Kanchana 3 Mx Player Tamil

[Basemat Doolen]

IntroducingKanchana R, the dynamic right raider donning the jersey for Palani Tuskers in the JSG Women's Yuva Kabaddi Series 2024. Born on November 2, 2004, in Chennai, Tamil Nadu, Kanchana is a talented kabaddi player with a flair for strategic raiding.Hailing from a humble background, Kanchana's father, Ravi, works as a carpenter, while her mother, Prema, is a dedicated homemaker. Growing up with a younger brother, Madan, Kanchana discovered her passion for kabaddi at the age of 14 and hasn't looked back since.Under the expert guidance of coach Gokulnath, Kanchana refines her skills at VM Brothers in Chennai, where she practices rigorously to enhance her raiding prowess. Her signature move, the swift and strategic bonus point, has become her go-to skill, leaving opponents scrambling to defend.Kanchana draws inspiration from the tall and formidable kabaddi player Ajay Thakur, admiring not just his playing style but also his towering stature. She incorporates this influence into her own game, making her raids impactful and challenging for the opposing team.The young raider has showcased her talent at various levels, representing her school, college, district, state, and even at the national stage. One of her career highlights includes winning the silver medal at the Junior Nationals in Hyderabad in 2024.Currently pursuing a B.Com degree in her second year, Kanchana harbors ambitious dreams of representing India on the international kabaddi stage. Her journey is a testament to the power of determination and passion, and as she continues to evolve as a player, Kanchana R is undoubtedly a name to watch out for in the world of women's kabaddi.

We are two weeks away from the 2022 PKBGT/NB3 National Championship at Koasati Pines! Over the last six months, 23 regional qualifying events have been held across the United States to complete the field of 136 of the best junior players in the country and across the world! 43 PKBGT members have advanced to the National Championship and will be playing on the Golf Channel!

30 players will be heading to Louisiana to play in the 12-13 division. 9 PKBGT members advanced to the National Championship to compete at Koasati Pines. Aphrodite Deng (Short Hills, NJ 2028) qualified by finishing second at the New York Regional a week after winning the Delaware Valley WGAP Girls at Penn Oaks GC! By winning the Mississippi Regional, Vincenza Papa (Foster, RI 2026) earned her spot in the National Championship! Vincenza has 9 top-5 finishes on the PKBGT including a win at the 2021 Commonwealth Classic.

Rounding out the field for the PKBGT/NB3 National Championship are the 24 girls teeing it up in the 10-11 division including seven PKBGT members. Kylie Chung (Suwanee, GA 2029) qualified at the last chance North Carolina Regional by winning the 10-11 age group. Kylie has finished in the top-5 in every PKBGT event she has played in and is looking to continue that hot streak in Louisiana! Rose Hall (Yorktown, VA 2029) won the Virginia Regional to earn her spot in the field! She has also finished in the top-5 in all of her PKBGT starts.

Congratulations to all our PKBGT members who qualified and earned their spot in the PKBGT/NB3 National Championship! The tournament will be played November 3rd-5th at Koasati Pines and will be aired on the Golf Channel on December 8th. Good luck to everyone competing and we look forward to watching you on the Golf Channel!

After many years of developing his technique and extending his knowledge of Afro Cuban and African drumming rhythms and styles, Ray was interested in creating something new and was interested in moving in a direction that would build on and expand his knowledge and experience with African Drumming traditions.

Ray decided to incorporate the rhythms of his native Sri Lanka into his repertoire, which led to the creation of The Afro Lankan Drumming system.

Ray had realized many years ago that there were many similarities between the rhythms of Africa, Cuba and Sri Lanka even though the drums and the sounds they produced were different. Ray decided to investigate Sri Lankan rhythm styles in more detail and concluded that a new style combining influences from Sri Lankan, African and Afro Cuban drumming was possible and following more research started composing the repertoire of The Afro Lankan Drumming System with Kanchana.

Ray found the ideal partner In Kanchana. Kanchana had grown up learning traditional Sri Lankan drumming styles and then later expanded his knowledge by studying African and Cuban rhythms with Ray as well as with master drummers from Africa.

The Afro Lankan Drumming rhythms have been designed to take into account the different sounds produced by both African and Sri Lankan Drums and the different techniques used to produce these sounds. Great care has been taken by Kanchana and Ray to make sure that the drums are used play harmoniously with each other and there is no conflict of sound and timbre.

Players who are already proficient on African Drums can play the Afro Lankan Drumming rhythms using African drums while players who are experienced on Sri Lankan drums can play the Afro Lankan Drumming Rhythms on the Sri Lankan drums. For players like Kanchana who know the technique of both African Drums and Sri Lankan drums the parts that make up the Afro Lankan Drumming rhythms can be played on either types of drums.

Ray grew up in Sri Lanka surrounded by the sounds of Sri Lankan drums played at temples, religious festivals, ceremonies and at celebrations on the street, where musicians would congregate, singing and dancing to the accompaniment of drums.

Even though Ray had never formally learnt the traditional rhythms of Sri Lanka he was familiar with the more popular drumming styles and as his knowledge of African rhythm increased he noticed that there were a number of similarities in the rhythms and the feel of music from Sri Lanka and Africa. Which then led to his interest in forming The Afro Lankan Drumming System.

Kanchana first met Ray through one of his African Drumming workshops.

He then decided to study African Drumming on Djembe and Afro Cuban drumming on Conga with Ray. This association led to the first performances of The Afro Lankan Drumming System and the composition of new rhythms using both Sri Lankan and African Drums.

The Sri Lankan drums used include the Kandyan drum or Gata Bera, the Dawula which is similar to the Dun Dun,Thammatama played with sticks and the Yak Bera from the Low Country or Southernmost part of Sri Lanka.

Sri Lanka has many different styles of drumming and drums.

The Hill country of Sri Lanka is the home of The Kandyan Drum or Gata Bera, which is a double sided drum, played with the both hands one on either side.

The Thammatama drum is played in the Hill country as well as in the Sabaragamuwa province, which is another region with a distinctive drumming style. The Thammatama is accompanied by the bass drum or Dawula played with a stick in one hand. This combination is also used at Buddhist temples for the opening of the temple and other important daily rituals.

In the South of the country there is a very old form of drumming and dance which pre dates the arrival of Buddhism to the country from India. These pre Buddhist animist rituals are still performed and played at auspicious occasions using a double headed drum called the Yak Bera. The Yak Bera or Low Country drum accompanies the dance which feature colourful costumes and masks.

The North of Sri Lanka is home to a distinctly different style of drumming that is closely connected to South Indian Drumming styles. The drums in the North vary in shape and size from the drums in the Southern and central parts of Sri Lanka and have different playing techniques to produce the sounds.

The Mridhangam is a popular drum used for many ceremonial occasions and to accompany traditional dance while the Tavil is a drum used for Hindu Temple rituals. Many other drums are also used to accompany traditional music and rituals and festivals.

The published article is a copyright of the Academic Journal of Thailand National Sports University. The passage appeared in each article in this academic journal is a perspective of each author which is not related to the journal. Each author is required to be responsible for all components of his/her own article. If there are any mistakes, each author must be responsible for those mistakes on his/her own.

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GREAT FALLS -- Kathryn Ha and Kanchana Duangsam both participated in the U.S. Girls' Junior last week in California. That's not the only thing they have in common. They each posted 1-over-par rounds of 72 on Monday at River Bend Club to share stroke-play qualifying medalist honors at the 99th Virginia State Golf Association Women's Amateur Championship.

Duangsam, a 16-year-old from Haymarket, will be the top seed in the 16-player championship flight match-play bracket. Seeding for tied players was determined by blind draw. Ha, a 17-year-old from Roanoke, will be the No. 2 seed. Duangsam will open against another 16-year-old, Sofia Dechant of Aldie. Ha will face 15-year-old Mikaila Lamas of Vienna.

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