Dvd Author Plus 3 Keygen Download
Cre Wallace
I want to list all posts, a user is assigned as author.We are using the plugin, co-authors plus, which allows to assign multiple authors to a single post.The function returns the correct number of posts, the user is assigned to.But when trying to list all the posts, with The loop only the post which initially were created by that user are shown.
When a user is deleted from WordPress, they will be removed from all posts for which they are co-authors. If you chose to reassign their posts to another user, that user will be set as the coauthor instead.
I am using co-author plus. I would like to display all/recent posts by authors of a post in the sidebar. Is there a way of doing that? Plugins like Author Recent Posts do not work with Co-author plus.
Not sure if you're looking for an "automated" way of doing this, but in code you can get an array of all co-authors by using $authors = get_coauthors();. Once you have your authors array, you can loop through it and use each author object's ID to get posts by that author:
The term of copyright for a particular work depends on several factors, including whether it has been published, and, if so, the date of first publication. As a general rule, for works created after January 1, 1978, copyright protection lasts for the life of the author plus an additional 70 years. For an anonymous work, a pseudonymous work, or a work made for hire, the copyright endures for a term of 95 years from the year of its first publication or a term of 120 years from the year of its creation, whichever expires first. For works first published prior to 1978, the term will vary depending on several factors. To determine the length of copyright protection for a particular work, consult chapter 3 of the Copyright Act (title 17 of the United States Code). More information on the term of copyright can be found in Circular 15a, Duration of Copyright, and Circular 1, Copyright Basics.
In General. The debate over how long a copyright should last is as old as the oldest copyright statute and will doubtless continue as long as there is a copyright law. With certain exceptions, there appears to be strong support for the principle, as embodied in the bill, of a copyright term consisting of the life of the author and 50 years after his death. In particular, the authors and their representatives stressed that the adoption of a life-plus-50 term was by far their most important legislative goal in copyright law revision. The Register of Copyrights now regards a life-plus-50 term as the foundation of the entire bill.
1. The present 56-year term is not long enough to insure an author and his dependents the fair economic benefits from his works. Life expectancy has increased substantially, and more and more authors are seeing their works fall into the public domain during their lifetimes, forcing later works to compete with their own early works in which copyright has expired.
6. Under the preemption provisions of section 301 and the single Federal system they would establish, authors will be giving up perpetual, unlimited exclusive common law rights in their unpublished works, including works that have been widely disseminated by means other than publication. A statutory term of life-plus-50 years is no more than a fair recompense for the loss of these perpetual rights.
The arguments as to the benefits of uniformity with foreign laws, and the advantages of international comity that would result from adoption of a life-plus-50 term, are also highly significant. The system has worked well in other countries, and on the whole it would appear to make computation of terms considerably simpler and easier. The registry of death dates and the system of presumptions established in section 302 would solve most of the problems in determining when an individual author died.
Although the periods of 75 or 100 years for anonymous and pseudonymous works and works made for hire seem to be longer than the equivalent term provided by foreign laws and the Berne Conventions, this difference is more apparent than real. In general, the terms in these special cases approximate, on the average, the term of the life of the author plus 50 years established for other works. The 100-year maximum term for unpublished works, although much more limited than the perpetual term now available under common law in the United States and under statute in some foreign countries, is sufficient to guard against unjustified invasions of privacy and to fulfill our obligations under the Universal Copyright Convention.
Disclaimer: An author interview on this website does not constitute an endorsement by the host of the interview. The host will specifically state if she has read the book or intends on reading the book. It is the readers responsibility to research a book further.
This is a very strange issue, but it seems if you use the Co-Author Plus plugin, and have a post with two authors, it will break the author page. In our test, we had a post with two editors, with that post as the first on the post list, it will show the wrong author on the page, with the image and bio being pulled for the other author, not the one the archive is made for.
So, quick recap, plenty of chances to get a signed copy of my steampunk and fantasy books at conventions and festivals over the next few months. Check out my Events page for details. Plus, for indie authors and aspiring writers, check out the submission call for Ravens and Roses Publishing new anthology. Not much time left, so get writing!
Mark Piggott is an award-winning independent author of several fantasy/steampunk novels and short stories. A 23-year U.S. Navy veteran, his stories will take you from the shores of eternal Avalon to a dystopian steampunk future and other worlds as he weaves flights of fancy in his tales.
The Berne Convention stipulates that the duration of the term for copyright protection is the life of the author plus at least 50 years after their death. For some categories of works, the minimum duration is shorter: for example, the minimum term for applied art is 25 years, movies have a minimum term of 50 years. Most countries have opted for a longer term of protection, as permitted.
Under the Convention, the duration of copyright depends on the length of the author's life. Berne specifies that copyright exists a minimum of 50 years after the author's death, while a number of countries, including the European Union and the United States, have extended that to 70 years after the author's death. A small number of countries have extended copyright even further, with Mexico having the lengthiest term at 100 years after the author's death.
In 1989, the Berne Convention became effective in the U.S. Since that date, U.S. authors obtain copyright on their works automatically, with registration no longer required. However, many U.S. texts on copyright have not been updated and still echo the old registration principle.
The member states of the European Union have, following a directive, increased the term to life of the author plus 70 years after their death. Although this was not the original intention, the extension applies retroactively; this had the effect that works that had ended up in the public domain because the author was dead for 50 years, received an additional twenty years of protection.
The following additions to copyright term formerly applied to all works, but the French Cour de Cassation has found them to be superseded by later copyright treaties, thus limiting the copyright term to life + 70 years total, at least for non-musical works of authors who did not "die for France".[80]
"Norway also has some peculiar laws that protect simple photographs. I.e. photographs, such as snapshots, that are below the threshold of originality to merit copyright protection are given neighbouring rights protection.[..]The Norwegian copyright act does not address public domain directly.The Norwegian copyright law defines two basic rights for authors: economic rights and moral rights.[..]For material that is outside the scope of copyright, the phrase i det fri (in the free) is used. This corresponds roughly to the term public domain in English. Norwegian copyright law makes a distinction between copyright and neighbouring rights. Only creative and artistic works are subject to copyright. Some other types of works are protected by so-called neighbouring rights."[172]
70 years from publication if published before 3 August 1993 by a corporation (cinematographic, television, radio works, print periodicals and compilations).[189] Protection term applies to "the whole work" only, i.e. individual authors of each protectable part of the whole work retain their own copyright[192]
50 years after the latest of: the date the work is made, the date the work is made available to the public or the date of first publication (works published anonymously or under a pseudonym, collective works and audiovisual works)[246]
50 years after the death of the last author to die (works of joint authorship)[246]
Once the index has rebuilt you will be able to search by Author data as defined by Co-Authors Plus. Searching for configured Author data will return the post(s) written by that author, not the Author archive or a User profile.
By default biblatex will truncate name lists exceeding maxcitenames to one author plus "et al." (mincitenames=1). However, biblatex will (also by default) not truncate if doing so would cause ambiguous citation keys, which I suspect is the case in your document. Compare the output of the following two examples:
If you only want one author in citation keys under all circumstances, use the option uniquelist=false. (Note that this may lead readers to the false conclusion that "Author et al." refers to the same author team.)
a Define the abbreviation for a group author only once in the text, choosing either the parenthetical or the narrative format. Thereafter, use the abbreviation for all mentions of the group in the text.
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