Download Film Red Blaster
Analisa Wisdom
Krull is a fantastic adventure/sci-fi/fantasy epic score. Give it another go. One of Horner's best. Not as well recorded or performed as Willow with the same forces but similar epic goodness. The blaster beam is not in that score nor do I recall hearing any synths though there is organ. Krull is also one of his notiest scores with lush and dense orchestration and probably one of his most original. In contrast with Battle Beyond the Stars which uses the blaster beam but also rips entire themes from Goldsmith's Star Trek, The Motion Picture. Like the Klingon sequence with blaster beam and theme. It must have pissed Goldsmith off that Horner was the discount Goldsmith who would get Star Trek II and Aliens after both franchises got their start with fantastic Goldsmith scores. Horner's Humanoids from the Deep also uses the blaster beam.
The blaster beam is not in that score nor do I recall hearing any synths though there is organ. Krull is also one of his notiest scores with lush and dense orchestration and probably one of his most original.
Mad Max Beyond Thunderdome is a 1985 Australian post-apocalyptic dystopian action film directed by George Miller and George Ogilvie and written by Miller and Terry Hayes.[4] It stars Mel Gibson and Tina Turner in a story of a lone roving warrior who is exiled into the desert, and there encounters an isolated child cargo cult, centered on a crashed Boeing 747 and its deceased captain.
Preceded by Mad Max in 1979 and Mad Max 2 in 1981, the film is the third installment in the Mad Max franchise, and is the third and last film to feature Mel Gibson as Max Rockatansky. A fourth installment, Mad Max: Fury Road, was released in 2015, starring Tom Hardy as Max Rockatansky.
Miller co-directed the film with George Ogilvie, with whom he had worked on the 1983 television miniseries The Dismissal. About this decision, he said: "I had a lot on my plate. I asked my friend George Ogilvie, who was working on the mini-series, 'Could you come and help me?' But I don't remember the experience because I was doing it to just... You know, I was grieving."[11] For the film, Miller and Ogilvie employed a group workshopping rehearsal technique that they had developed.[12]
Exterior location filming took place primarily in the mining town of Coober Pedy, though the set for Bartertown was built at an old brickworks (the Brickpit) at Homebush Bay in Sydney's western suburbs, and the children's camp was in the Blue Mountains.[12][13] According to cinematographer Dean Semler, "Mad Max Beyond Thunderdome proved far more challenging than Mad Max 2. We were dealing with more varied environments than before and it was essential that each of the worlds created for the film have a distinctly different look."[14]
The musical score for Beyond Thunderdome was composed by Maurice Jarre, replacing Brian May, who composed the music for the first two films in the series.[15] The film also contains two songs performed by Tina Turner: "One of the Living", which plays over the opening titles, and "We Don't Need Another Hero (Thunderdome)", which plays over the end credits.[16][17]
Although the film's budget was larger than that of its predecessors, its box office yield was only moderate in comparison.[12] It grossed A$4,272,802 at the Australian box office,[19] less than what Mad Max made and less than half of what Mad Max 2 made.
In the United States and Canada, the film grossed $36 million,[20] generating theatrical rentals of $18 million. Outside of the U.S. (including Australia), it earned a similar amount, giving it worldwide rentals of $36 million.[3]
Critical reaction to the film was generally positive, although reviewers disagreed over whether they considered the film to be the highest or lowest point of the Mad Max trilogy. Most of the negative criticism focused on the children in the second half of the film, whom many found too similar to the Lost Boys from the story of Peter Pan.[21] Robert C. Cumbow of Slant Magazine identified "whole ideas, themes and characterizations" adopted from Riddley Walker, a 1980 post-apocalyptic novel by Russell Hoban.[22]
On the other hand, there was much praise for the scene in the Thunderdome, which Roger Ebert of the Chicago Sun-Times called "the first really original movie idea about how to stage a fight since we got the first karate movies" and "one of the great creative action scenes in the movies".[23] Ebert awarded the film four out of four stars and later placed it on his list of the ten best films of 1985.[24] Variety wrote that the film "opens strong" and has good acting from Gibson, Turner, and the children.[25]
On review aggregator website Rotten Tomatoes, the film holds an 81% approval rating based on 54 reviews, with an average score of 6.5/10; the website's "critics consensus" reads: "Beyond Thunderdome deepens the Mad Max character without sacrificing the amazing vehicle choreography and stunts that made the originals memorable".[29]
@stouf: Many years ago, labs knew what to do if you told them that you had shot the roll on a half-frame camera. Nowadays, most mini-labs won't know what you're talking about. If you told a lab that you had shot a roll on a half-frame camera, they would cut and print the film at the half-frame boundaries. The instructions for this camera suggest that you tell the lab that it's a half-frame camera so that they will cut the pictures in half for you. Then, you can cut those half-frame pictures in half again to get four pictures per frame. This is just too confusing. It's even confusing to explain. So, it's best not to do anything and just let the labs process as usual. You'll end up with four pictures per frame and you can digitally crop them yourself if you want. If you have the lab print them, you will get four pictures per frame and you can cut them out yourself if you want. Lots of people just leave them alone 'cause it's more artsy.
@gvelasco: Oh I see... So it's more a question of printing than processing... Because during a process, the film is bathing into chemistries, and everything that is on it is processed the same way... I think... : )
@stouf: Yes, I think you've got it. The lab can't adjust the chemicals for each individual picture because they're all together on the same film. We can't adjust the exposure on the camera either. So, we have to crop and adjust for exposure ourselves after they've developed the film for us.
Actors Sanjay Dutt and Tiger Shroff have come on board for a film titled Master Blaster. As per a statement, Master Blaster is touted to be a comedy-action musical. It will be extensively shot in Hong Kong, Macau and Mainland China.
Firoz A. Nadiadwallah will bankroll the film. Also, the "stars in the movie will be undergoing rigorous and extensive training in the advanced form of martial arts, hand combat and ancient weaponry under the personal training and supervision of senior Shaolin monks." The director and the leading lady of the film will be announced soon.
Meanwhile, Tiger is gearing up for the release of Ganapath. The film will hit the theatres on October 20. Actor Kriti Sanon is also a part of it. Apart from this, Tiger also has Bade Miyan Chote Miyanalongside Akshay Kumar which is all set to release in April on Eid 2024 in five languages. Directed by Ali Abbas Zafar, the film has been shot across unseen and exotic locales across Scotland, London, India, and UAE.
On the other hand, Sanjay Dutt will be next seen in a sci-fi horror comedy film The Virgin Tree, which also features Sunny Singh, Mouni Roy, and Palak Tiwari in the lead roles. He also has Welcome To The Jungle alongside Akshay Kumar, Suniel Shetty, Paresh Rawal and Disha Patani in his kitty. Welcome To The Jungle is all set to hit the theatres on December 20, 2024.
Pretty much any image can be transferred to 35mm film. However, the level of sharpness and detail depends on the resolution of the image. Images grabbed from web pages are inherently low resolution and will be blurred when projected. But photographers using the LIGHT BLASTER will be creating their own images, so here is how to get the best results:
Sorry, we ONLY go from digital to film, not the other way around. So if you are wanting your slide collection scanned onto CD or DVD to view on your TV or computer then we can't help you. These guys can though: www.slidesoncd.co.uk
The E-11 blasters in Rogue One are most similar to the E-11 blasters in A New Hope, however there are actually several differences. Some are just minor differences, and some are more significant changes but every aspect of the blaster is different is some way big or small. Our detachment commander has requested that I start a thread and list the differences so this will serve as a 'Blaster Reference' for the Rogue One BlasTech E-11. The Rogue One Stormtrooper CRL is currently being developed for our detachment and there will be specific requirements concerning the blaster details similar to any other stormtrooper CRL. I will list the differences and show examples as best as I can.
The Scopes in ANH were mostly 1942 M38 Telescopes though at least one '43 can be spotted in the film too, they also used model M19 telescopes in ANH as well. The main difference between them is that a '43 has a wide front foot and a '42 has a narrow front foot.
The Power Cylinders used in R1 are believed to be taken from a SDS (Shepperton Design Studios) E-11 Blaster. This blaster is widely known to be inaccurate here on whitearmor.net and the power cylinders on it are nothing like the originals seen in ANH as it claims to be, the SDS power cylinders are a very unique design. The Power Cylinders in ANH are an unknown found part taken from electrical equipment that has yet to be identified to this day.
Last but not least and probably the most significant change aside from the airsoft gun or power cylinders is the addition of an entirely new greeblie on the right side of the blaster; an Element M300A Mini Scout Light (Knockoff replica of a SureFire M300 Tactical Flashlight)
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