Girl Interrupted 1999 Full Movie

[Evelina Browder]

GirlInterrupted is a 1999 American biographical psychological drama film written and directed by James Mangold, from a screenplay by Mangold, Lisa Loomer, and Anna Hamilton Phelan, and based on the 1993 memoir of the same name by Susanna Kaysen. Starring Winona Ryder, Angelina Jolie, Clea DuVall, Brittany Murphy, Elisabeth Moss, Jared Leto, Angela Bettis, Jeffrey Tambor, Vanessa Redgrave, and Whoopi Goldberg, the film follows a young woman who spends 18 months institutionalized at a psychiatric hospital following a suicide attempt.

Girl, Interrupted was theatrically released in the United States on December 21, 1999. The film received mixed reviews from critics upon release; however, Ryder and Jolie earned widespread acclaim for their performances. It grossed $48 million worldwide, thus emerging as a commercial success.

Lisa helps the girls sneak around at night in the hospital's underground tunnels and continuously provokes them and the staff, including the stern head nurse, Valerie Owens. Through regular therapy sessions with Dr. Melvin Potts, Susanna learns she has borderline personality disorder, a fact Dr. Potts initially conceals from her. On a rare supervised group outing celebrating Daisy's impending release, the women visit an ice cream parlor. There, Susanna is confronted by Barbara Gilcrest, the wife of an English instructor with whom she had an affair, and their daughter, Bonnie. Barbara publicly chastises Susanna for sleeping with her husband; coming to Susanna's defense, Lisa insultingly berates Barbara and the other girls mock her and Bonnie before they both leave, humiliated. This endears Lisa to Susanna even more, though Valerie reprimands Lisa.

In addition to her affair with Dr. Gilcrest, Susanna has a casual relationship with Toby, a young man who has been drafted to serve in the Vietnam War. He visits Susanna, and begs her to run away with him to Canada. Susanna tells him she has become friends with the other girls and would like to leave someday but not with him. The same night, Polly has a breakdown and is placed in isolation. Susanna and Lisa drug the night watch nurse with a sedative and attempt to comfort Polly by singing to her. Susanna also makes out with John, one of the hospital orderlies who has a crush on her. When Valerie finds the group sleeping in the hallway in the morning, she punishes the two women, particularly Lisa, who is subjected to electroshock treatment followed by solitary confinement.

Later that night, Lisa manages to break out of confinement and convinces Susanna to escape with her. The women hitchhike to Daisy's newly-rented apartment, supplied by her doting father, and bribe her with Valium in order to spend the night. Daisy, insistent she has been cured of her illness, is confronted by Lisa when she discovers Daisy has been cutting herself. Lisa taunts and mocks Daisy, accusing her of enjoying the incestuous sexual abuse she has long suffered from her father. The next morning, Susanna finds Daisy dead in her bathroom, having slashed her wrists and hung herself. Susanna is appalled when Lisa searches Daisy's room and body for cash. Realizing she does not want to become like Lisa, Susanna phones for an ambulance and returns to Claymoore while Lisa flees to Florida.

Upon returning to the hospital, Susanna occupies herself with painting and writing, and cooperates with her therapy, including regular sessions with the hospital's head psychologist, Dr. Sonia Wick. Before Susanna is released, Lisa is apprehended and returned to Claymoore. She steals Susanna's diary one night and reads some of the entries to Georgina and Polly in the tunnels, attempting to turn them against Susanna. After reading an entry in which Susanna feels sympathy for Lisa being a cold, dark person, Lisa attacks Susanna and chases her through the tunnels. A furious Susanna confronts Lisa, loudly accusing her of being dead inside and berating her for her abusive behaviors, becoming mentally and emotionally dependent on Claymoore, for being afraid of the world, and for being uncaringly unempathetic. Lisa finally breaks down at this and contemplates suicide, though Georgina manages to dissuade her. Before Susanna is released the next day, she goes to visit Lisa, now in solitary confinement and restrained to a bed until she fully recovers. The two reconcile, and Lisa insists she is not actually heartless. They part on good terms and Susanna bids farewell to everyone, apologizing to Georgina and Polly for what was written about them in her journal, with both women accepting the apology before Susanna departs.

In June 1993, Columbia Pictures fought off a number of other studios to buy the film rights to Susanna Kaysen's memoir.[3] Winona Ryder, who had also attempted to buy the film rights, ultimately partnered with producer Douglas Wick to develop the project as a star vehicle. The film was then stuck in development hell for five years, with three different scripts written but none satisfying Ryder and Wick, their reasoning being that Kaysen's book struggled to translate to film. Ryder approached James Mangold to direct, after seeing his film debut Heavy.[4] Ryder, Wick and Mangold settled on a final shooting script in mid-1998, with Columbia pushing back production on the film until early 1999 in order for Ryder to shoot their horror film Lost Souls.[5]

Because of the volume of strong female characters in the film, a number of young actresses sought parts in it. Reese Witherspoon, Christina Ricci, Katie Holmes, Gretchen Mol, Kate Hudson, Alicia Witt, Sarah Polley, and Rose McGowan all auditioned for unspecified roles. "It's the only decent thing out there that doesn't involve taking your clothes off," McGowan said in 1998.[6] Mangold also met with Courtney Love to discuss the role of Lisa as well as Alanis Morissette for a role.[7] Parker Posey turned down the role of Lisa,[8][9] while Leelee Sobieski signed on to play Daisy but dropped out weeks before filming began after receiving an offer to star in Joan of Arc.[10][11]

Filming took place primarily in Mechanicsburg, Pennsylvania, as well as in Harrisburg State Hospital in Harrisburg, Pennsylvania, in early 1999.[12] Mechanicsburg was chosen for its old-fashioned appearance and its old-style drugstore simply titled "Drugs", all of which gave the film its time-dated appearance. A scene in the trailer shows a van traveling towards downtown Harrisburg over the State Street Bridge, where the Capitol building is clearly visible.[13] Scenes later deleted were also filmed at Reading's Public Museum.

Girl, Interrupted received mixed reviews from critics. Audiences responded more positively. As of 2022, the film holds a rating of 53% on the review aggregator website Rotten Tomatoes, based on 115 reviews, with an average rating of 5.70/10. The site's consensus states: "Angelina Jolie gives an intense performance, but overall Girl, Interrupted suffers from thin, predictable plotting that fails to capture the power of its source material."[14] The film also has a rating of 51 on Metacritic, based 32 reviews, indicating "mixed or average reviews".[15] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[16]

Writing for The New York Times, Stephen Holden wrote: "Girl, Interrupted is a small, intense period piece with a hardheaded tough-love attitude toward lazy, self-indulgent little girls flirting with madness: You can drive yourself crazy, or you can get over it. The choice is yours."[17] Tom Coates from the BBC wrote: "Girl, Interrupted is a decent adaptation of [Kaysen's] memoir of this period, neatened up and polished for an audience more familiar with gloss than grit."[18] Kenneth Turan of the Los Angeles Times was critical of the screenplay adaptation from the source memoir, writing that it has "a hard time resisting manufacturing obvious, standard-issue drama of the One Flew Over the Cuckoo's Nest knockoff variety," though he conceded that the performances of Ryder and Jolie help the film "stay as honest as it manages to sporadically be... Both women have connected strongly to their parts, and they ensure their characters' reality even if the dramas they are involved with don't always rise to that standard."[19]

Paul Tatara of CNN panned the film's screenplay for containing little "self-reflection in the dialogue," adding that "Each girl is simply issued a quirk that she drags around like a ball and chain." Tatara summarized: "The good news is that writer-director James Mangold's Girl, Interrupted is one of the best films of the year. The bad news is that you have to be a hyper-sensitive 17-year-old girl to think so."[20] Roger Ebert was critical of the film's failure to focus on the themes it presents, writing: "The film is mostly about character and behavior and although there are individual scenes of powerful acting, there doesn't seem to be a destination. That's why the conclusion is so unsatisfying: The story, having failed to provide itself with character conflicts that can be resolved with drama, turns to melodrama instead."[21]

Charlotte O'Sullivan of the Time Out Film Guide praised Jolie's performance, but was critical of Ryder's, writing: "Does it matter that every time Jolie's offscreen the film wilts a little? Ryder should be perfect as the bright spark; her lines are sharp as a knife. There's a gap, however, between what we hear and what we see. Ryder's too wide-eyed and cutesy, and when we see her with nurse Valerie (Goldberg), we know it's only a matter of time before they start hugging."[22] The San Francisco Chronicle's Peter Stack was unimpressed by the film, deeming it "a muddled production that misses the jarring tone of the autobiographical book by Susanna Kaysen on which it is based. The film is entertaining, but not very powerful."[23] Jami Bernard of the New York Daily News gave the film a mixed review, awarding it two out of four stars, writing that "[Ryder] is often just a crumpled, listless figure on a bed, which, while true to the nature of depression, is not, cinematically speaking, the most arresting image," and likening the performances of Whoopi Goldberg and Vanessa Redgrave as "bordering on cameos".[24]

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