Randadvocated reason and rejected faith and religion. She supported rational and ethical egoism as opposed to altruism. In politics, she condemned the initiation of force as immoral and supported laissez-faire capitalism, which she defined as the system based on recognizing individual rights, including private property rights. Although she opposed libertarianism, which she viewed as anarchism, Rand is often associated with the modern libertarian movement in the United States. In art, she promoted romantic realism. She was sharply critical of most philosophers and philosophical traditions known to her, with a few exceptions.
Rand's books have sold over 37 million copies. Her fiction received mixed reviews from literary critics, with reviews becoming more negative for her later work.[4] Although academic interest in her ideas has grown since her death,[5] academic philosophers have generally ignored or rejected Rand's philosophy, arguing that she has a polemical approach and that her work lacks methodological rigor.[3] Her writings have politically influenced some right-libertarians and conservatives. The Objectivist movement circulates her ideas, both to the public and in academic settings.
Rand was born Alisa Zinovyevna Rosenbaum on February 2, 1905, into a Jewish bourgeois family living in Saint Petersburg in what was then the Russian Empire.[6] She was the eldest of three daughters of Zinovy Zakharovich Rosenbaum, a pharmacist, and Anna Borisovna (ne Kaplan).[7] She was 12 when the October Revolution and the rule of the Bolsheviks under Vladimir Lenin disrupted her family's lives. Her father's pharmacy was nationalized,[8] and the family fled to Yevpatoria in Crimea, which was initially under the control of the White Army during the Russian Civil War.[9] After graduating high school there in June 1921,[10] she returned with her family to Petrograd (as Saint Petersburg was then named),[d] where they faced desperate conditions, occasionally nearly starving.[12]
When Russian universities were opened to women after the revolution, Rand was among the first to enroll at Petrograd State University.[13] At 16, she began her studies in the department of social pedagogy, majoring in history.[14] She was one of many bourgeois students purged from the university shortly before graduating. After complaints from a group of visiting foreign scientists, many purged students, including Rand, were reinstated.[15][16] She graduated from the renamed Leningrad State University in October 1924.[13][17] She then studied for a year at the State Technicum for Screen Arts in Leningrad. For an assignment, Rand wrote an essay about the Polish actress Pola Negri; it became her first published work.[18] She decided her professional surname for writing would be Rand,[19] and she adopted the first name Ayn (pronounced /aɪn/).[20][e]
In late 1925, Rand was granted a visa to visit relatives in Chicago.[26] She arrived in New York City on February 19, 1926.[27] Intent on staying in the United States to become a screenwriter, she lived for a few months with her relatives learning English[28] before moving to Hollywood, California.[29]
In Hollywood a chance meeting with director Cecil B. DeMille led to work as an extra in his film The King of Kings and a subsequent job as a junior screenwriter.[30] While working on The King of Kings, she met the aspiring actor Frank O'Connor;[b] they married on April 15, 1929. She became a permanent American resident in July 1929 and an American citizen on March 3, 1931.[31][32][f] She tried to bring her parents and sisters to the United States, but they could not obtain permission to emigrate.[35][36]
Rand's first literary success was the sale of her screenplay Red Pawn to Universal Studios in 1932, although it was never produced.[37][g] Her courtroom drama Night of January 16th, first staged in Hollywood in 1934, reopened successfully on Broadway in 1935. Each night, a jury was selected from members of the audience; based on its vote, one of two different endings would be performed.[39][h] Rand and O'Connor moved to New York City in December 1934 so she could handle revisions for the Broadway production.[42]
Her first novel, the semi-autobiographical[43] We the Living, was published in 1936. Set in Soviet Russia, it focuses on the struggle between the individual and the state. Initial sales were slow, and the American publisher let it go out of print,[44] although European editions continued to sell.[45] She adapted the story as a stage play, but the Broadway production closed in less than a week.[46][i] After the success of her later novels, Rand released a revised version in 1959 that has sold over three million copies.[48]
Rand started her next major novel, The Fountainhead, in December 1935,[49] but took a break from it in 1937 to write her novella Anthem.[50] The novella presents a dystopian future world in which totalitarian collectivism has triumphed to such an extent that the word I has been forgotten and replaced with we.[51][52] Protagonists Equality 7-2521 and Liberty 5-3000 eventually escape the collectivistic society and rediscover the word I.[53] It was published in England in 1938, but Rand could not find an American publisher at that time. As with We the Living, Rand's later success allowed her to get a revised version published in 1946, and this sold over 3.5 million copies.[54]
During the 1940s, Rand became politically active. She and her husband were full-time volunteers for Republican Wendell Willkie's 1940 presidential campaign.[55] This work put her in contact with other intellectuals sympathetic to free-market capitalism. She became friends with journalist Henry Hazlitt, who introduced her to the Austrian School economist Ludwig von Mises. Despite philosophical differences with them, Rand strongly endorsed the writings of both men, and they expressed admiration for her. Mises once called her "the most courageous man in America", a compliment that particularly pleased her because he said "man" instead of "woman".[56][57] Rand became friends with libertarian writer Isabel Paterson. Rand questioned her about American history and politics during their many meetings, and gave Paterson ideas for her only non-fiction book, The God of the Machine.[58][j]
Rand's first major success as a writer came in 1943 with The Fountainhead,[61] a novel about an uncompromising architect named Howard Roark and his struggle against what Rand described as "second-handers" who attempt to live through others, placing others above themselves. Twelve publishers rejected it before Bobbs-Merrill Company accepted it at the insistence of editor Archibald Ogden, who threatened to quit if his employer did not publish it.[62] While completing the novel, Rand was prescribed Benzedrine, an amphetamine, to fight fatigue.[63] The drug helped her to work long hours to meet her deadline for delivering the novel, but afterwards she was so exhausted that her doctor ordered two weeks' rest.[64] Her use of the drug for approximately three decades may have contributed to mood swings and outbursts described by some of her later associates.[65][66]
The success of The Fountainhead brought Rand fame and financial security.[67] In 1943, she sold the film rights to Warner Bros. and returned to Hollywood to write the screenplay. Producer Hal B. Wallis then hired her as a screenwriter and script-doctor for screenplays including Love Letters and You Came Along.[68] Rand became involved with the anti-Communist Motion Picture Alliance for the Preservation of American Ideals and American Writers Association.[69] In 1947, during the Second Red Scare, she testified as a "friendly witness" before the United States House Un-American Activities Committee that the 1944 film Song of Russia grossly misrepresented conditions in the Soviet Union, portraying life there as much better and happier than it was.[70] She also wanted to criticize the lauded 1946 film The Best Years of Our Lives for what she interpreted as its negative presentation of the business world but was not allowed to do so.[71] When asked after the hearings about her feelings on the investigations' effectiveness, Rand described the process as "futile".[72]
After several delays, the film version of The Fountainhead was released in 1949. Although it used Rand's screenplay with minimal alterations, she "disliked the movie from beginning to end" and complained about its editing, the acting and other elements.[73]
Following the publication of The Fountainhead, Rand received many letters from readers, some of whom the book had influenced profoundly.[75] In 1951, Rand moved from Los Angeles to New York City, where she gathered a group of these admirers who met at Rand's apartment on weekends to discuss philosophy. The group included future chair of the Federal Reserve Alan Greenspan, a young psychology student named Nathan Blumenthal (later Nathaniel Branden) and his wife Barbara, and Barbara's cousin Leonard Peikoff. Later, Rand began allowing them to read the manuscript drafts of her new novel, Atlas Shrugged.[76] In 1954, her close relationship with Nathaniel Branden turned into a romantic affair. This change occurred with the knowledge of both their spouses,[77] although historian Jennifer Burns concludes that her husband Frank O'Connor was likely "the hardest hit" emotionally by the affair.[78]
Despite many negative reviews, Atlas Shrugged became an international bestseller,[84] but the reaction of intellectuals to the novel discouraged and depressed Rand.[65][85] Atlas Shrugged was her last completed work of fiction, marking the end of her career as a novelist and the beginning of her role as a popular philosopher.[86]
In 1958, Nathaniel Branden established the Nathaniel Branden Lectures, later incorporated as the Nathaniel Branden Institute (NBI), to promote Rand's philosophy through public lectures. He and Rand co-founded The Objectivist Newsletter (later renamed The Objectivist) in 1962 to circulate articles about her ideas;[87] she later republished some of these articles in book form. Rand was unimpressed by many of the NBI students[88] and held them to strict standards, sometimes reacting coldly or angrily to those who disagreed with her.[89][90][91] Critics, including some former NBI students and Branden himself, later said the NBI culture was one of intellectual conformity and excessive reverence for Rand. Some described the NBI or the Objectivist movement as a cult or religion.[92][93] Rand expressed opinions on a wide range of topics, from literature and music to sexuality and facial hair. Some of her followers mimicked her preferences, wearing clothes to match characters from her novels and buying furniture like hers.[94] Some former NBI students believed the extent of these behaviors was exaggerated, and the problem was concentrated among Rand's closest followers in New York.[91][95]
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