This CD brings together Lanza’s most popular recordings, including his three million-selling singles (all making their first appearance on this label), his Top 20 chart successes in both the United States and the United Kingdom, and the highlights from his two best-selling albums, The Great Caruso and The Student Prince. It also includes a representative sampling of the tenor at his vocal and stylistic zenith in multiple genres, with definitive renditions of everything from an Edwardian parlour song (“Because”) to five Neapolitan classics. As such, this CD serves as both the perfect introduction to the art and voice of Mario Lanza and—for his existing admirers—an unusually convenient compilation of many of his greatest recordings.
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Thanks, DerekJ
~Sean
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Hi Derek,
May I congratulate you and all those involved on yet another very fine Sepia release. Well done!
I think this is not only a treat for long time fans and afficionados, but also for beginners, who so far, have not been familiar with the art of Mario Lanza. The CD has it all, Mario’s best selling songs, opera arias, art songs and Italian classics, and therefore perfectly mirrors Mario’s inimitable versatility, which gave him the position of an outstanding singing artist who is to be placed in a category of his own.
„Granada“ is a very good starter as it is such a „sunny“ song (although, those who know me well, are aware that, to me, Fritz Wunderlich’s rendition is the non plus ultra).
Picking out one song from the CD I have to say that, still today, I am fascinated by Mario's interpretation of the drinking song from „The Student Prince,“ (1952 soundtrack recording) which I regard as one of his best and most impressive operatic renditions. It’s just outstanding how his voice „overwhelms“ (not sure if this is the correct word) the chorus, and I am always tempted to turn up the volume at its highest, and to open the window (I avoid the latter one, though, to spare my neighbours, LOL). More recordings such as this should have been done – „Di quella pira,“ for example, comes to mind.
Again, Mario’s great ability of perfect diction, his very clear pronounciation of each word, is so striking. Many singers do not manage the balance between melody and the words. Especially when singing in a foreign language they tend to concentrate too much on the pronounciation, thus neglecting to bring emotion into a song or aria, or they just don’t „care“ for the words/lyrics, which, with a few exceptions (for example Plácido Domingo singing „Dein ist mein ganzes Herz“), is not really „charming.“ For Mario, keeping the balance, is just as natural as breathing.
The booklet is, as always, beautifully done – with a spectacular cover in a fresh purple colour, and, Derek, the liner notes are, as always, very interesting to read, so very well elaborated, and leave nothing to desire.
The sound quality is very good – as far as I can judge this, as my device is only of average quality. And, of course, it is always a nice treat to hear Mario’s speaking voice. Each time this happens, it is a „surprise moment, and you get the impression that he's standing just next to you. (I remember my excitement, about 12 years ago, when I heard his speaking voice for the very first time).
Here is to hope that many Lanza fans and newcomers out there will buy this release - especially those who occasionally complain that nothing new happens in „Lanza World.“). Now, here’s something new to enjoy and to be happy about!
Steff
From: derek.m...@gmail.com Sent: 4 February 2020 4:29 PM Reply to: mario...@googlegroups.com Subject: [Mario Lanza] Re: Coming in January 2020: The Sepia Records CD "Mario Lanza: Classics" |
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