Mine Would Be You K Jamila Pdf
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Hello everyone, I am from Wembley, Britain. I want to write this testimony to tell others and thank Dr. Odunga for what he has done for me. The first 12 years of my marriage I had 5 miscarriages and I was called all sorts of names by my mother-in-law and this made my marriage life very hectic and a burden of sorrow. I contacted Dr. Odunga for help and I will say that he is a very strong and honest man and he indeed helped me solve my problem. I saw his email in a testimony and I contacted him, little did I know it would be the end of all my problems. After 2 days of contact, I received a fertility herb and he told me to use it. The herb worked and my husband even loved me more and bought me expensive things. One afternoon, I went to a nearby hospital and came back home with the positive result of my pregnancy and after 9 months I gave birth to a baby boy. Ever since I contacted Dr. Odunga, my story has been different. I have 3 children at present and I am very happy in my marriage. Please, contact him at odungasp...@gmail.com OR Whats App him +2348167159012 to help you too
Hi, your testimony is touching,all your heart desires have not yet come to pass after all these struggles.see how wonderful and gracious our Lord is! He has intiated a dream and a ministry that builds up many who are depressed and hearts break.congrates sister!
This is an amazing story you have shared with us and to open up like this. I feel inspired by you. I have been a Christian most of my life. However; have been going through a lot of challenges in my life the past several years, and due to this experiencing allot of anxiety. My divorce is just taking affect in the next couple of weeks (and this divorce is my choice). I need to move forward with my life, and have few close friends; yet there is a part of me because of this anxiety that has felt alone. I have wanted to order one of your encouragement boxes for myself month end, just uncertain which one? Can you please recommend one?
I have a V500. It's really just the old 4490 with a different light source. Unfortunately there is no improvement in scan quality: which is to say I find it unacceptable for 135 format film. The big caveat is that from what I've seen of the Canon 8800, these two scanners really are at the same level of performance.
When both are properly set up, I don't think you are going to be able to tell a difference in optical performance. Where I think you will feel there is a difference is in the standard software packages and how much control each offers and then the fact that the Canon suspends the film at approximately .7 mm off the glass versus approximately 1 mm off the glass. That height difference is small but I am pretty sure that is why the Canon scans were more likely to show Newton Rings. At least that has been my experience with the 8800F I bought for testing and prototyping film holders. I didn't think .3 mm would make that much difference, but it seems to do so. With that said, you have to be careful with both scanners if you have really limp film that cannot support its own weight and thus wants to sag to the glass. The Canon lens does seem to have a wider depth of field and be less sensitive to small variations in film height though (a good thing as long as the film doesn't touch the glass!).
I just purchased one from www.macmall.com. I can tell from the order status that it was just shipped which implies to me that they had one to sell me! I can't tell you how many on-line stores I have checked that are showing the scanner as backordered. Some don't even show you that until after you pay for it! Try it!
Congrats Jamila! I will post again once I receive mine and set it up. I'm a newby at converting photos from analog to digital. I shot a LOT of B&W back in the 1960's and early 1970's. In the mid 70's, I shifted to color slides. A TON of K25 and K64 slides. I also dabled in color print film as well. I spent much time in my darkroom working with B&W film and prints. My move to color and college (at about the same time) ended my darkroom efforts. The 1990's brought a lot of color print work and some slides. Y2K brought my first first 1 megapixel digital camera from HP. Since I hike and camp a lot, I have accumulated several Olympus Stylus models.
Thanks, Paul! Well, I am a total newbie. I will probably do mostly scanning artwork and objects for my digital artwork and slowly get into scanning some slides and negatives. So I'll be on a lookout for tips!
Film is quite different and takes some practise in setting up the scan and post processing. One thing for starters: even though marketing people say the scanner has 4800dpi or whatever insane amount of resolution it actually has something like 1600-2200dpi. I'd scan everything 2400dpi max, that gives you about 7Mp reasonably clean file from 35mm. If you want to make some scans just for screen/web/4x6 then 1200dpi is fine.
Thanks Kari! So how did you decide that 2400dpi was right? Did you print at some large dimension, then compare at different dpi's? Or were you looking at the images through software and blowing up the detail? I assume this is a very subjective decision. It certainly makes sense to only scan at the resolution that produces the results you want. But figuring that out what those standard settings should be sounds like a project!
Jamila, did you receive your scanner yet? I have only had time to scan in four slides I pulled at random from my very old reject pile. AWESOME! Very pleased. BTW Kari, I used 2400 dpi before I saw your post. Gorgeous! Course, I was just testing so I did not bother with choosing the best slides or cleaning them.
Despite this newsletter's mission, I'm not anti-Netflix; there's an insane number of things that I am excited to watch on the platform. (I will never achieve this.) Recently, the service has made some efforts towards better-representing cinema's history, something it has historically been terrible at handling. Last year, several back catalogue titles from the Polish film studio TOR were bulk-uploaded to the streaming service with little furore. Lately, there was an even more puzzling, unannounced mass-dump of films by the great Egyptian filmmaker Youssef Chahine. I don't know what circles I'm in online, but it's not the ones geeking out about putting Cairo Station being in my list next to Kim's Convenience.
Speaking of: holy shit, Cairo Station. Incredible film. Imagine a tremendous lost Hitchcock film with a Marilyn-level icon, a focus on railway unions, neo-realist leanings and a disturbing showing of sexual repression mutating into perversion. Cairo Station was one of the films last year that inspired me to start this newsletter. I missed a screening at London's ICA and could find no current in-print DVD/Blu-Ray with English subtitles, so I turned to YouTube. And even though it's now streaming, it's not like all of Chahine's notable movies aren't readily available.
One of those movies is Jamila, the Algerian - released in 1958, mind-bogglingly the same year as Cairo Station. (Side note: What other filmmakers made more than one great film in a year? I used to think Takashi Miike had an incredible 2001, but I think he just directed a lot of movies.) The transgressions of Station brought Chahine critical attention but little financial gain, with the film failing at the Egyptian box office. However, the producer/star Magda al-Sabahi was seemingly impressed, hiring Chahine to direct the life story of Algerian revolutionary Djamila Bouhired. It was a biopic sprung from very recent history, with al-Sabahi and Chahine portraying Bouhired as a martyr of the anti-colonial struggle, even though she was still alive in prison (in France, not Algeria). As the film was released, international indignation had risen over Bouhired's torture and rape by French colonial forces, and Algerian independence was still a few years away. The film's rapid turnaround provides electric energy. While it is more concerned with melodrama than docu-realism, Jamila, the Algerian feels like an active participant in the pan-Arab movement. It feels like history.
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