Has anyone here heard of GRDDL? It's a simple method of converting
microformats to RDF, the basic data format of the Semantic Web, and then
one can use the Semantic Web toolset to do some interesting things like
merge microformat-based data from different sources and then query the
"mashed-up" microformat data. GRDDL allows one to link a transformation
to RDF (either from the document directly or the profile URI) to some
micro-format enabled data. The technique also works with plain-vanilla
XML documents. I think with GRDDL, we get both additional value from
microformats and the Semantic Web.
I'm the chair of the W3C GRDDL WG, and I want for people who are
active in the microformat community to give us comments on our
specification. We would highly value your comments on any of the
following docs:
1) GRDDL specification, which is for implementers and power-users, and
as such is formally written.
This document is a Candidate Recommendation, so we'd like comments
within the month:
http://www.w3.org/2004/01/rdxh/spec
2) GRDDL Primer, which is for end-users and is supposed to be
easy-to-read and informal:
http://www.w3.org/2001/sw/grddl-wg/doc29/primer.html
3) The specification has test-cases and a test-harness (we have
implementations in Python, C, and Java), a Last Call Working Draft:
http://www.w3.org/2001/sw/grddl-wg/td/grddl-tests
4) Use-case scenarios:
http://www.w3.org/2001/sw/grddl-wg/doc43/scenario-gallery.htm
thanks!
--
-harry
Harry Halpin, University of Edinburgh
http://www.ibiblio.org/hhalpin 6B522426
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Raising my head above what I hope is the correct parapet to ask, does
anyone know if Tim Gambell, who was seemingly leading work on the
proposed work-of-art uf a year ago, is still taking it forward? It looks
as though the last thing that happened with it was April 2006. If it's
croaked then I'll take myself over to the new ufs list and perhaps
propose something over there, but if it's alive, or if anyone here is
interested in it, do let me know.
Thanks,
Jeremy
Jeremy Ottevanger
Web Developer, Museum Systems Team
Museum of London Group
46 Eagle Wharf Road
London. N1 7ED
Tel: 020 7410 2207
Fax: 020 7600 1058
Email: jotte...@museumoflondon.org.uk
www.museumoflondon.org.uk
Museum of London is changing; our lower galleries will be closed while they undergo a major new development. Visit www.museumoflondon.org.uk to find out more.
London's Burning - explore how the Great Fire of London shaped the city we see today www.museumoflondon.org.uk/londonsburning
Thanks again, Jeremy
Jeremy Ottevanger
Web Developer, Museum Systems Team
Museum of London Group
46 Eagle Wharf Road
London. N1 7ED
Tel: 020 7410 2207
Fax: 020 7600 1058
Email: jotte...@museumoflondon.org.uk
www.museumoflondon.org.uk
Museum of London is changing; our lower galleries will be closed while they undergo a major new development. Visit www.museumoflondon.org.uk to find out more.
London's Burning - explore how the Great Fire of London shaped the city we see today www.museumoflondon.org.uk/londonsburning
-----Original Message-----
From: microformats-d...@microformats.org
[mailto:microformats-d...@microformats.org] On Behalf Of
Breton Slivka
Sent: 15 May 2007 13:41
To: Microformats Discuss
Subject: Re: [uf-discuss] Work-of-art/Tim Gambell
I believe it was agreed to use the also stalled hCite instead.
-Breton
-Breton
On 15/05/2007, at 7:03 PM, Ottevanger, Jeremy wrote:
>proposed work-of-art uf
What would be the use-case?
--
Andy Mabbett
* Say "NO!" to compulsory ID Cards: <http://www.no2id.net/>
* Free Our Data: <http://www.freeourdata.org.uk>
* Are you using Microformats, yet: <http://microformats.org/> ?
Jeremy Ottevanger
Web Developer, Museum Systems Team
Museum of London Group
46 Eagle Wharf Road
London. N1 7ED
Tel: 020 7410 2207
Fax: 020 7600 1058
Email: jotte...@museumoflondon.org.uk
www.museumoflondon.org.uk
Museum of London is changing; our lower galleries will be closed while they undergo a major new development. Visit www.museumoflondon.org.uk to find out more.
London's Burning - explore how the Great Fire of London shaped the city we see today www.museumoflondon.org.uk/londonsburning
-----Original Message-----
From: microformats-d...@microformats.org
[mailto:microformats-d...@microformats.org] On Behalf Of Andy
Mabbett
Sent: 15 May 2007 18:52
To: Microformats Discuss
Subject: SPAM:Re: [uf-discuss] Work-of-art/Tim Gambell
In message
<CBE3ED7D5509D54F9C4E...@mail-mwh-2k3.museumoflondon.or
g
>The role I envisage for a museum object microformat would be: - to
>identify a unique object on the web, tied (ideally) to an institution -
>to enable the capture of a very basic set of metadata about that object
>- optionally, to point at a source of fuller, structured metadata,
>thereby making a bridge between the light, author-friendly and flexible
>microformatted semantic web and the stricter, machine-facing Semantic
>Web
>
>And the use-case? Catalogue pages like this:
>http://www.museumoflondon.org.uk/English/Collections/OnlineResources/X2
>0L/objects/record.htm?type=object&id=742656.
Thank you. I don't wish to dissuade you from continuing, but I'm really
having difficulty seeing how this would be used.
A simple example use-case would be, for hCard:
"a user can add contact details to their address book, or look
up places with coordinates or postal codes on an on-line map".
For the "Currency" proposal:
"a user agent can convert an amount of money, encoded in one
currency, into an alternative currency, by looking up the
exchange rate open a nominated website".
In the case of an art object, surely there will only be one primary
source of information, and that can simply be linked to?
Can you provide examples of webmasters or software, currently delivering
the kind of services which you envisage that a microformat would
facilitate?
BTW, this conversation probably ought to be taking place on the "new
microformats" mailing list; I've cross-posted and set follow-ups, so
please reply there. Thank you.
Hi Andy, thanks for your interest.
At the risk of going outside the bounds of this list I'll give you an
outline of why I feel such a format might be useful....
-------------------------------------------------------------------------
I would agree that museums and archives show great potential for
microformats. As historians, the museum curators and registrars are
exceedingly careful to use best standards in documenting their objects.
I worked in the museum world for five years and the Dublin core was always
held up as a goal for metadata. Unfortunately, the existing collection
management software packages utilized it effectively. Further, the museum
web sites didn't adopt them.
I do believe the museums would adopt a standardized collections microformat
quickly. Further, there are some fantastic conferences held worldwide that
would allow the sages to meet and agree upon a pattern quickly.
However, museum collections don't differ greatly from other archives. The
proposed microformat should work with library and digital archive
collections. Is there already something like this? Could the Dublin core be
converted into a microformat.
Here's a list of previous Dublin core discussions at the Archimuse web site
(hosts of the museums on the web conferences and more)
http://www2.archimuse.com/cgi-bin/htsearch
Ted Drake
www.last-child.com
> Could the Dublin core be converted into a microformat.
<h1>New Additions to the Museum Collection</h1>
<ul>
<li class="objet">
<h2 class="dc:title">Comb</h2>
<ul>
<li class="dc:date:created">circa 3200 BCE; Predynastic period</li>
<li class="geo">Egypt (<span class="latitude" title="30">N
30°</span>, <span class="latitude" title="31.2">E
31°12'</span>)
</li>
<li>
<span class="dc:type scheme:dcmitype" title="PhysicalObject"></span>
<span class="dc:format">Ivory; 5.7 cm</span>
</li>
<li class="dc:publisher vcard">
<span class="fn">The Metropolitan Museum of Art</span>
<span class="adr">
<span class="locality">New York</span>,
<span class="country-name">USA</span>
</span>
</li>
</ul>
<p class="dc:description">
Finely carved ivory combs and knife handles produced toward the end of
Egypt's prehistory demonstrate the high standards Egyptian artists had
achieved, even before the Old Kingdom. This comb may have been part of
the funeral equipment of an elite person who lived about 5,200 years
ago. Parts of the comb's teeth, now missing, can be seen along the
bottom edge. The detailed decoration suggests that it was a ceremonial
object, not just an instrument for arranging the hair. On both sides are
figures of animals in horizontal rows, a spatial organization familiar
from later Egyptian art. The animals include elephants and snakes;
wading birds and a giraffe; hyenas; cattle; and perhaps boars. Similar
arrangements of these creatures on other carved ivory implements suggest
that the arrangement and choice of animals were not haphazard. Elephants
treading on snakes suggest that this part of the scene was symbolic. The
mythologies of many African peoples associate elephants and serpents
with the creation of the universe. The uppermost row of this comb may
symbolize a creative deity to whom the rest of the animals owe their
existence.
</p>
</li>
<li class="objet"><!-- another objet --></li>
</ul>
Notes:
1. An object's class is intentionally "objet", from "objet d'art" to avoid
collisions with existing use of class="object".
2. I'm not 100% sure about the best use of "geo" here. Should it be used
to markup where the object was created (as I have done here); where the
object currently is; or both?
3. Note the empty span to represent the dc:type metadata. Virtually all
items in museums are physical objects, so I didn't think it necessary to
show this information to human users.
4. I'm not sure about scheme:dcmitype. Are schemes necessary, or is that
going too far?
5. Could somehow integrate with XOXO?
--
Toby A Inkster BSc (Hons) ARCS
[Geek of HTML/SQL/Perl/PHP/Python/Apache/Linux]
[OS: Linux 2.6.12-12mdksmp, up 104 days, 16:20.]
URLs in demiblog
http://tobyinkster.co.uk/blog/2007/05/31/demiblog-urls/
>Ted Drake wrote:
>
>> Could the Dublin core be converted into a microformat.
>
><h1>New Additions to the Museum Collection</h1>
><ul>
> <li class="objet">
> <h2 class="dc:title">Comb</h2>
> <ul>
> <li class="dc:date:created">circa 3200 BCE; Predynastic period</li>
> <li class="geo">Egypt (<span class="latitude" title="30">N
> 30°</span>, <span class="latitude" title="31.2">E
> 31°12'</span>)
> </li>
[snip rest of markup]
Haven't you just reinvented RDFa?
>Notes:
>
>1. An object's class is intentionally "objet", from "objet d'art" to
>avoid collisions with existing use of class="object".
I think that would generate confusion.
>2. I'm not 100% sure about the best use of "geo" here. Should it be
>used to markup where the object was created (as I have done here);
>where the object currently is; or both?
Either, or both, but with an additional class of "made" and/or
"located", or some such; possibly also "found" (imagine a coin made in
Rome, found in York, and on display in London). They and the place names
should be included in hCards.
--
Andy Mabbett
> Haven't you just reinvented RDFa?
There are a few important differences:
* RDFa adds new attributes to XHTML -- my proposal doesn't.
* RDFa uses namespaces to potentially "import" many different
metadata schemes. Mine doesn't. The "dc:" prefix on certain
class names should not be seen as a true namespace -- just a
name prefix to avoid collisions.
* Mine leverages existing microformats, such as hcard and geo.
I'd also intended to include an example which leveraged
hcalendar to describe the history of a particular object,
but didn't have time to write it.
--
Toby A Inkster BSc (Hons) ARCS
[Geek of HTML/SQL/Perl/PHP/Python/Apache/Linux]
[OS: Linux 2.6.12-12mdksmp, up 104 days, 23:55.]
URLs in demiblog
http://tobyinkster.co.uk/blog/2007/05/31/demiblog-urls/
_______________________________________________
> Ted Drake wrote:
>
>> Could the Dublin core be converted into a microformat.
>
In short no, however, it could be converted to POSH.
Dublin Core is one of many citation-like previous formats, and thus best
serves as source research for the citation microformat[1].
Tantek
[1] http://microformats.org/wiki/citation