Mohenjo Daro 2 Full Movie Hd 1080p Free Download Utorrent
Gerarda Zmuda
Mohenjo Daro is a 2016 Indian Hindi-language period action-adventure film[4] written and directed by Ashutosh Gowariker.[5][6][7] Produced by Siddharth Roy Kapur for UTV Motion Pictures and The Walt Disney Company India and Sunita Gowariker for Ashutosh Gowariker Productions (AGPPL),[8] and starring Hrithik Roshan and Pooja Hegde. It is based on the ancient Indus Valley civilization,[9] and is set in its of city Mohenjo-daro, a UNESCO World Heritage Site. This film marked Pooja Hegde debut in Hindi cinema.[10]
Set in 2016 BC at the height of Indus Valley Civilization,[11][12] the story follows a farmer Sarman (Hrithik Roshan), who travels to the city of Mohenjo Daro and falls in love with a high-status woman (Pooja Hegde), and who must then challenge the city's elite, and fight against overwhelming odds to save their civilization. Gowariker took over three years to research and develop the script, working closely with archaeologists to ensure authenticity in the representation of his fictional story.[13] The film was shot in Bhuj and Mumbai with brief schedules in Bhedaghat (Jabalpur) and Thane.
Mohenjo Daro marks the last film production of UTV Motion Pictures, as two Disney releases, Dangal and Jagga Jasoos, became producer Kapur's final projects under the DisneyUTV brand before his contract with the company lapsed on 1 January 2017; the non-Hindi versions of both films were nonetheless presented by the banner, while Jagga Jasoos faced delays before its release in mid-July 2017.
The film opens in 2016 BCE with Sarman (Hrithik Roshan), a young man from the village of Amri, who lost his parents at a young age. Sarman kills a crocodile that has been terrorizing his village's fishermen and is hailed as a hero. He asks his uncle, Durjan (Nitish Bharadwaj), to allow him to go to Mohenjo Daro to trade their family's goods, but his uncle refuses. Sarman attempts to sneak away to the city at night with his friend Hojo (Umang Vyas), but is caught by Durjan, who relents and allows both friends to go. He gives Sarman a seal that contains an inscription of a unicorn that Sarman often sees in his dreams, suggesting he use it only once in a life or death situation.
Arriving in Mohenjo Daro, Sarman learns that the city is ruled by the tyrannical Senate Chief Maham (Kabir Bedi) and his wicked son Moonja (Arunoday Singh). He also learns that the unicorn he sees in his dreams is the symbol of the city, and feels as if the city is oddly familiar to him. While Sarman is trading, Maham proposes to impose an additional tax on the farmers so that the city may grow, but Sarman leads the farmers to oppose the taxes so that their families don't starve to death. Sarman gains access to the upper city by showing his uncle's amulet and meets Chaani (Pooja Hegde), the elegant and gorgeous daughter of the head priest (Manish Choudhary) of Mohenjo Daro. Sarman is enchanted by Chaani's heavenly beauty and charm and falls in love with her. Upon meeting, the head priest strangely appears to recognize Sarman. Chaani reveals that she has been forcibly betrothed to Moonja, Sarman's enemy, who is cruel and ruthless. Maham discovers Sarman and Chaani love each other and that Sarman is the leader of the tax revolt, and so he challenges Sarman to fight Bakar and Zokar, his two champions. Sarman proposes that if he wins, Chaani will be released from her engagement, and Maham accepts the terms.
In the arena outside the city, Sarman faces the ferocious Tajik mountain cannibals Bakar and Zokhar. After a vicious battle, he kills one of the cannibals but spares the other, and the people of Mohenjo Daro surge even stronger behind him. Enraged, Maham urges Moonja to finish off Chaani and the priest. Moonja kills the priest, but Sarman saves Chaani and kills Moonja.
Sarman exposes Maham's plan to use the gold from the Sindhu to enrich himself and to smuggle in weapons from the Sumerians. All the chiefs now stand against Maham. The people elect Sarman as the new chief, but Sarman suggests Mohenjo Daro needs a people's government, not a chief. With the arrival of a heavy thunderstorm, Sarman realizes that the dam will burst and the Sindhu River will flood the city. He rallies the people to lash boats together and form a floating bridge. They evacuate Mohenjo Daro and cross to the other side of the river. The dam collapses, and Maham, chained in the city square, is drowned. The once renowned Mohenjo Daro is no more. The survivors migrate to another river, where Sarman sees the unicorn of his dreams and names the river Ganga.
Director Ashutosh Gowariker was first inspired to make a film set in the ancient Indus Valley civilization when he was in Bhuj, Gujarat, scouting locations for his then-upcoming Lagaan (2001), and stumbled across the massive excavations in progress at the ruins of Dholavira: "I thought, My God! This is incredible! What happened to this civilization, who were the people, how did they live?"[29]
On the film's plot, he was quoted as saying, "While the plot will follow Mohenjo-daro and the culture and the vibe of the ancient civilization, it will largely centre on a love story."[30] It took Gowariker three years to piece together a plot of the entire civilisation through various cities and weave a love story into it.[30]
The challenges of adapting for cinema a story based on one of the greatest ancient civilisations of the world whose written language has not yet been deciphered have proved unique. Because modern science can not yet read anything the Indus Valley peoples wrote about themselves, any aspect about their civilization has to be conjectured from what relics survive to discovery by archaeologists working at their various ruins. As The Indian Express pointed out, "whatever we do know about Mohenjo-daro is perhaps as much an imagination of the historian as that of a filmmaker who depicts it in visual terms."[32]
With the film being set in a certain period, the whole site had to be recreated in a film studio. He was involved in working out the logistics during June 2014.[30] The film's stunts were choreographed by Glenn Boswell[44] and the costumes were designed by April Ferry[45] and Neeta Lulla.[46] U.K. based trainer Joshua Kyle Baker was roped in to train Roshan for his character in the film. He described the three-month training so as to allow Roshan to appear 'lithe' and 'agile' rather than muscular.[47] Relating the natural environment required for Mohenjo Daro, Gowariker was impressed with the calamitous VFX seen in the films The Day After Tomorrow and 10,000 BC that were designed by Karen Goulekas. In September 2014, as a visual effects supervisor, Goulekas was brought on board for the film.[48] Gowariker revisited Bhuj in December 2014 to begin production.[49]
Telugu and Tamil cinema actress Pooja Hegde was signed as the female lead, and makes her Hindi film debut with Mohenjo Daro.[52] "While scripting the film, I was thinking that I needed someone with innocence and someone who did not have stardom baggage [to be received by the audience only as this character]. I thus began looking for a fresh face when Sunita (Gowariker) spotted Pooja in a commercial and suggested that we call her. She called Pooja and I auditioned her. And that was it!"[51]
For supporting roles, casting director, Nalini Rathnam wanted to bring in newer and fresh faces, even from non-Hindi speaking regions.[51] As the director explained this process, "All kinds of actors, including seasoned actors, never get a chance to come to Mumbai or they don't want to as they are happy in their own space. So there is a different kind of freshness there to get them on board. I did this in Lagaan and Jodhaa Akbar. In this film too, I wanted to get some fresh actors, so I have Diganta Hazarika, who is a well-known Assamese actor. It is a time-consuming process but the payoff big."[51]
For example, for one specific action sequence, the director auditioned nearly 300 candidates before finally casting the two giant barbarian fighters who are more than 7 feet tall, in order to make the sequence thrilling and visually appealing when presented to the audience opposite his 6-foot-tall hero.[54][55]
To populate his recreation of the ancient city, for Mohenjo Daro director, Ashutosh Gowariker naturally required a huge number of non-actors as extras. With the full cooperation of the Bhuj panchayat or community council, the filmmakers hosted full-fledged auditions for all the local residents. Many of those seen on-screen in cityscapes and group scenes throughout Mohenjo Daro are in their real-life local citizens of Bhuj.[56]
Construction of the primary outdoor sets to be used in recreating the ancient city duly commenced in Bhuj, Gujarat, near where director Ashutosh Gowariker had shot his early film, Lagaan (2001).[57]
As AGPPL producer Sunita Gowariker recounted their initial dialogue when Ashutosh Gowariker decided Mohenjo Daro as his next project, her immediate response was that the city does not exist any more, how would they shoot the film. To which Ashutosh responded: "We put up the whole city!"[57] The film sets ultimately built to recreate the ancient city of Mohenjo-Daro spanned more than 25 acres.[58]
Painstaking effort was made to ensure precise accuracy of the city's film set construction, matching its proportions and architecture to the actual archaeological ruins. The famous Great Bath, for instance, is built exactly to scale,[58] as are the houses in the film.[58] To quote lead actress Pooja Hegde, "The sets were so detailed that once we stepped onto them, you were enveloped by the ambience. Ashu sir's detailing is so great that if there's a mashal, the wall behind it would be blackened to resemble soot. Whenever I stepped onto the sets, I automatically got into the mood ... Ashu sir made you feel like you were already there."[59]
However, construction was delayed in mid-September 2014, when workers belonging to Allied Mazdoor Union and Film Studio Setting refused to complete the pre-production work, alleging non-payment of their regular expenses and remuneration. To this stalled situation, Gowariker took a legal route and lodged a complaint with the 'Indian Film and Television Producers Council' accusing the members of stalling work that would result in losses to the company. Lawrence D'Souza, the executive producer of the film, maintained that though their payments were ready, the remote filming locations of Bhuj delayed the reception of the same.[60]
b1e95dc632