Game Overtime
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Vincent Bergeron
Jan 27, 2014, 9:56:36 PM1/27/14
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Game Overtime
http://bergerrond2.bandcamp.com/Devient froid, bientôt mort. Cela pourrait être mon dernier album de musique partagé avec vous ou mon album d'automne le plus évident. Cette troisième collection de compositions complétée en 2013 crée l'effet d'une conclusion.
Je n'aime pas m'éparpiller pour des raisons pragmatiques. J'espère encourager l'écoute de cette musique hautement concentrée.
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Becoming cold, soon dead. This could be my last music album shared with you or my most obvious fall album. This third collection of compositions completed in 2013 truly feels like a conclusion of sort. Almost exactly 10 years ago, I decided to focus on my music. Since then, I can only drive one project at once, but done with all my ideas. I don't bear to spread myself for pragmatic reasons. Hoping this is convincing enough for you to listen to this highly concentrated music.
Anyway, I make sure that every detail in my music has meaning and absolutely no easy solution. This is electronic music without much of the big and linear sound we expect now, but with jumpy percussive melodic instruments of an acoustic nature, often kept in their original resonance, but sometimes going through a sort of harmonic dub or electronic tape works of a nature that I don't remember hearing.
I enjoy just as much the process of working with found recordings or improvisations from much appreciated collaborators (I worked this time with Chris Vaisvil, Frédéric Szymanski, Jurica Jelic, Jeff Gburek, Greg Hooper and Jörg Fischer) that already recorded their own work or improvised on my pieces.
The idea of mixing small fragments from recordings that are not meant to be together is one fascination that I don't lose easily. New life forms emerge out of sounds recorded all differently, taken out of their previously steady and playable structure. Rigourous composition of a different kind is my first priority.
Vincent Bergeron
Je n'aime pas m'éparpiller pour des raisons pragmatiques. J'espère encourager l'écoute de cette musique hautement concentrée.
---
Becoming cold, soon dead. This could be my last music album shared with you or my most obvious fall album. This third collection of compositions completed in 2013 truly feels like a conclusion of sort. Almost exactly 10 years ago, I decided to focus on my music. Since then, I can only drive one project at once, but done with all my ideas. I don't bear to spread myself for pragmatic reasons. Hoping this is convincing enough for you to listen to this highly concentrated music.
Anyway, I make sure that every detail in my music has meaning and absolutely no easy solution. This is electronic music without much of the big and linear sound we expect now, but with jumpy percussive melodic instruments of an acoustic nature, often kept in their original resonance, but sometimes going through a sort of harmonic dub or electronic tape works of a nature that I don't remember hearing.
I enjoy just as much the process of working with found recordings or improvisations from much appreciated collaborators (I worked this time with Chris Vaisvil, Frédéric Szymanski, Jurica Jelic, Jeff Gburek, Greg Hooper and Jörg Fischer) that already recorded their own work or improvised on my pieces.
The idea of mixing small fragments from recordings that are not meant to be together is one fascination that I don't lose easily. New life forms emerge out of sounds recorded all differently, taken out of their previously steady and playable structure. Rigourous composition of a different kind is my first priority.
Vincent Bergeron
credits
released 21 January 2014
#1 - piano de Greg Hooper, "without risk there is no profit"
#2 - guitares microtonales (Chris Vaisvil - Fretless Classical Guitar, Chris Vaisvil - Please Excuse Me), percussions (Jörg Fischer Squarci et quelques sons de Floor Tom Workout, sur Spring Spleen and twelve other pieces) et basse fretless de Jurica Jelic
#3 - guitares électriques de Frédéric Szymanski
#4 - quelques bouts de Kenneth Gaburo, Tape Play (For Harry)
#7 - guitare électrique et atmosphérique
de Jeff Gburek (Feldmonkesque)
#1 - piano de Greg Hooper, "without risk there is no profit"
#2 - guitares microtonales (Chris Vaisvil - Fretless Classical Guitar, Chris Vaisvil - Please Excuse Me), percussions (Jörg Fischer Squarci et quelques sons de Floor Tom Workout, sur Spring Spleen and twelve other pieces) et basse fretless de Jurica Jelic
#3 - guitares électriques de Frédéric Szymanski
#4 - quelques bouts de Kenneth Gaburo, Tape Play (For Harry)
#7 - guitare électrique et atmosphérique
de Jeff Gburek (Feldmonkesque)
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