Download Story Music
Maggie Schnair
Hey @BrunoDR1! This may be a bug or a glitch when you use two apps at the same time. This bug may be permanent because of some apps (like games) will not allow you to use your own background music while playing music at the same time.
I often play music in my car or speakers via Bluetooth and make instagram stories, I can't do this anymore, and the music feature from instagram doesn't really cut it for these sorts of videos, hope they revert it soon
Music Story was launched in 2008 as an online musical encyclopedia inspired by AllMusic. It was founded by Jean-Luc Biaulet and Loïc Picaud,[1] the last of whom is the site's editor-in-chief and has authored books on David Bowie, Serge Gainsbourg, Paul McCartney and Red Hot Chili Peppers.[2] Picaud also wrote L'Odyssée du Rock Français, a study of French rock music,[2] and contributed to the reference work Le Rock de A à Z.[3]
The site included artists' biographies, features on various musical genres, and album reviews.[1] Among the contributors and reviewers were music critic Christian Larrède,[4] who has written for the cultural magazine Les Inrockuptibles;[5] Stan Cuesta, a musician and journalist specialising in rock and folk,[6] who has also contributed to Mojo, Rolling Stone and Rock & Folk;[7] and Guillaume Belhomme,[8] a jazz musician and author.[9] Along with the French publication Le Guide du CD, the site's album ratings are included in the statistical aggregates compiled by the website Acclaimed Music.[citation needed]
Music Story later developed as an editorial enrichment service for digital music platforms, such as artist biographies, and processing and qualification of metadata. In 2013, the company launched an application programming interface (API).[10] Titled, Music Story Pro,[1] it offers integrated digital music search engines, access to third-party content (audio/video streams, photos, lyrics), and music recommendations. In October 2014, the company's products were featured in Radio 2.0 Paris' music technology event, hosted by Radio France.[11]
I first saw the movie The Sound of Music as a young child, probably in the late 1960s. I liked the singing, and Maria was so pretty and kind! As I grew older, more aware of world history, and saturated by viewing the movie at least once yearly, I was struck and annoyed by the somewhat sanitized story of the von Trapp family it told, as well as the bad 1960s hairdos and costumes. "It's not historically accurate!" I'd protest, a small archivist in the making. In the early 1970s I saw Maria von Trapp herself on Dinah Shore's television show, and boy, was she not like the Julie Andrews version of Maria! She didn't look like Julie, and she came across as a true force of nature. In thinking about the fictionalized movie version of Maria von Trapp as compared to this very real Maria von Trapp, I came to realize that the story of the von Trapp family was probably something closer to human, and therefore much more interesting, than the movie led me to believe.
Part of the story of the real von Trapp family can be found in the records of the National Archives. When they fled the Nazi regime in Austria, the von Trapps traveled to America. Their entry into the United States and their subsequent applications for citizenship are documented in the holdings of the National Archives and Records Administration.
Maria Augusta Kutschera was born in Vienna, Austria, in 1905. She was orphaned as a young child and was raised as an atheist and socialist by an abusive relative. While attending the State Teachers' College of Progressive Education in Vienna, she accidentally attended a Palm Sunday service, believing it to be a concert of Bach music, where a priest was speaking. Years later she recalled in her autobiography Maria, "Now I had heard from my uncle that all of these Bible stories were inventions and old legends, and that there wasn't a word of truth in them. But the way this man talked just swept me off my feet. I was completely overwhelmed." Soon after, Maria graduated from college, and as a result of her religious awakening, she entered the Benedictine Abbey of Nonnberg in Salzburg as a novice. While she struggled with the unaccustomed rules and discipline, she considered that "These . . . two years were really necessary to get my twisted character and my overgrown self-will cut down to size."
The family lost most of its wealth through the worldwide depression when their bank failed in the early 1930s. Maria tightened belts all around by dismissing most of the servants and taking in boarders. It was around this time that they began considering making the family hobby of singing into a profession. Georg was reluctant for the family to perform in public, "but accepted it as God's will that they sing for others," daughter Eleonore said in a 1978 Washington Post interview. "It almost hurt him to have his family onstage, not from a snobbish view, but more from a protective one." As depicted in The Sound of Music, the family won first place in the Salzburg Music Festival in 1936 and became successful, singing Renaissance and Baroque music, madrigals, and folk songs all across Europe.
Traveling with their musical conductor, Rev. Franz Wasner, and secretary, Martha Zochbauer, they went by train to Italy in June, later to London, and by September were on a ship to New York to begin a concert tour in Pennsylvania. Son Johannes was born in January 1939 in Philadelphia.
In the early 1940s the family settled in Stowe, Vermont, where they bought a farm. They ran a music camp on the property when they were not on tour. In 1944, Maria and her stepdaughters Johanna, Martina, Maria, Hedwig, and Agathe applied for U.S. citizenship by filing declarations of intention at the U.S. District Court in Burlington, Vermont. Georg apparently never filed to become a citizen; Rupert and Werner were naturalized while serving in the U.S. armed forces during World War II; Rosmarie and Eleonore derived citizenship from their mother; and Johannes was born in the United States and was a citizen in his own right.
In 1956, Maria, Johannes, Rosmarie, and daughter Maria went to New Guinea to do missionary work. Later, Maria ran the Trapp Family Lodge for many years. Of the children, Rupert was a medical doctor; Agathe was kindergarten teacher in Maryland; Maria was a missionary in New Guinea for 30 years; Werner was a farmer; Hedwig taught music; Johanna married and eventually returned to live in Austria; Martina married and died in childbirth; Rosmarie and Eleonore both settled in Vermont; and Johannes managed the Trapp Family Lodge. Maria died in 1987 and was buried alongside Georg and Martina.
How did the von Trapps feel about The Sound of Music? While Maria was grateful that there wasn't any extreme revision of the story she wrote in The Story of the Trapp Family Singers, and that she herself was represented fairly accurately (although Mary Martin and Julie Andrews "were too gentle-like girls out of Bryn Mawr," she told the Washington Post in 1978), she wasn't pleased with the portrayal of her husband. The children's reactions were variations on a theme: irritation about being represented as people who only sang lightweight music, the simplification of the story, and the alterations to Georg von Trapp's personality. As Johannes von Trapp said in a 1998 New York Times interview, "it's not what my family was about. . . . [We were] about good taste, culture, all these wonderful upper-class standards that people make fun of in movies like 'Titanic.' We're about environmental sensitivity, artistic sensitivity. 'Sound of Music' simplifies everything. I think perhaps reality is at the same time less glamorous but more interesting than the myth."
While the von Trapps' story is one of the better known immigrant experiences documented in the records of the National Archives and Records Administration, the family experiences of many Americans may also be found in census, naturalization, court, and other records.
Readers looking for a first-hand account of the family's story should consult Maria von Trapp's The Story of the Trapp Family Singers (Philadelphia: Lippincott, 1949) and her autobiography Maria (Carol Stream, IL: Creation House, 1972).
Build a love of stories and develop pre-reading skills with the On-the-Go Story Pal! This travel-size bunny will become children's new favorite companion. Spark imagination and an interest in reading with stories, songs and poems, lullabies and relaxing classical music. Download additional stories and songs for more story time adventures!
Music therapy and story telling are examples of nursing interventions that facilitate the management of sleep disturbance in children. However, only a few studies have addressed the effectiveness of music therapy and storytelling on hospitalized children. This study aimed to examine the effect of music therapy and storytelling on sleep disturbance in hospitalized children for various medical conditions. This recent study was a preliminary study that included two intervention groups without a control group. This study involved 31 children with ages ranging from infancy to school age who were assigned to a 3-day music therapy or storytelling intervention group. Group 1 received music therapy (n = 16) and group 2 was provided with story telling (n = 15). Data collection was conducted from February through April 2018 in an infectious diseases ward of a hospital in Jakarta. Data related to sleep disturbance in children was collected using GATIA scale, an instrument measuring a sleep disturbance scale. Study results showed a significant change in the average of sleep disturbance scale score in both group 1 and group 2 (p < α; α = .05) which demonstrate that both music therapy and story telling improved scores on a sleep disturbance scale in hospitalized children. Music therapy and story telling were equally effective in managing sleep disturbance in children. Music therapy and story telling are safe, cheap, and convenient interventions that can improve the quality of sleep in children during hospitalization.
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