Former Indian soldier Karan Singh (Sanjay Dutt) wants to seek revenge for his upright father Satya Prakash Singh (Shivaji Satam) who was wrongfully jailed. His sentence resulted from a false charge and prosecution by a shrewd lawyer, Ravi Verma (Chandrachur Singh), backed by his father-in-law Singhal (Raj Babbar).
Singhal's daughter Kajal, is the wife of corrupt lawyer Ravi, who can win almost any case. During a court case, he falsely accuses and gets a righteous man convicted of corruption, and he commits suicide out of disgrace. His son Major Karan swears revenge and one day after a party that Kajal and Ravi attend, he fires a pistol directly at Ravi, but his wife Kajal (Mahima Chaudhry) comes in to save her husband using her body as a shield. Karan fires a second time, and Ravi is shot in the spinal cord and loses part of his memory, and the doctors diagnose him with 'retrograde amnesia".
In the hospital, Kajal succumbs to her wound and dies. As an attempt to restore Ravi's memory, Singhal requests the help of a street woman Kajri, who looks exactly like Kajal (Mahima Chaudhry, in a dual role), to pretend to be Ravi's wife temporarily.
However, obstinate Karan is still seeking his revenge by stalking Ravi in the hospital and hatches a plan to kill Ravi. Karan and Kajri collect all the evidence that proves Karan's father's innocence. Ravi regains his memory and starts to sympathize with Karan. With the help of Kajri, he promises Karan that once he gains full recovery, he will prove to the court that Karan's father was genuinely innocent, but wrongly persecuted, presenting all the proof. Learning of this turn of events, Singhal turns the tables on Ravi.
A significant family feud ensues between Singhal and Ravi. Ravi, with the help from Karan, wins over the final court case, and finally, the real perpetrators are placed behind bars (including Singhal, who had instigated this). Ravi and Kajri unite happily at last, and Karan gives himself up to the police voluntarily and asks Ravi to defend his case.
All music by Rajesh Roshan and lyrics by Sameer. "Pardesiya Itna Bata Sajna, "Dil Deewana Na Jaane ( Anuradha Paudwal solo)" was very famous at the time of the movie release. The song "Dil Deewana" borrows its charanam from "Pehli Pehli Baar Mohabbat Ki Hai" from Sirf Tum (1999).[5]
The basic plot is stolen from the 1991 Mike Nichols film, Regarding Henry, but Kanwar adds enough twists to serve up the quintessential Bollywood bhelpuri. Chandrachur Singh is a slimy lawyer, who helps his even slimier father-in-law and his corrupt cronies in their construction business. En route to soaring mansions, slums are burnt and municipal officers bribed.
One honest man refuses and ends up dead in a cell. Enter his commando son (Sanjay Dutt) spewing revenge from assorted automatic weapons. In the hail of bullets, the lawyer's wife (Mahima Chaudhary) dies and the lawyer becomes a vegetable. Doctors declare he can only be cured if his dead wife is resurrected.
Enter a look-alike courtesan (Chaudhary again) who polishes up her accent, puts on some designer clothes and through her sheer dancing prowess and see-through salwar kameezes, nurses the lawyer back to life. Only, now the lawyer is a good man, aghast at his earlier evil ways and eager to make amends. After many bullets, car crashes and the age-old kidnap-ping-wife-and-child routine, the lawyer and commando join hands and the villains are vanquished.
Kanwar is no craftsman. Daag is crudely constructed. Many scenes, especially the lawyer's rehabilitation, are just plain silly and the songs, shot in the mandatory foreign locations, are stapled on without situations. But Kanwar does have a flair for emotions and occasionally creates some compelling melodrama.
Chaudhary, last seen in a fracas with Subhash Ghai, gives a performance to make her mentor proud. Much of the fire in Daag comes from her. Dutt's finely chiselled body is put to good use but his role is confined to glowering and shooting. Singh, a bland hero, makes a surprisingly good villain. Every Bollywood director insists that his film is hat ke (different). Daag re-jigs the formula just enough to be middling entertainment.
My understanding is that all increases are additive with each other unless stated otherwise. You sum all that apply to the given type, then multiply.
If you were doing, say, ignite and bleed with 100% increased ele DoT and 50% increased DoT, your ignites would be increased by 150% and bleeds by 50%.
It is hard to say what is more precise: Fire Damage can scale a fire Hit and a Fire DoT while Damage over Time only scales DoT damage but all types of DoTs. Elemental Damage over Time only scales Elemental DoTs which is very specific.
In a complaint filed on behalf of the CPSC in U.S. District Court for the Southern District of Georgia, the United States alleged that Electrolux became aware of incidents in which gas could build up in the oven during broiling and escape and ignite, causing burn and fire hazards to consumers. Electrolux imported and distributed approximately 7,800 of the Kenmore ovens that were sold by Sears and other stores throughout the United States.