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Tommasa Gaetz
PRT: Thirsty Guys is made up of members of Hub City Stompers and The Best of The Worst. How did the project get started? Is it a supergroup, a side project, or does it accomplish something completely different?
Jay: Just trying to be in as many ska bands as possible. They all are a different flavor between Hub City Stompers, The Best of The Worst and Thirsty Guys. But we all play in/have played in a shitload of bands both together and separately (both ska related and not) so it was really easy when we started jamming on these songs. It felt natural.
PRT: The songs on 'Parched' swing between being really funny and irreverent like "Not Playing Fest" and full of emotion and commentary like "Weekend at Bernies". What's the ratio of humor to heart as you see it, or are they equally important?
PRT: I think the standout hit of what people have heard of 'Parched' so far is "Not Playing Fest", which is a scathing indictment of bands that are solely focused on success and take themselves too seriously as well as the people in the entertainment industry who prey on musicians. Was there a direct inspiration for that message?
Jay: I can't speak for Joe but I think being in/around the punk (or punkish) scene for as long as we have, we've seen people come and go and get wrapped up in things that aren't as important, even to the point of being taken advantage of. At this point in our lives we want to make music for the sake of making music and if people are into it, that's great.
PRT: How did you get hooked up with Mike (Sosinski) and what's it been like working with Bad Time Records? Was it different releasing through a label as opposed to doing it all yourselves?
PRT: The song that's most unique on 'Parched' (in my opinion) is "Falling on Deaf Ears". It has a very different sound and a very different energy than a lot of the other tracks. It's also my personal favorite off the album. Where did that song come from and was it a departure on purpose?
I wrote this for the Resound Worship Doxecology album. After a group writing session, I was wrestling with how to give voice to these unfamiliar themes, and how to reconcile the pessimism of some of the literature we were reading within the big picture of Christian hope. Leonard Cohen is probably my all-time favourite lyricist. I decided to imagine how he might write a song holding those tensions. Unusually for me, the whole song came out pretty much fully formed.
Chris Juby is director of worship at King's Church in Durham, England and a songwriter with Resound Worship. His songs cover a wide range of styles and themes, written to engage hearts with the truths of the Christian faith and to lead the Church in worship. More
Inside: Ever feel worn out inside your very being, thirsty for more in your life? You know what I mean: those days when God seems far away and your purpose feels lost. On those days, where can you turn to energize your soul?
Let me tell you, my 5K is your 10K. I know some people sprint right through 5Ks and then go on with their day with an extra spring in their step, but I find them really hard! My beautiful, sturdy thighs were made for powering bike pedals, not trying to bounce off of hard cement. Not one ounce of me springs.
Feeling parched, dry, out of energy in your very being? Grab that Dixie cup off the water station, open that Bible that sits on your nightstand, ask God to fill your soul, and wait expectantly for Jesus to splash His living water all over you.
This is the second time we have dug into Psalm 46. You can find a previous series on this psalm here. This is such a meaningful psalm! Read verses 4 to 7 slowly, noticing the sureness of God, His control over the nations (a good reminder for these times!), and the gladness He brings us with His living water.
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I had known that Vivaldi's Four Seasons had poems to go with them, but before now I had never read them. Having poems to go with the songs makes listening even more interesting, and it's really quite amazing to see how Vivaldi used strings to replicate specific sounds, sensations, and feelings in nature.
Journey through the Parched Earth is a music album released in 2024. Journey through the Parched Earth has 10 songs sung by Ealdorman Muse Cinematic Collective. Listen to all songs in high quality and download Journey through the Parched Earth songs on boomplay.com.
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Bear Hands, "You'll Pay For This" (Spensive Sounds). On its third LP, Brooklyn indie band takes over its business side while balancing modern-rock and hip-hop attitudes with post-punk classicism, coolness with heat and artsy impulses with melodic approachability.
Javier Colon, "Gravity" (Concord). Five years after winning the first season of the U.S. edition of "The Voice" and after his post-"Voice" LP seemed to get buried, alumnus of Derek Trucks Band returns with polished adult-contemporary pop songs and the latest remake of Leonard Cohen's "Hallelujah."
PJ Harvey, "The Hope Six Demolition Project" (Island). Based on an art-installation creation process with regular collaborators Flood and John Parish, the rarely boring English musician Polly Jean Harvey fills her ninth studio album with beautiful, angry rock protests against what she's seen from Kosovo to D.C.
All India Radio, "The Slow Light" (Minty Fresh). Tenth studio full-length from Australian Martin Kennedy's electronic-heavy, atmosphere-soaked project finds another series of angles for downtempo "chillgaze" pondering, as the kids call it these days.
Del Barber & the No Regretskys, "The Puck Drops Here" (True North). A Winnipeg-born, Juno Award-winning Americana singer-songwriter like Barber has the Canuck perspective for three original numbers and several covers associated with hockey.
Sam Beam & Jesca Hoop, "Love Letter For Fire" (Sub Pop). Iron and Wine's Beam and fellow indie singer-songwriter Hoop co-write 13 duets that don't sacrifice Sam Phillipsian intelligence for Andrew Birdian charm, or vice versa.
Blaqk Audio, "Material" (Blaqknoise/Kobalt). Jade Puget and Davey Havok from the rock band AFI put out their third LP from their electronic duo Blaqk Audio, which openly derives the most dramatic and poppy EDM parts from the 1980s to now.
BOSCO & Speakerfoxxx, "Girls in the Yard" (Fool's Gold). Atlanta R&B singer BOSCO and Atlanta DJ/producer Speakerfoxxx collaborate on a defining mixtape that, among other reworkings and originals, strips down and redresses Missy Elliott's "Hot Boyz" entirely.
Clairy Browne, "Pool" (Vanguard). Browne, who'd previously gotten some attention with her band the Bangin' Rackettes, puts herself out front on a solo debut full-length recorded in L.A. and lunging toward modern-R&B, postmodern-soul stardom a la Beyonc and Sia.
The Coathangers, "Nosebleed Weekend" (Suicide Squeeze). On their fifth long-player, the three Atlanta punk women known as the Coathangers don't try to reinvent the three-chord blitz, but they do make sure it stays fun and frenetic.
Brad Cole, "Lay It Down" (Brad Cole Music). Based in New York City, roots-rock singer-songwriter Cole doesn't have many problems locating a Midwestern and Southern feel on his fourth full-length, recorded in East Nashville.
Charly Cole, "Gotcha" (Red Mess Music). Born and raised in Germany, Cole got into country-pop music, made the Top 5 on a German vocal-competition TV show when she was 14, moved to L.A. at 16 and now tries to fulfill her desire to become the next Taylor Swift and then some.
Crematory, "Monument" (Steamhammer/SPV). Formed in the 1990s in Germany, this Goth-industrial heavy-metal act finds a new vocalist who can growl and scream in English and in German on its latest workmanlike juggernaut.
The Defiants, "The Defiants" (Frontiers Music Srl). Three men associated with the band Danger Danger form a different group meant to please DD fans and anyone else who considers the 1980s and 1990s the true glory days of hairy hard rock.
East of Venus, "Memory Box" (Omnivore Recordings). Members of bands like the Feelies and Luna joined together for this "supergroup" LP of Hoboken-area indie rock, although the past-tense of "join" is unfortunately intentional: one member, Michael Carlucci, died last December.
Eskimeaux, "Year of the Rabbit" (Double Double Whammy). New Yorker Gabrielle Smith's main outlet for songwriting, Eskimeaux, follows last year's "O.K." LP with a six-song mini-album that makes greater use of Smith's touring unit for more immediate indie-pop communication.
Lita Ford, "Time Capsule" (Steamhammer/SPV). Members of KISS, Cheap Trick, Jane's Addiction and Mr. Big are among the players on a collection of songs that have been in Runaways member Ford's vaults since 30 years ago, when she was near her apex of heavy-metal stardom.
Free Cake For Every Creature, "Talking Quietly of Anything With You" (Double Double Whammy). After moving from upstate New York to Philadelphia, bedroom-pop recorder Katie Bennett had a title for her full band's first official album, which still has the distinct, not-unpleasant odors of bedsheets and close quarters.
Ace Frehley, "Origins Vol. 1" (eOne Music). Former KISS guitarist from the "classic era" remakes songs made famous by Cream, Thin Lizzy, the Kinks, his own erstwhile group and more with help from Slash, Lita Ford, Pearl Jam's Mike McCready and so on.
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