Brahmanas Pdf

[Egisto Chancellor]

TheBrahmanas (/ˈbrɑːmənəz/; Sanskrit: ब्रह्मणम्, IAST: Brāhmaṇam) are Vedic śruti works attached to the Samhitas (hymns and mantras) of the Rig, Sama, Yajur, and Atharva Vedas. They are a secondary layer or classification of Sanskrit texts embedded within each Veda, which explain and instruct on the performance of Vedic rituals (in which the related Samhitas are recited). In addition to explaining the symbolism and meaning of the Samhitas, Brahmana literature also expounds scientific knowledge of the Vedic Period, including observational astronomy and, particularly in relation to altar construction, geometry. Divergent in nature, some Brahmanas also contain mystical and philosophical material that constitutes Aranyakas and Upanishads.[1]

Each Veda has one or more of its own Brahmanas, and each Brahmana is generally associated with a particular Shakha or Vedic school. Less than twenty Brahmanas are currently extant, as most have been lost or destroyed. Dating of the final codification of the Brahmanas and associated Vedic texts is controversial, as they were likely recorded after several centuries of oral transmission.[2] The oldest Brahmana is dated to about 900 BCE, while the most recent are dated to around 700 BCE.[3][4]

Brahmana (or Brāhmaṇam, Sanskrit: ब्रह्मणम्) can be loosely translated as 'explanations of sacred knowledge or doctrine' or 'Brahmanical explanation'.[5] According to the Monier-Williams Sanskrit dictionary, 'Brahmana' means:[6]

M. Haug states that etymologically, 'the word ['Brahmana' or 'Brahmanam'] is derived from brahman which properly signifies the Brahma priest who must know all Vedas, and understand the whole course and meaning of the sacrifice... the dictum of such a Brahma priest who passed as a great authority, was called a Brahmanam'.[7]

M. Haug states that the 'Veda, or scripture of the Brahmans, consists, according to the opinion of the most eminent divines of Hindustan, of two principal parts, viz. Mantra [Samhita] and Brahmanam... Each of the four Vedas (Rik, Yajus, Saman, and Atharvan) has a Mantra, as well as a Brahmana portion. The difference between both may be briefly stated as follows: That part which contains the sacred prayers, the invocations of the different deities, the sacred verses for chanting at the sacrifices, the sacrificial formulas [is] called Mantra... The Brahmanam [part] always presupposes the Mantra; for without the latter it would have no meaning... [they contain] speculations on the meaning of the mantras, gives precepts for their application, relates stories of their origin... and explains the secret meaning of the latter'.[7]

J. Eggeling states that 'While the Brhmanas are thus our oldest sources from which a comprehensive view of the sacrificial ceremonial can be obtained, they also throw a great deal of light on the earliest metaphysical and linguistic speculations of the Hindus. Another, even more interesting feature of these works, consists in the numerous legends scattered through them. From the archaic style in which these mythological tales are generally composed, as well as from the fact that not a few of them are found in Brhmanas of different schools and Vedas, though often with considerable variations, it is pretty evident that the ground-work of many of them goes back to times preceding the composition of the Brhmanas'.[15]

The Indira Gandhi National Centre for the Arts (IGNCA) states that while 'the Upanishads speculate on the nature of the universe, and the relationship of the one and the many, the immanent and transcendental, the Brahmanas make concrete the world-view and the concepts through a highly developed system of ritual-yajna. This functions as a strategy for a continuous reminder of the inter-relatedness of man and nature, the five elements and the sources of energy'.[16]

Recorded by the grammarian Yaska, the Nirukta, one of the six Vedangas or 'limbs of the Vedas' concerned with correct etymology and interpretation of the Vedas, references several Brahmanas to do so. These are (grouped by Veda):[23]

For ease of reference, academics often use common abbreviations to refer to particular Brahmanas and other Vedic, post-Vedic (e.g. Puranas), and Sanskrit literature. Additionally, particular Brahmanas linked to particular Vedas are also linked to (i.e. recorded by) particular Shakhas or schools of those Vedas as well. Based on the abbreviations and Shakhas provided by works cited in this article (and other texts by Bloomfield, Keith, W. D, Whitney, and H.W. Tull),[25][26][27][28] extant Brahmanas have been listed below, grouped by Veda and Shakha. Note that:

c: The Panchavismsha and Tandya are the same Brahmana. The Sadvimsa Brahmana is considered to be an appendix to the Panchavismsha / Tandya Brahmana. The Adbhuta Brahmana is from the last part of the Sadvimsa Brahmana and deals with 'omens and supernatural things'.[29] Attributed by Caland to the Kuthuma-Ranayaniya Shakha,[30] but by Macdonell to the Tandin Shakha.[31]

e: The Mantra Brahmana (also called the Samaveda-Mantrabrahmana, SMB) is from the first two chapters of the Chandogya Brahmana (also called the Chandogyaopanishad and the Upanishad Brahmana); the remaining chapters of the Chandogya Brahmana form the Chandogya Upanishad.

S. Sharva states that in 'the brahmana literature this word ['brahmana'] has been commonly used as detailing the ritualism related to the different sacrifices or yajnas... The known recensions [i.e. schools or Shakhas] of the Vedas, all had separate brahmanas. Most of these brahmanas are not extant.... [Panini] differentiates between the old and the new brahmanas... [he asked] Was it when Krishna Dvaipayana Vyasa had propounded the Vedic recensions? The brahmanas which had been propounded prior to the exposition of recensions by [Vyasa] were called as old brahmanas and those which had been expounded by his disciples were known as new brahmanas'.[8]

The Aitareya, Kausitaki, and Samkhyana Brahmanas are the two (or three) known extant Brahmanas of the Rigveda. A.B. Keith, a translator of the Aitareya and Kausitaki Brahmanas, states that it is 'almost certainly the case that these two [Kausitaki and Samkhyana] Brahmanas represent for us the development of a single tradition, and that there must have been a time when there existed a single... text [from which they were developed and diverged]'.[33] Although S. Shrava considers the Kausitaki and Samkhyana Brahmanas to be separate although very similar works,[8] M. Haug considers them to be the same work referred to by different names.[7]

The sun does never set nor rise. When people think the sun is setting (it is not so). For, after having arrived at the end of the day, it makes itself produce two opposite effects, making night to what is below and day to what is on the other side...Having reached the end of the night, it makes itself produce two opposite effects, making day to what is below and night to what is on the other side. In fact, the sun never sets. Nor does it set for him who has such a knowledge. Such a one becomes united with the sun, assumes its form, and enters its place.

As detailed in the main article, the Aitareya Brahmana (AB) is ascribed to the sage Mahidasa Aitareya of the Shakala Shakha (Shakala school) of the Rigveda, and is estimated to have been recorded around 600-400 BCE.[33] It is also linked with the Ashvalayana Shakha.[13] The text itself consists of eight pacikās (books), each containing five adhyayas (chapters; totalling forty in all). C. Majumdar states that 'it deals principally with the great Soma sacrifices and the different ceremonies of royal inauguration'.[29]

Haug states that the legend about this Brahmana, as told by Sayana, is that the 'name "Aitareya" is by Indian tradition traced to Itara... An ancient Risi had among his many wives one who was called Itara. She had a son Mahidasa by name [i.e. Mahidasa Aitareya]... The Risi preferred the sons of his other wives to Mahidasa, and went even so far as to insult him once by placing all his other children in his lap to his exclusion. His mother, grieved at this ill-treatment of her son, prayed to her family deity (Kuladevata), [and] the Earth (Bhumi), who appeared in her celestial form in the midst of the assembly, placed him on a throne (simhasana), and gave him as a token of honour for his surpassing all other children in learning a boon (vara) which had the appearance of a Brahmana [i.e. the Aitareya]'.[7] P. Deussen agrees, relating the same story.[35] Notably, The story itself is remarkably similar to the legend of a Vaishnava boy called Dhruva in the Puranas (e.g. Bhagavata Purana, Canto 4, Chapter 8-12).[36]

The gods and the Asuras were in conflict over these worlds. From them Agni departed, and entered the seasons. The gods, having been victorious and having slain the Asuras, sought for him; Yama and Varuna discerned him. Him (the gods) invited, him they instructed, to him they offered a boon. He chose this as a boon, '(Give) me the fore-offering and the after-offerings for my own, and the ghee of the waters and make of plants.' Therefore they say 'Agni's are the fore-offerings and the after-offerings; Agni's is the butter.' Then indeed did the gods prosper, the Asuras were defeated. He prospers himself, his foe is defeated, who knows thus.

The Indira Gandhi National Centre for the Arts (IGNCA) states that the 'Kaushitaki Brahmana [is] associated with Baskala Shakha of [the] Rigveda and [is] also called Sankhyayana Brahmana. It is divided into thirty chapters [adhyayas] and 226 Khanda[s]. The first six chapters dealing with food sacrifice and the remaining to Soma sacrifice. This work is ascribed to Sankhyayana or Kaushitaki'.[37] S. Shrava disagrees, stating that it 'was once considered that [the] Kaushitaki or Samkhayana was the name of the same brahmana... [but the Samkhayana] differs, though slightly, from the Kaushitaki Brahmana'.[8] C. Majumdar states that it 'deals not only with the Soma, but also other sacrifices'.[29]

3a8082e126