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29. When we see a natural style, we are astonished and delighted; for we
expected to see an author, and we find a man. Whereas those who have good
taste, and who, seeing a book, expect to find a man, are quite surprised to
find an author. Plus poetice quam humane locutus es.2 Those honour Nature
well who teach that she can speak on everything, even on theology.
30. We only consult the ear because the heart is wanting. The rule is
uprightness.
Beauty of omission, of judgement.
31. All the false beauties which we blame in Cicero have their admirers, and
in great number.
32. There is a certain standard of grace and beauty which consists in a
certain relation between our nature, such as it is, weak or strong, and the
thing which pleases us.
Whatever is formed according to this standard pleases us, be it house, song,
discourse, verse, prose, woman, birds, rivers, trees, rooms, dress, etc.
Whatever is not made according to this standard displeases those who have
good taste.
And as there is a perfect relation between a song and a house which are made
after a good model, because they are like this good model, though each after
its kind; even so there is a perfect relation between things made after a
bad model. Not that the bad model is unique, for there are many; but each
bad sonnet, for example, on whatever false model it is formed, is just like
a woman dressed after that model.
Nothing makes us understand better the ridiculousness of a false sonnet than
to consider nature and the standard and, then, to imagine a woman or a house
made according to that standard.
33. Poetical beauty.--As we speak of poetical beauty, so ought we to speak
of mathematical beauty and medical be