Color Climax Child Love Magazine 13
Osoulo Lejeune
Color Climax Corporation ApS (CCC) is a Danish pornography producer headquartered in Copenhagen founded by the Theander brothers.[3] It had been one of the leading producers of European pornography up until the 1990s. Since then, CCC has recessed most of its assets, but because its earlier works attract admirers of classic pornography, CCC still functions today via the Internet.[4] Color Climax Corporation (CCC) began in 1967[5] with the publication of the porn magazine ColorClimax, despite pornography being illegal in Denmark until 1969.[6]
In 1969, Denmark legalized the production of all kinds of pornography.[7] In the 1970s, CCC began to produce 8 mm pornographic film loops. By the 1980s, video tape had replaced the film loops, sometimes as compilations of previously released material. CCC films usually had a wider range of contents including bestiality,[8] some of which last starred Bodil Joensen, and other content not widely available at the time. Urolagnia was also displayed. By 2004, Color Climax had past film stars such as Rocco Siffredi and John Holmes in their archives on their website and Raymond Bacharach also known as John Thompson was part of the backstage crew.
Color Climax was the first to produce commercial child pornography films.[7] From 1969 to 1979, Color Climax was responsible for the relatively large-scale distribution of child pornography.[9][10] Danish laws on pornography had been totally repealed since 1969, only punishing with modest fines those making obscene material with children.[10][11]
Between 1971 and 1979, the company produced 10-minute films for its Lolita series.[7][11][12] These films featured young girls, mainly with men, but sometimes with women or other children.[7][11][12] The girls were mainly between the ages of 7 and 11 years; however, some were younger.[7][11][12] These movies had titles such as Incest Family, Child Love and Pre-Teen Sex.[7][11]
Initially, the company published various one-off magazines with titles such as Carnaby Kinks, Young Lesbians, and Fuck Around the Clock before settling on a series of numbered titles. These were produced in A5 format, consisted of full-color photographs, and typically featured five or six photo sets of around ten pages each; each set would be accompanied by a short descriptive text. While not all the titles ran concurrently, subject matter from magazine to magazine frequently overlapped. Many themes, such as big bust, interracial, uniform, or ethnically themed sets would appear in any title, dependent on the activity being performed rather than the participants.
The 1980s brought about more famous models and magazine regulars than the previous decade. Readers of the magazines saw likes of many American and European renowned figures of the adult industry. These include actors like Blondi Bee, Dolly Buster, Ebony Ayes, Roberto Malone, Lois Ayres, Jean-Pierre Armand, Ginger Lynn, Brigitte Lahaie, Joy Karins, Jeannie Pepper, and Bunny Bleu.
Much like the 1980s, the 1990s ushered famous models and magazine regulars such as Anita Blond, Nick East, Angelica Bella, Angelique dos Santos (also known as Busty Angelique), Tom Byron, Heather Lee, Sarah Young, Minka, Laura Angel, Lisa Marie Abato, Domonique Simone, and Sean Michaels.
This weekend, we had an impromptu Last Unicorn party with my daughters and their similarly-unicorn-obsessed friend. We watched the movie, of course, but there was also dress-up and a tabletop RPG session, which I ran for them. My kids are 3 and 5 years old, and it can be challenging to teach certain board game mechanics to kids so young (especially when they can't yet read). Over the last year, I've come up with a few rules that have helped games with young players.We've been using the fantastic Mice and Mystics as our base game. I love it because it looks like Redwall and has pretty child-friendly theming: the scariest monsters they will encounter are giant spiders and centipedes.
The thing that most struck me in the book was the fate of Olive's oldest and most beloved son, Tom. Tom is beautiful and smart and kind and innocent: he is presented as a character from a book caught in a harsh world. The novel shows Tom's tragic decline as the victim of betrayal: abuse, cruelty, deception, parental infidelity, and (implied) addiction. But none of these are what kills Tom. Instead, it is his mother's writing that drives him to suicide at the end of the book. Since he was a small child, Tom's mother has been writing him a special storybook ("Tom Underground") that was written just for him. As Tom grows up and becomes more and more troubled, these stories serve as a sort of life-line for him. But then his mother mines these private childhood stories in order to create a beautiful and successful stage play. Tom only discovers this on opening night, when he's watching from the audience. Shortly after, he drowns himself.
In the Middle Ages, when the life expectancy was still significantly lower, the puberty began later than today and adolescents in the age range 12-18 years were set up for marriage. This changed increasingly. Naked, erotically depicted boys and girls have always been in the center of the art. As photography became popular at the end of the 18th Century, also erotic act descriptions with children and young people were made. At the end of the 60s there was a magazine called Lolita, produced by the Danish company "Color Climax", that had sex between children and between children and adults as the subject.
This magazine was sold everywhere - sometimes from under the counter. Only in the 80s the magazine was discontinued due to new laws set. From the 90s, the notion of child pornography expanded ever further. In the 70s and 80s, nudist magazines such as "Young and Free," "Sunshine Friends", etc. were still perfectly legal to buy. Even artists such as David Hamilton, Jock Sturges and Sally Mann published images of naked children and adolescents, which was at the time was considered an art - even though the first voices reported this as child pornography to blame. The photographer Jacques Bourboulon got special attention because of the very erotic pictures of Eva Ionescu he made.
Child pornography - the word is used everywhere and nonetheless it is totally unclear what it actually describes. This is where the problem begins: there are totally different legal situations. What is considered CP in one place can be in another place perfectly legal. Even the legal description of CHILD is not regulated. In a country you are a child until you are 18 years old, in another the limit is 16 years, or as in Germany one is legally a child until one is 14 years old, after that he/she is called a young minor until he/she becomes an adult. In practice this leads to constant conflicts. Law is by no means uniform. A few years ago there were these kinds of problems with the magazine "Seventeen" in the Netherlands. When the Internet emerged, the company produced entirely legal pornography with young people aged 16. As long as this was sold in the Netherlands, it was no problem. But with the advent of the Internet Seventeen wanted to sell the pictures and videos on the internet as well. It was not long until it hit the headlines everywhere for "child pornography", especially in the USA. This became a huge political pressure on the Dutch authorities. A very similar problem seems to be, soon, with Switzerland, where this minor protection ends at the age of 16. Not to mention countries such as Japan where the age limit in some places is 13 years (the same applies in Spain). There are countries where there is no minimum age but one is entitled to have sex when married (this is often the case in Muslim countries). So here is again the question: what is child pornography? The answer may vary.
As the real Internet business emerged in the late 90s, it was very easy to enter into this business. I remember the people of Site-Key.com from St. Petersburg that did much business in 2000. They had a Delaware Corporation in the United States, a Visa and MasterCard merchant account with Card Service International in California, and they ran all the payments via the U.S. through a gateway link from Linkpoint. But there were not only Site-Key but still a lot of other vendors. One of them provided services particularly for the distributors of hardcore child pornography (CP was mostly scanned images of Lolita magazines of the 70s, nudism, nudist pictures doctored to show them pornographic, as well as pictures of fathers abusing their daughters that they had posted in newsgroups or forums). This second company (IWest) had their headquarters in Israel and did their billing through Israeli banks which were aware of the scheme (until Visa withdrew the license from some Israeli banks, some have even settled for CCBill for whom it did not matter what was paid for, the main focus being that money was moving. Some Russian / Israeli citizens were never particularly choosy...). There was no problem to bill for any kind images, and the hosting of nude images was not a particular problem for these companies - let alone for the Non Nude Models. At this time almost 100% of the websites were hosted in the United States because it was the only place where it was affordable. The Web sites have generated such traffic, that a human being can hardly imagine how big the interest really is. I have the 2001 statistics of a website containing naked pictures of children and adolescents. During the month of June 2001, a total of 200 million visits to the site took place (this is not page views, but unique visitors but on a daily scale - it is likely that a good part of visitors this month visited the site on many days and have been counted multiple times. My estimate is that there were about 15 million unique visitors during this month). The ratio between visitors and buyers, however, is very small. The same site in June 2001 a turnover of approximately U.S. $ 60,000 made at a price of about $ 30 which is approximately 2000 customers. Even Web sites that still exist, such as Met-Art.com bought productions in 2000 with 11-14 year old girls, and everything was billed through the very serious CCBill (this series are no longer at Met-Art Journal).
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