. The flip 'Crying Clown' is musically and thematically miles away - with heartbreak and sorrow to the fore over a beautiful ballad backing. These are two of the greatest soul recordings from the 1960s. | | | | 5060446123508
EXTREME EATING | Repress! 'Discourse', the third single from Sleaford Mods' recent UK Top 10 album Eton Alive, released on 7" and backed with the previously unreleased title track of that LP on its B-side. Jason Williamson is in fine vocal form as ever, spitting pent-up social observations over an equally tense backdrop of fast-paced bpms. | | |
| | PVP 28 os. 608 paginas. Tapa dura. Tamaño 14x21 cm. A lo largo de más de trescientas entrevistas, el galardonado autor y periodista del New York Times Jonathan Abrams ha capturado las historias de artistas, ejecutivos y productores que fueron tanto artífices como testigos de la historia del hip hop. Combinando magistralmente estas voces en una narrativa fluida y llena de datos interesantes, The Come Up relata cómo el género surgió de la creatividad de una población marginada en el sur del Bronx y se extendió a otros distritos de Nueva York y más allá, cruzando el sur bajo la línea Mason-Dixon y llegando hasta Los Angeles con el gangsta rap y el G-funk. Desde las electrizantes actuaciones callejeras hasta los festivales multitudinarios, pasando por los numerosos conflictos, rivalidades e incluso asesinatos que fueron tejiendo la historia de este fenómeno social y musical. Con testimonios como los de Grandmaster Caz, Edward Duke Bootee Fletcher, DMC, Ice Cube o Kool Moe Dee; Abrams transmite con una viveza única la determinación, los desafíos y la creatividad imparable que encendieron una de las mayores revoluciones de la música moderna. | | | | | PVP 28 os. 800 paginas. Tapa dura. Tamaño 14x21 cm. Otra vez disponible. Segunda edicion. Una crónica (c)oral en la que conviven diferentes escenas, ideologías y generaciones -de ayer y hoy- que lo cantaron, lo contaron, se sumaron y también que se opusieron. A través de 71 entrevistas inéditas a Evaristo Páramos, Pako Eskorbuto, Fermin Muguruza, Loles Vulpes, Aurora Beltrán, Pablo Cabeza, Marino Goñi, Carlos Tena, Kirmen Uribe, Ramoncín, Mikel Erentxun, Anje Duhalde, Ruper Ordorika, Anari, Verde Prato o Chill Mafia: Jerry tira de los hilos que entretejen el relato de lo que fue el RRV, para recorrer orígenes, ascenso, caída, funeral y herencia del fenómeno. | | | | 9788412932638
LA FELGUERA | PVP 25.90 os. 456 paginas. 140x220 mm. El buscador de balas perdidas, la mayor antología de Julio César Iglesias (Premio Nacional de Periodismo, y premios Ondas, Antena de Oro y Club Internacional de Prensa_), uno de los grandes maestros de nuestro periodismo, muestra una galería estremecedora de personajes y sucesos (el Jaro, Urtain, Dum Dum Pacheco y los Ojos Negros, el crimen de los Galindos, sectas, envenenamientos, parricidios, Muhammad Ali_) en los que brilla su magistral estilo, donde no sobra ni falta nada y recuerda a González Ruano, Chaves Nogales, Manuel Alcántara o hasta el crudo "nuevo periodismo" estadounidense y gonzo de Hunter S. Thompson y otros cronistas de oscuridades aterradoras y, sin embargo, muy humanas. | | |
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