Hindi Movie Roja 1992

[Courtland Boland]

Thefilm was produced by K. Balachander under his Kavithalayaa Productions and distributed by G. Venkateswaran. The film's cinematography was handled by Santhosh Sivan, music by A. R. Rahman in his debut and editing done by Suresh Urs. The film released on 15 August 1992, to positive reviews, receiving praise for its patriotic theme and critically acclaimed soundtrack. It was featured in the Indian panorama section of the 24th IFFI.

Roja won three National Film Awards, including Best Film on National Integration, catapulting Ratnam to national acclaim. The film also gained international acclaim with its nomination for Best Film at the 18th Moscow International Film Festival. The film was re-released for international audiences in light of the growing fear of terrorist attacks across the world. It is the first in Mani Ratnam's trilogy of films, preceding Bombay (1995) and Dil Se.. (1998), that depict human relationships against a background of Indian politics.

In Srinagar, a Kashmiri terrorist, Wasim Khan, is captured by a team led by Colonel Rayappa. In Tamil Nadu, 18-year old[2] Roja is a simple village girl born and brought up in Sundarapandiapuram in Tenkasi district. Roja fervently wishes that her sister Shenbagam's marriage proposal with Rishikumar, a cryptologist working with the R.A.W. agency of Indian Intelligence, goes smoothly. Unknown to her and her family, Shenbagam is in love with the son of her maternal uncle.

When Rishi wishes to speak to Shenbagam alone, she gathers enough courage to convey this and politely asks him to reject her in front of her parents, to which he obliges. To everyone's surprise, Rishi requests Roja's hand in marriage instead. Being unaware of Shenbagam's love affair, Roja is not willing to accept Rishi's proposal as she believes that he is the best match for Shenbagam but she marries Rishi, and the couple go to live in Madras while Shenbagam marries her cousin.

Initially, Roja does not like what Rishi did, but when she learns of Shenbagam's love story and consequent rejection of Rishi, she apologises and starts seeing him in a new light. Love blossoms and life is blissful for the couple for a short while. Meanwhile, due to the illness of his Chief, Rishi is assigned to an army communications centre in Baramulla to intercept military intelligence. The couple finds themselves in a beautiful yet alien land. Roja's world turns upside down when Rishi is kidnapped by terrorists whose agenda is to separate Kashmir from India and free their leader, Wasim Khan, from judicial custody.

Faced with the daunting task of rescuing her husband, Roja runs from pillar to post, pleading with politicians and the military for help. Further complicating matters is the language barrier: she cannot speak their language, and they cannot speak hers. Meanwhile, Rishi, held captive by a group of terrorists led by Liaqat, an associate to Wasim Khan, tries to reason with the terrorists, about their misdirected motive for the liberation of Kashmir. Liaqat's sister shows a little compassion towards him. Initially, when Roja's efforts fail, the Indian government denies any negotiations with the terrorists for the release of Rishi in the media.

The angered terrorists attempt to burn an Indian flag. Rishi risks his life to put out the fire and shows the terrorist how much the country means to him, a regular citizen. When Liaqat's younger brother, who with a few other youths from his village was sent across the border to Pakistan for training, is shot by the Pakistan Army, Liaqat's strong belief is shaken, but he still manages to convince himself of the cause. Consequently, Roja's efforts to apprise the politicians of her suffering and pain are successful as a minister pities her and offers to help.

Rishi has managed to get close to the exchange spot on his own after evading the terrorists. During his escape, Rishi subdues two terrorists. Liaqat catches up with him and holds him at gunpoint. Rishi reasons with Liaqat further and convinces him that his war is immoral. Liaqat lets Rishi go and he goes to the exchange spot. Liaqat escapes from the Indian Army while Rishi and Roja are united once again.

On 28 June 1991, K. Doraiswamy, an executive of the Indian Oil Corporation, was kidnapped by Kashmiri militants and put in captivity for two months.[7][8] This inspired Mani Ratnam to make the film Roja.[9][10] Doraiswamy's wife was fighting for his release, and according to Ratnam, it was her plight that the film was based on.[11]

During the making of Anjali (1990), Ratnam told actor and director Kitty the outline of Roja and offered him to direct the film. Kitty declined, as he wanted to do something of his own. As Ratnam was telling him the outline, the subject became more crystallised. Kitty did not pick it up and when filmmaker K. Balachander asked Ratnam, he told him the outline. All the developments happened after that.[12] It was Balachander who approached Ratnam to make a film for his banner. As Balachander was the inspiration and the reason for Ratnam entering Tamil films, when he asked him to make a film for his banner, Ratnam wanted it to be one of the best films they had produced. Ratnam was keen that it needed to be of Balachander's standard.[7] Balachander instantly approved the outline of the film when Ratnam narrated. However, he disliked the title Roja (Rose) as he felt it sounded similar to the name of a brand of crushed betel nut. Ratnam thought the title represented Kashmir because "the rose is something beautiful but with thorns". To satisfy Balachander, he suggested another title Irudhi Varai (Till the end), but Balachander preferred Roja, which was finalised.[13]

Roja was the first film for which Ratnam used a Steadicam, in the shot that introduces the terrorists' hideout to the audiences.[14] The film was made on a shoestring budget. The technicians worked for less money with the understanding that the film would also be sold for less money. It was not thought of as something that would work on a big scale. The film was composed mostly of newcomers, a new music director, and it was about Kashmir which, according to Ratnam, not much was known to Tamil people at that time. He called the film "a bit of an experiment".[15] It is also the first in Ratnam's trilogy of films that depict human relationships against a background of Indian politics, including Bombay (1995) and Dil Se.. (1998).[16] Roja is a contemporary adaptation of the story of Savitri and Satyavan.[17][18] According to Ratnam, it was not originally planned as a political film: "It was a phase India was going through and these things affected me and found their way into my work."[19]

Arvind Swamy was signed on to play the lead role in Roja after Rajiv Menon declined.[20][21] Aishwarya and Ayesha Jhulka were initial choices for the female lead, but declined due to date issues; the role went to Madhoo, credited as Madhubala.[22][23] Aishwarya later revealed that she deeply regretted her decision, which was made by her grandmother against her will, for a Telugu film which was later cancelled.[24] Ratnam wanted a North Indian actor to portray Liaqat, a Kashmiri character, and Pankaj Kapur accepted when approached.[7] Ratnam approached Karisma Kapoor to play a Kashmiri girl, but ultimately decided not to cast her, believing she was "far too expensive for a Tamil film"; the role went to another actress.[25]

Ratnam had planned to shoot Roja in Kashmir, but extreme terrorism there forced him to shoot the film in other hill stations resembling it.[26][27] Shooting locations included Coonoor,[28] Ooty,[29] and Manali, Himachal Pradesh.[30][31] The film's cinematographer Santosh Sivan said that a lot of images were written in at the script level; even in the Kashmir sequences, the audience only sees the snow when Roja sees it for the first time. These things were written into the script.[32] The song "Chinna Chinna Aasai" was shot at Hogenakkal Falls in Dharmapuri and in the Banatheertham Falls in Papanasam, Tirunelveli.[33][34] Shakti Singh dubbed for Arvind Swami in the Hindi version of the film,[35][36] while Madhubala dubbed for herself.[37] The whole film was completed in less than 60 days.[38] The final length of the film was 3,750 metres (12,300 ft).[39]

The soundtrack and background score for the film was composed by A. R. Rahman in his debut as a music director. Mani Ratnam, who previously worked with Ilayaraaja in his earlier films, replaced him with Rahman, who worked as a keyboard programmer for Ilayaraaja for his film Moodu Pani (1980), also marking their first collaboration as well. The album features seven tracks in Tamil and Hindi, and six tracks in Telugu, Malayalam Marathi and five tracks in the instrumental adaptation album.

The album received critical acclaim and was also listed in Time magazine's "10 Best Soundtracks" of all time.[43][44] The Tamil and Hindi versions of the album sold over 3 million units in India, with the Tamil version selling over 200,000 units[45] and the Hindi version selling 2.8 million units.[46]

Roja received praise for its patriotic themes.[10] On 26 September 1992, K. Vijiyan of New Straits Times wrote, "Under Mani Ratnam's direction, [Arvind] and Madhubala gave their best ... The excellent photography by Santhosh Sivan [who was also the cameraman for Thalapathi] makes us appreciate the beauty we take for granted in the villages. The snow-capped mountains and flower-covered valleys of Kashmir are also an eyeful."[5] Writing for The Indian Express, Malini Mannath compared Roja unfavourably to Held Hostage; she praised Arvind Swami's performance, calling him "dignified and natural", but criticised Madhubala's performance in the scenes where Roja pleads for her husband's rescue, saying, "Her tremulous whisper praying for help, sounds contrived". She also felt that Pankaj Kapoor looked "lost in his role", but lauded the cinematography by Santosh Sivan and the editing by Suresh Urs.[50] T. N. Seshan, then the Chief Election Commissioner of India declared, "This is a film that every Tamilians should see."[51] S. R. of Kalki applauded the film for Sivan's cinematography, Ratnam's direction, Rahman's music, humorous and strong dialogues, natural acting and story.[52]

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