But wait, there's more:
http://www.wnd.com/2012/06/was-communist-mentor-intimate-with-obamas-mother/
Was Obama�s goal in writing his autobiography, �Dreams from My Father,�
to misdirect Americans away from a deeply disturbing family background
and a Marxist political foundation?
These are questions filmmaker Joel Gilbert poses in the full-length
documentary �Dreams from My Real Father,� which argues Frank Marshall
Davis is the president�s biological father, not the Kenyan Barack Obama.
Gilbert reports he has recently discovered racy photos in vintage fetish
and bondage magazines of Obama�s mother, Stanley Ann Dunham, that he
believes were taken by Davis. The photos, he says, bolster his belief
that Dunham had an intimate relationship with Davis.
Joel Gilbert�s �Dreams from My Real Father� is on sale now at WND�s
Superstore
Gilbert has given WND a preview of a new �Breaking News� page on his
documentary�s website titled �The Intimate Ann Dunham-Frank Marshall
Davis Relationship.� On the page, he presents a video that shows some of
the 30-plus pin-up photographs he believes Davis took of Obama�s young
mother and other models in his home at 2994 Kalihi Street in Honolulu,
Hawaii.
Frank Marshall Davis, pornographer
In 1968, Greenleaf Classics in San Diego published a pornographic novel
titled �Sex Rebel Black: Memoirs of a Gash Gourmet,� authored by �Bob
Greene,� a pen name Davis later admitted was his own.
In the sex novel that Davis claimed was autobiographical, he describes a
swinging lifestyle in which he and his wife had sex numerous times with
an underage girl named �Anne,� a figure very suggestive of Obama�s mother.
As Gilbert documents, Davis was a semi-professional photographer for
more than 30 years, beginning when he lived in Chicago. His specialty
was taking nude photographs of female models that he called �horizontal
cameos.�
In a collection of Davis poems published in a book titled �Black Moods,�
compiled by his biographer, University of Kansas English Professor John
Edgar Tidwell, are 37 written �portraits� grouped in a section subtitled
�Horizontal Cameos.� Each poem is dedicated to a different woman
identified only by her first name. The second poem is dedicated to
�Anne� and reads as follows:
Anne
In the gangling hours
Thin, adolescent hours
Before night runs softly
Away into the west
Anne rises wearily From her tired bed
And sleeps
Sitting in a chair.
In the three nude photographs initially discovered on the Internet in
2008, the young naked model is shown in a living room setting. She is
posing in or around a chair, with a Christmas tree and a 1950s Hi-Fi
with various jazz vinyl record albums in the background.
See Joel Gilbert�s video of his latest finds (Warning: Viewer discretion
advised. The video contains explicit images, with portions blacked out):
Gilbert also is the writer and director of the 2010 documentary film
�Atomic Jihad: Ahmadinejad�s Coming War and Obama�s Politics of Defeat.�
2994 Kalihi Street
Before releasing a small sample of the pin-up photographs he claims
shows a nude Ann Dunham posing for Davis, Gilbert undertook extensive
research.
He traveled to Hawaii to inspect and photograph the Honolulu address
that the FBI file documents as Davis� residence beginning in 1956. The
file shows he moved out in the late 1960s as he was beginning his
divorce from his wife, Helen Canfield Davis. The divorce was not
finalized until Sept. 30, 1969.
�The Davis house is an English Tudor architectural style dwelling, very
uncommon for the Hawaii islands,� Gilbert told WND. �There are no
similar houses in the neighborhood or anywhere else that I visited in
Hawaii.�
The current owner of the house gave Gilbert permission to enter,
photograph and document the house. �The flooring in the photos of Ann
stands out, as at first glance it appears to be expensive wood
flooring,� he said. �However, once inside the house and peeling away a
corner covered with layers of linoleum, I realized that it was a simple
piece of plywood that had been varnished.�
Gilbert found one complete original piece of plywood in a shed behind
the house that was an exact match to the flooring in the setting where
the �Ann Dunham and friends� pin-up photographs were taken.
Noteworthy also were the windows appearing in the pin-up photos. �The
windows in the living room of Frank�s house were tall and narrow � a
design unique to English Tudor style houses,� he noted.
�The windows at 2994 Kalihi Street appear to match the tall, narrow
windows with their bottom sill low to the floorboards seen in the pin-up
photos.�
Gilbert took measurements of the windows and the floor at various
angles, as well as video footage and still photographs of the living room.
As illustrated in his documentary, Gilbert found a newspaper photograph
of Davis sitting on a couch in his living room that appears to be an
exact match for the couch seen in the pin-up photographs.
Pin-up investigations
Gilbert also tracked down various living experts specializing in 1950s
pin-up photography. In the approximately 30 photographs Gilbert has
found of various models, including the model he has identified as
Dunham, some of the women were photographed alone and others with
another female model.
In some of the photos the models are nude, while others show them in
various costumes. Some scenes reflect bondage or other sadomasochistic
behavior.
Gilbert showed the photographs to Ira Klaw, a nephew of pin-up
photographer Irving Klaw. Ira was able to determine that Irving Klaw was
not the photographer � Irving Klaw did not take nude photographs of his
pin-up models.
Expert J.B. Rund agreed the models were not Klaw quality, but the photos
were not purely �amateur.� He explained that the photographer had the
sophistication to know how to use the same photo session to take two
types of photos that could be sold to two different types of
publications � fetish and full nude.
Gilbert explained to WND that neither Rund nor Ira Klaw recognized the
models or the location of the photo shoots. Rund concluded Gilbert�s
photographs had been taken by a semi-professional photographer who was
not purely amateur, a description that would fit Davis.
Gilbert found that several of the photos in the collection appeared in a
magazine called Exotique, published by pin-up photographer Leonard
Burtman, who worked in New York City.
Gilbert said he was able to establish that while Burtman took most of
the photographs appearing in Exotique, he also bought photographs for
Exotique from other photographers.
He has determined that the model he has identified as Ann Dunham appears
in Exotique, but he was unable to find any pin-up expert who could
identify the photographer, the models or the settings of the photographs
taken at what he assumes was the 2994 Kalihi Street location. �An
amateur pin-up photographer like Frank Marshall Davis would have been
paid about $4 per negative, while professional photographers were paid
by the hour,� Gilbert said.
�Later in his life, Frank Marshall Davis spoke about a publishing
venture he started that failed. My assumption is that Davis may have
tried to create his own fetish or nude magazine in Hawaii and that he
sold his photographs to others when the venture failed.�
Gilbert found the photographs he had collected appeared in a wide
variety of period fetish or nude magazines, including �Bizarre Life,�
�Battling Babes� and �Secret Pleasures.� They were all taken in the same
living room setting, with the narrow, low-to-the floor windows, the same
sitting chair and couch, and the same Hi-Fi with jazz records.
Several of the photographs also display a hand-written numbering system
that show up in white numbers and letters in the corner margins of the
pin-up photos, such as �YA-438.� �I was able to determine that Irving
Klaw used this numbering system, but it was not unique to Klaw, and it
was not created by Klaw,� Gilbert said. �Various pin-up photographers
used this numbering system to distinguish between photo shoots, portions
of shoots, models and to keep track of which photos were sold to which
publications. The numbers rarely stood for anything in particular.�
Regular visits to the Davis home
In his film, Gilbert documents that Ann Dunham gave her father, the
�Gramps� of Obama�s autobiography, instructions to make sure young Barry
would be taken regularly to visit Davis.
�Obama chronicles his childhood interaction with Frank Marshall Davis in
his autobiography by mentioning �Frank� 25 times, the only person Obama
refers to by using his real first name instead of a completely
fabricated pseudonym,� Gilbert stressed.
Neighbors of Davis have said Obama began visiting Davis every week at
his home from the time Obama was 10 years old.
Gilbert wonders why.
�As Ann Dunham engaged in nefarious activities with Frank Marshall
Davis, who was likely involved in pornography and prostitution, why
would she bring 10 year-old Barry back from Indonesia and tell her
father something to the effect of, �I�m going back to Indonesia, but
please take young Barry to Frank�s house a few times a week,�� he said.
The only scenario in which Obama�s regular visits as a child to Davis�
house would make sense, Gilbert said, is if Davis was the real
biological father
Gilbert explained that much of what Obama has told the American public
of his childhood has been proven false.
�We now know that the family did not stay together in Hawaii until 1962,
when the Kenyan Barack Obama went to Harvard to begin his graduate
studies as Obama claimed,� Gilbert explained. �Ann Dunham took her
infant son with her to Seattle a few weeks after his birth and began
studies at the University of Washington, while the Kenyan Obama remained
in Hawaii for another year before leaving for Harvard.�
The evidence, Gilbert said, �points to the conclusion that Ann Dunham�s
relationship with the Kenyan Obama was a �sham� marriage designed to
cover up an illicit affair with Frank Marshall Davis, in which the
infant had been conceived.�
Obama�s election was not a sudden political phenomenon, Gilbert maintains.
�It was the culmination of an American socialist movement that Frank
Marshall Davis nurtured in Chicago and Hawaii and has been quietly
infiltrating the U.S. economy, universities and media for decades,� he
said. �To understand Obama�s plans for America, look no further than
communist Frank Marshall Davis.�