Queen Of The Damned Club Scene

[Jule Kue]

Forpeople with more than a passing knowledge of the early L.A. punk scene, Pleasant Gehman almost needs no introduction. She was there at the beginning and was involved on an incredible number of levels, as you will see. She left quite a few things off her resume, not the least of which is that she co-wrote and edited (along with my old Bags bandmate, Craig Lee) a long running feature at the L.A. Weekly entitled "L.A. Dee Da," which was a kind of post-punk society gossip column that helped to keep the club scene lively in the 1980's.

Now that I've conducted several of these interviews, I'm struck by the recurring chorus of "just get off your ass and do something!" It occurs to me that getting up and doing something, rather than just thinking about it or waiting for someone else to do it, was a big part of what the early punk scene was all about. As Pleasant notes, few of us had experience at the time - we learned as we went along. If you wanted to be in a band, years (or even months) of musical training was no longer required. It was the same with writing, photography, fashion...and the same holds true today. Just look at this website!

Read Pleasant's interview and you might be inspired to "live your own life"...or get drunk and make out with your friends in the ladies room.

Special thanks to Jenny Lens, Theresa Kereakes and Zeroxed, who allowed us to post their artwork/photos and recollections alongside this interview.

Queen of the Damned is a 2002 horror film directed by Michael Rymer from a screenplay by Scott Abbott and Michael Petroni, and based on the 1988 novel The Queen of the Damned by Anne Rice, the third novel of the book series The Vampire Chronicles, although the film contains many plot elements from the novel's 1985 predecessor, The Vampire Lestat. A stand-alone sequel to Interview with the Vampire (1994), the film stars Stuart Townsend, Aaliyah in her final film, Marguerite Moreau, Vincent Prez and Lena Olin. Townsend and Matthew Newton replaced Tom Cruise and Antonio Banderas in the roles of Lestat and Armand, respectively.

The film is dedicated to Aaliyah, who died in a plane crash on August 25, 2001, after completing her scenes in the production. It was distributed by Warner Bros. Pictures and released in the United States on February 22, 2002, and in Australia on April 4, 2002. It received mostly negative reviews from critics and was a box-office bomb, grossing just over $45 million against a $35 million production budget.

The sound of a nu metal band arouses the vampire Lestat de Lioncourt from a lengthy slumber, and he proceeds to take over as their lead singer. Achieving international success with the ensemble, which he names The Vampire Lestat, and having revealed the existence of vampires, he taunts his own kind during an interview to advertise his first and only live concert. Jesse Reeves, a researcher for the paranormal studies group Talamasca, is intrigued by his lyrics upon hearing one of his songs play on TV and tells the other members her theory that he really is a vampire. Her mentor, David Talbot, explains to her they already know of his identity and donates Lestat's journal that he recovered so that Jesse can read it, but warns her against pursuing Lestat. In the journal, Lestat recalls that in the winter of 1788, he was brought to a Mediterranean island and vampirized by Marius de Romanus, formerly a talented painter, and his violin playing awoke Akasha, the first vampire. Increasingly intrigued, Jesse tracks Lestat down to a London vampire club called The Admiral's Arms, where he saves her from three vampires and confronts her about Marius.

Visiting Lestat in Los Angeles, Marius warns him that the other vampires will not tolerate his flamboyant public profile; he reveals that Lestat's music has awakened Akasha and unsuccessfully implores him to cancel his concert. Meanwhile, Akasha arrives at the coven, looking for Lestat. After the vampires reveal their plan to kill him at his concert, she torches the club and kills all the vampires inside. Arriving in Los Angeles, Jesse gives Lestat his journal back and asks him to show her what being a vampire is like. He scoffs at the idea, but she convinces him to spend time with her. She later enquires if he can convert her, expressing her desire to be with him and know everything he does. He angrily declines, demonstrating how a vampire preys on human blood before asking her if she truly wants to become one.

Lestat is attacked by a group of vampires at his concert in Death Valley, and Marius aids him in defeating most of them until Akasha arrives and promptly carries Lestat with her to her home on an island resort. During their period of sexual intercourse, he becomes spellbound and subservient to her. Jesse awakens in the house where she lived as a child, in awe at the sight of her aunt, Maharet, who later reveals herself as a member of the Ancient Vampires. Fearing Akasha's plans for world domination, the Ancient Vampires decide to destroy her by draining her blood. However, they believe that whoever drinks her last drop will not survive.

Akasha confronts the Ancient Vampires and interrupts their meeting, with Lestat, empowered by her blood, accompanying her. When they refuse to side with her, Akasha commands him to kill Jesse, seeing her both as an enemy due to being Maharet's descendant and as food, with Akasha planning to make an example out of her to dissuade disobedience. He ostensibly obeys, but after drinking Jesse's blood, comes to his senses and is released from Akasha's controlling influence. He demands his "crown", and as Akasha openly offers him her arm to feed on, he then turns on her and, aided by the Ancients, begins to drain her blood, diminishing her power; he goes to Jesse and, cradling her in his arms, donates his blood to her as Maharet, who has effectively killed Akasha by drinking her last drop of blood, turns into a marble statue and "sleeps", becoming the new Queen of the Damned.

Now a vampire, Jesse visits David, accompanied by Lestat, and returns the journal. When David nervously asks her about life in her current status, Jesse offers to vampirize him, but he declines due to his age. Jesse then bids David farewell and goes to embrace him, but he fearfully rejects the embrace; sensing his hesitation, Jesse looks hurt but nods in understanding and leaves with Lestat. Marius then enters David's office, well aware that David has obsessed over him for many years, and politely greets him. Lestat and Jesse walk hand in hand, among mortals, into the night.

Jonathan Davis played a Scalper and also provided the uncredited singing voice for Lestat. In addition to Davis, several real-life musicians also appeared in the film including Darren Wilson as Sound Engineer, Rowland S. Howard as Vampire Guitarist, Hugo Race as Vampire Bass, Robin Casinader as Vampire Pianist, and former Jerk member Johnathan Devoy as James. Serena Altschul made a cameo as herself.

As the rights to the novels would revert to Anne Rice at the end of 2000,[5] initial story meetings to adapt one or both of the remaining The Vampire Chronicles began in 1998. The decision was made early to substantially rewrite the plot, and to base most of the movie on the third novel, The Queen of the Damned, as The Vampire Lestat was considered too broad and episodic for a two-hour feature film, although the novel's setup of Lestat's awakening and career as a rock star was used. It was also decided to focus on Lestat as the primary character, and the back story of Akasha and the Story of the Twins were omitted, despite these being virtually central to the plot of the novel.[6]

Displeased with the lack of progress, and more particularly with the studio's lack of consultation with her over the script development, author Anne Rice wrote a critical reply to a fan's question about the film in 1998:[7]

Not very long ago, less than a year ago in fact, I begged the executives there to let me write a script for THE VAMPIRE LESTAT for union scale (the Writers Guild won't let you write it for free) and a deferred payment not due until release of the picture. They simply weren't interested. It was very painful for me, as I had been talking to a new director they'd hired and we were both excited about the idea.

I felt snubbed and hurt and have not bothered to approach them since. The young director is supposed to be developing THE QUEEN OF THE DAMNED which I think is a bad idea, and basically a doomed project.

In spite of their showing no interest in me as the screen writer, they have not been able to find one themselves for this bizarre idea of THE QUEEN OF THE DAMNED. I'm not too surprised. I think any respectable script writer would be crazy to tackle that novel without having fully developed the background story of Lestat. Anyway, that is where it is.

During 1999, the script was developed by television writer Scott Abbott and Australian writer/director Michael Petroni. Another Australian, Michael Rymer, was confirmed to direct. Rymer suggested the film be shot in his home city of Melbourne, which would save considerably on production costs.

With a large cast of international and Australian actors, Queen of the Damned began principal photography on October 2, 2000 and ended on February 27, 2001, in a former biscuit factory, converted into a studio in the Melbourne suburb of St. Albans. Location filming took place around the city of Melbourne, although some filming was done in Los Angeles. For the scenes of Lestat's concert in Death Valley, over 3000 goths were recruited from Melbourne nightclubs and on the internet, then driven on a fleet of buses to a quarry in Werribee to act as extras.[9]

The songs for Lestat's band were written and performed by Jonathan Davis of the nu metal band Korn, and Richard Gibbs, although Davis' contractual commitments to Sony BMG meant that his vocals could not appear on the soundtrack album.[10] Instead, the vocals were re-recorded by other musicians for the soundtrack's official release: Wayne Static of Static-X ("Not Meant for Me"), David Draiman of Disturbed ("Forsaken"), Chester Bennington of Linkin Park ("System"), Marilyn Manson ("Redeemer"), and Jay Gordon of Orgy ("Slept So Long").[11] During the end credits "Not Meant for Me" is played. It is Jonathan Davis' version although the credits list it as the Wayne Static version from the album.

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