I have heard contemporary parapsychologists joke about what J. B. Rhine really accomplished at Duke University by operationalizing psychical research and insisting on controlled laboratory conditions and statistical approaches: he figured out how to suppress psi and finally make it go away. Bored sophomores staring at abstract shapes on playing cards is no way to elicit psychical phenomena. But love and trauma are. Consider what we will encounter below as the classic case of telepathic dreams announcing the death of a loved one. Such dreams are not objects behaving properly in an ordered mechanistic way for the sake of a laboratory experiment. They are communications transmitting meaning to subjects for the sake of some sort of profound emotional need. They are not about data; they are about love. Obviously, though, when the object becomes a subject and brain matter begins to express meaning, we are no longer in the realm of the natural sciences. We are in the realm of the humanities and hermeneutics, that is, we are in the realm of meaning and the Hermes-like or Hermetic art of interpretation.
My goal in the pages that follow is not to demean or deride the sciences (quite the contrary, I will end with them), nor to arrive at some false sense of rational or religious certainty—I possess neither—but to expand the imaginative possibilities of contemporary theory through a certain authorization of the Impossible. I am not asking us to know more. I am asking us to imagine more. This ability to imagine more is precisely what defines an “author of the impossible” for me. I intend this key title-expression in at least three senses. In the first and simplest sense, I intend to state the obvious, namely, that these are authors who write about seemingly impossible things: think telepathy, teleportation, precognition, and UFOs. In the second sense, I intend to suggest that these are authors who make these impossible things possible through their writing practices. They do not simply write about the impossible. They give us plausible reasons to consider the impossible possible. They thus both author and authorize it. In truth, they are authors of the (im)possible. Finally, in the third and deepest sense, I intend to suggest that the writing practices of authors of the impossible are intimately related to the paranormal itself, and this to the extent that paranormal phenomena are, in the end, like the act of interpretive writing itself, primarily semiotic or textual processes. This is why “automatic writing” played such an important role in the history of psychical phenomena and why we still speak of “psychical readings.” That is, after all, exactly what they are. There is another way to say this. Although paranormal phenomena certainly involve material processes, they are finally organized around signs and meaning.
To use the technical terms, they are semiotic and hermeneutical phenomena. Which is to say that they seem to function as representations or signs to decipher and interpret, not just movements of matter to measure and quantify. This is my central point to which I will return again and again: paranormal phenomena are semiotic or hermeneutical phenomena in the sense that they signal, symbolize, or speak across a “gap” between the conscious, socialized ego and an unconscious or superconscious field. It is this gap between two orders of consciousness (what I will call the “fantastic structure of the Mind-brain” in my conclusion) that demands interpretation and makes any attempt to interpret such events literally look foolish and silly. We thus ignore this gap and the call to interpret signs across different orders of consciousness at great peril. We might also say that such paranormal phenomena are not dualistic or intentional experiences at all, that is, they are not about a stable “subject” experiencing a definite “object.” They are about the irruption of meaning in the physical world via the radical collapse of the subject-object structure itself. They are not simply physical events. They are also meaning events.49 Jung’s category of synchronicity, for example, is all about what we could easily and accurately call meaning events, that is, a moment in space and time where and when the physical world becomes a text to be read out and interpreted, where and when the event is structured not by causal networks of matter but by symbolic references producing meaning. If, however, paranormal phenomena are meaning events that work and look a great deal like texts, then it follows that texts can also work and look a great deal like paranormal phenomena. Writing and reading, that is, can replicate and realize paranormal processes, just as paranormal processes can replicate and realize textual processes. This is what I finally mean by the phrase “authors of the impossible".
So look out.
Two more warnings before we begin. First, do not misread me here. I do not “believe” all the tales I will tell you in the pages that follow, however convinced I may sound in this or that passage. Indeed, as a professional scholar of religion, I consider it my job not to believe, and I take that professional commitment very seriously. Which is not to say, at all, that I discount these stories as unimportant, as simply fabricated or completely false. I do not. What I am trying to do is recreate for the reader what the field researcher calls “unbounded paranormal conditions,” that is, a place in space and time, in this case a text recreated and realized in your mind, where—to speak very precisely now—really, really weird shit happens.
Second, I hope it goes without saying that I offer my hermeneutical model of the paranormal only as a contribution to the larger project of studying such phenomena, certainly not as any final or complete solution to these anomalous events. I am as baffled as anyone by this material, and I offer no rational or religious certainties here, only intuitive hunches and possible directions. The simple truth is that we simply don’t know what is going on here. I would go further. With our present rules of engagement, that is, with our present reigning materialist methodologies, faith commitments, objectivist scientisms, and absolute cultural relativisms, we cannot know. So I suppose I am also after those rules of engagement. I want a new game.
Kripal, Jeffrey J.. Authors of the Impossible: The Paranormal and the Sacred (p. 26). University of Chicago Press. Kindle Edition.
Another great book Sci. Kripal is dead on. Hence the utter inadequacy of our models for living and all forms of True Belief.
Perhaps Scott can comment on the video by William Rowlandson https://www.youtube.com/watch?v=sXJ2m729O7Y
Later, closer to the end he does quite a riff on both/and, which is what I was thinking you might want to comment on.
I have been frustrated in an over-simplified model of individual alters and M@L, that there seem to be obvious zones and/or levels in consciousness.
At our mundane level, what is a species, or a culture or a civilization and ecosystem within an alteric model?
Then, at the next step, what are souls, spirits and non-corporal or other-than- material realms.
In other words, what's the difference between Hogwarts and Angels?
Perhaps this has been dealt with or perhaps this is simply not the business of ontology?
I have been frustrated in an over-simplified model of individual alters and M@L, that there seem to be obvious zones and/or levels in consciousness.
At our mundane level, what is a species, or a culture or a civilization and ecosystem within an alteric model?
Perhaps this has been dealt with or perhaps this is simply not the business of ontology?
Firstly, although I'm glad that you see no logical problem with the imaginal, misses the point that in a consensual language disenchanted by materialism, entities such as angels or forest spirits have been exiled to fiction, folklore and fairy tales, thus making it damn difficult to effectively communicate that the realms are real, which seemed to me to be William Rowlandson's point.
Secondly, although the imaginal and normal waking physical reality are both mental and real, seems to miss the point that they are also different in the sense of following different rules. BK wisely defines the "physical" as that which follows the rules and logic of physics. But to enter the imaginal one may need to know something of the rules and logic of magic. Are you asserting that they are the same?
OK but does "empirical" carry a materialist bias?
What is the non-materialist method of being empirical?
I'm not sure what you mean by "particular"? Is it individualistic, personal and other than culturally consensual?
Indigenous cultures can do this. Polynesian seafarers can navigate thousands of miles of open ocean without instruments by singing the songs, watching the currents and the stars. There's a collective mindset involved. Does "particular" include this?
It is in the sense that if the experience of non-physical imaginal realms or angels becomes established, then any ontology must account for them.How does it become established?
My take is that the truth of Idealism leads to searching for the way. In this search it will have to compete with a very powerful materialist technology, which is no small challenge.
I'm not sure what you mean by "particular"? Is it individualistic, personal and other than culturally consensual?
How do you understand an ant colony or a forest or a Polynesian culture? Is just a collection of individuals communicating their particular experiences?
My understanding of Rowlandson's point was that given the limitations of our disenchanted language and logic there was no adequate way for him to respond other than something like "all of the above."
He wasn't asserting a solution to the dilemma as much as surrendering to and affirming the mysteriousness of an imaginal realm that for the time being is pretty much separated from consensual communication except in fiction.
Ursula Le Guin often offered this explanation for why she became a fantasy writer, saying that it was the only way she could speak of the deeper truths she knew.
As I've mentioned before, there's an entirely different cultural take on true and false stories possible. The Pawnee Indians say false stories are offered for the aggrandizement of the storyteller whereas true stories are intended to help the listener learn something. Interestingly, false stories can be created entirely of selected facts and true stories may be pure fiction.
How might one explain the tremendous appeal of tales like HP other than acknowledging that they touch something people want very much but have no consensually factual language to provide?
I know that Idealism offers a better door-opener than Materialism but I'm not sure that ontology can itself address the challenge of needing a great story.
My understanding of Rowlandson's point was that given the limitations of our disenchanted language and logic there was no adequate way for him to respond other than something like "all of the above."
He wasn't asserting a solution to the dilemma as much as surrendering to and affirming the mysteriousness of an imaginal realm that for the time being is pretty much separated from consensual communication except in fiction.
There is strangeness and weirdness, which is very difficult, if not impossible to describe. But it is just as difficult or impossible to describe in fiction.
How might one explain the tremendous appeal of tales like HP other than acknowledging that they touch something people want very much but have no consensually factual language to provide?
I know that Idealism offers a better door-opener than Materialism but I'm not sure that ontology can itself address the challenge of needing a great story.
What limitation of language and logic? Our language and logic is perfectly capable of referring to imaginal realms. Dreams, for example. It is only limited in being able to describe what one finds in other realms.Then why is it so hard for mystics to describe their experience, assigning it instead to the "ineffable"?
Just because of formlessness or are the language forms lacking?
Of course, mythology or an archetypal system like tarot are full of language for this. Cosmologies as well. But try to use these forms to communicate with the grocer or your neighbor. Physicalism has exiled such language to fiction and fantasy thus disenchanting or desacralizing our common world and leaving us with a language problem.
The author of fiction simply creates a magical realism which is then assigned by common consensus a status of entertaining but unreal (fictional).
I believe we need a new mythos relevant in modernity and re-enchanted.
Or we could do rituals where so-called "magic" is performed and directly experienced as real. Walking barefoot across 10 meters of hot coals comes to mind. Or we could ourselves communicate with and/or incorporate disincarnate entities as a direct experience.
Here’s the translation people see on the Internet:
I laud Agni, the chosen Priest, God, minister of sacrifice,
The hotar, lavishest of wealth. (translated by Ralph T.H. Griffith, 1896)Agni is fire, but how can it be Priest, God, minister of sacrifice, and the rest that follows. And why is it important to have a priest or minister of sacrifice? What is the meaning of sacrifice? What is God, if we don’t see him anywhere? Why is Agni “God” and why is lauding him important or relevant? Why speak of things that cannot be tested?
It is a jumble of words that takes you nowhere. You stop and give up.
Deeper Meaning
To get to the deeper meaning, we must first understand who Agni is. To the uninitiated, Agni is the physical fire that one can see. But the deeper meaning of Agni is the light (or spark) within that lifts the veil on the lamp of consciousness; yet another meaning is Vāc or speech.
Agni and Vāc are two manifestations of the same deeper reality. This is expressed in the poetic expression that Vāc and Agni both reside in the waters and in trees. The waters of materiality hide the spark of Agni and the sounds of their waves; from trees comes fire as well as the wood for flutes and other musical instruments. There is also a deeper connection between the elements of tejas and vāyu that I have discussed elsewhere (see my book Matter and Mind).[Note 1]
Devam, translated by Griffith as “God” is from the root div which means light. (Many years ago, I showed in my book The Gods Within that the devas are the cognitive centers in the mind. [Note 2]) The word “God” is meaningless here excepting in its primary meaning of Light. The devas are the centers of agency that are the constituents of our mind.
So here is the deeper meaning of words and the translation is:
I venerate Agni, the priest [purohita] who is the light [devam] and invoker [ṛtvij] of the sacrifice, the one who chants [hotṛ] and bestows treasure.
Imagine that your habits and conditioning have thrown a veil on your consciousness, which they do, but this is something that I am not going to go further in here. This veil can be penetrated by using the human manifestation of fire (that is speech of Agni the purohita in the chants as hotṛ) to connect with the inner spark (devam), so that the veil is dissolved and you are in touch with your true self.
It is only momentarily lifted just like you are only momentarily in the present moment. Most of the time, we inhabit either our past (which is dead and gone) or make dreams about the future (which doesn’t exist). The idea of spiritual practice is to make that dissolution of the veil persist for ever longer period of time.
The process of connecting from speech to inner light needs a bridge and that is the mysterious role of Agni as invoker. Why mysterious? Because we are not talking of things, but rather of the workings of consciousness, which is not a material entity. This process of invocation requires a mastery of the processes that are symbolized by the Goddess.
What about treasures that are bestowed? The process of connecting to the source, if I may use that phrase, is transformative. It is also punarjanman, the rebirth, the end of the yajna, the sacrifice. When connected to the source, capacities that lay latent, come alive. The treasures that one comes by were within one’s reach all the time excepting one wasn’t aware of them, or one didn’t know where to look for them.
In physics, it is like the directing of evolution by observation (something called the Quantum Zeno Effect that I have discussed elsewhere [Note 3]).
What are the many divinities of the Ṛgveda? These are the lights at different points in the inner space of the mind, the embodiments of various cognitive capacities...