Fabric Fullbright Mod
Camie Fons
This is a fully configurable and client side gamma utility mod, making it much easier to see in the dark.It's a really basic mod that allows you to change the gamma value in game way higher than the in game brightness setting allows. Nights will look like day and caves will look like they're fully lit up.Basically Fullbright but for fabric.
Compact, comfortable and extremely smooth, Divina Melange 3 expresses colours and the shape of furniture particularly well. It is constructed by weaving the yarn in a simple binding after which it is subjected to pressure and high temperatures. This milling process, which is often associated with fine tailoring, transforms the material from coarse to a soft and uniform, felt-like surface.
The Martindale method is the most widely used method for testing upholsteries for abrasion resistance. During testing the fabric is rubbed against a standard wool textile with a given weight-load applied. Running at intervals of 5.000 circular rubbing motions, the test continues until two threads are worn.
Light transmittance indicates the percentage of the visible light penetrating the textile. Densely woven textiles in dark colours usually have a lower light transmittance, whereas loosely woven fabrics in light colours allow more light to pass through.
Flame retardant performance depends on the type of foam used. There are differing requirements concerning the flame-retardancy of textiles dependent on the area of application, country or even region. Our textiles pass the majority of international standards and are also tested for a selection of regional requirements.
Acoustic absorption is indicated as αw-value which approximately corresponds to the percentage of sound absorbed. For instance, an αw-value of 0,4 translates into 40% absorption of sound. Acoustic absorption of a textile is measured in its flat and draped state.
Regular cleaning is important in order to keep the upholstery textile looking its best and to prolong its life. Dust and dirt wear down the textile and also reduce its re-retardant properties. Vacuum frequently, ideally every week, at half power where appropriate. Wipe upholstery fabrics made from polyurethane with a dry or moist cloth. May also be vacuum cleaned with a soft brush.
If you act quickly, it is not difficult to remove spills and prevent stains from forming. However, we cannot guarantee complete stain removal.First, scrape off any liquids or hardened residues with a spoon or a scoop before you proceed. Any loose particles must be vacuum cleaned before further cleaning. Liquids must be soaked up with an absorbent napkin or cloth.Remove non-greasy stains by carefully dabbing with a lintfree cloth or sponge wrung out in warm water. Edge marks can be avoided by dabbing gently in circular motions towards the centre of the stain with a clean lint-free cloth. Remove greasy stains by using appropriate detergents or solvents. In all cases, we recommend to test stain-removal agents on an inconspicuous area first, to see if there is any effect on the cover. Make sure to dry the fabric fully before use. It may also be necessary to use a hairdryer to avoid leaving edge marks. This applies especially to microfibre textiles. These tips are purely recommendations and cannot guarantee complete stain removal. In all cases, we recommend contacting a professional dry cleaning. In order to ensure satisfactory results, particularly for large stains, we recommend to contact a professional dry cleaner. It is important to state whether the stain has already undergone treatment.
Removable covers made from Trevira CS can be machine washed at maximum 40/60C. Moreover, it is possible to wash certain cotton fabrics and micro-fibre textiles. Removable covers made from wool cannot be washed but should be dry cleaned.Use washing detergent designated for coloured textiles and obey the dosage. Wash the fabric inside-out and load only half on the machine. Spin-dry the fabric with decreased speed. The covers should be dried while suspended and mounted or applied while still slightly damp in order to ease the process.Not all covers with zippers are designed to be removable. Please ask the furniture manufacturer. We recommend contacting a professional dry cleaner for especially huge covers.
Availability: 1, 2 or 3 Day Rush 5 Day Std 1 - 6 Units 7+ Units Call Bulk Pricing: Buy in bulk and save Bulk discount rates Below are the available bulk discount rates for each individual item when you purchase a certain amount
Logoclothz will never charge set up fees. Rest assured, there are no sudden up charges from us!!
Pricing includes a full-color imprint on the front panel of your table cover, including a 3 (business) day production period.
100% Polyester Poplin with Merrowed Edges. NFPA Fire resistant. Color Fast. Wrinkle resistant (not wrinkle free!!)
Machine wash on cool cycle, non bleach detergent, tumble dry on low heat. Rounded corners to stop fabric bunching on the floor.
You can wash & care for Polyester Poplin yourself at home in the washer dryer.
Machine Wash: 160 degrees F. Use synthetic detergents. DO NOT USE Bleach or softeners as these might adversely affect the flame retardancy of the fabric.
Please note on Chair band Products we have min order qty MOQ 25 pc or more, in this case your discount applies to every 25 being considered 1 set. e.g order 50 pc and get a 5% discount for 2 pieces.
On Honors Day this April, the College presented the Trustee Teaching Excellence Awards to Associate Professor of Drama Jonathan Tazewell and Professor of American Studies Peter Rutkoff. Tazewell, a Kenyon graduate in the Class of 1984, oversees the dance and drama department's popular film program. Rutkoff, an historian who directs the American studies program, extends the College's reach to high schools throughout Ohio through the Kenyon Academic Partnership. The awards, $15,000 each, are presented each year to faculty members who demonstrate "exemplary teaching informed by creative scholarship."
A member of Kenyon's faculty for thirty-three years, Peter Rutkoff is well known as an inspiring teacher to many generations of students--both in the history department, where he started his career, and in the interdisciplinary American studies program, which he helped to create in 1990.
But he is as widely respected in Ohio secondary-education circles as he is on the Kenyon campus. Rutkoff directs the Kenyon Academic Partnership (KAP), in which professors from the College work with high-school teachers, helping them to develop their own versions of Kenyon courses for their most talented students. Founded in 1979 as SCAP, for the School-College Articulation Program, the effort has grown from six schools to twenty-nine, including not only several selective private schools but also a number of inner-city schools. The program also brings students from some of those city schools to the Kenyon campus for a summer program.
Indeed, KAP and another program in which Rutkoff is active, the Silverweed Foundation, have successfully helped many first-generation college aspirants pursue their education beyond high school. The citation for Rutkoff's Trustee Teaching Excellence Award recognized him as "Mr. Outreach."
The title fits Rutkoff's teaching as well. In recent years he has devoted a good deal of time and creative energy to a course that takes students on an off-campus odyssey. Together with William Scott of the history department, Rutkoff created "North by South: The Great African-American Migration, 1900-1960." The course, which has attracted considerable grant support, entails two week-long field trips during which students conduct archival and documentary research as well as oral-history interviews in paired cities or regions--Birmingham, Alabama, and Pittsburgh, Pennsylvania, for example; or the Mississippi Delta and Chicago.
Student projects range over history, literature, and music, while incorporating such facets of cultural life as art, food, and the fabric of family life. The projects are incorporated into the course's widely praised
Web site.
One of Rutkoff's favorite moments as a teacher came on a trip to Harlem during the course's first year. The class went to the legendary amateur hour at the Apollo Theater, and when the emcee scanned the audience for volunteers, one of the Kenyon students raised her hand. She got up and sang, and walked out with the top prize. "They were there!" marvels Rutkoff. "They lived it!"
Jonathan Tazewell '84 says that, in his life, "the genetics of teaching run deep." Tazewell, his brother Paul, and several cousins constitute a fourth generation of African-American college educators. His great aunt was the first black woman president of a four-year college (Bennett, a historically black college in North Carolina), and his grandfather was a sociology professor at the University of Akron. His mother was a French professor. Among the spreading branches of the family tree, twenty college teachers can be found.
If his first role models were family members, he found others at Kenyon. Among his undergraduate mentors were James Pappenhagen and Owen York in chemistry (his major), Gerrit Roelofs in English, Peter Seymour in French, Edmund Hecht in German, Robert Horwitz in political science, and, in drama, Harlene Marley and Thomas Turgeon, who are now his colleagues.
His students are beginning to say the same kinds of things about him. The award citation recognized him as an "extremely talented and versatile teacher who is capable of motivating students to do their best work." Brad Bennett '04, a drama major who just graduated, describes Tazewell as "a Renaissance man if there ever was one," in addition to being "one of the sweetest people you'll ever meet."
Tazewell, who holds a master of fine arts degree from the California Institute of the Arts, returned to the College to teach in 1997. In addition to teaching key courses in the drama curriculum, such as "Introduction to the Theater" and "The Play: Production and Performance," he developed coursework in the film program, including offerings such as "An Introduction to Film" and "Acting and Directing for the Camera." He also helped to create Kenyon's digital studio for video production.