K9 Single Wireless Microphone

[Cecelia Seiner]

ThePhenyx Pro PTU-1U is a true diversity wireless microphone system that allows users to enjoy their audio in complicated environments with ease, featuring automatic frequency selection, lock function and up to 1000 selectable frequencies. The PTU-1U is able to impress in any large-scale venus and extreme conditions with extraordinary audio quality.

With its 3.5mm analog and USB-C digital outputs, the Wireless GO II can record two individual channels of audio to DSLR and mirrorless cameras, iOS and Android phones and tablets, and Mac and Windows computers. A wireless microphone system that adapts to your needs.

RDE Central is an easy-to-use desktop and mobile companion app for the Wireless GO II that allows you to configure your device settings anywhere, unlock advanced features, optimise and export recordings (desktop only), access device information, and update to the latest firmware. Download it for free to unlock the full potential of your Wireless GO II.

RDE Connect is a free podcasting and streaming software solution that is now compatible for use with the Wireless GO II. RODE Connect makes it easier to record or stream with professional-quality audio from your computer.

The Wireless GO II User Guide explains everything you need to know about using your Wireless GO II and capturing incredible sound. This comprehensive guide covers everything from getting started and learning how to use your device through to configuring and unlocking advanced features with the companion app RDE Central.

Shure engineers tapped decades of wireless knowhow to build the best audio experience possible. Using a custom acoustic design and proprietary wireless software, MoveMic takes cable-free recording to new levels of broadcast quality.

MoveMic One allows you to record professional audio directly to your mobile device with the Shure MOTIV Video and Audio apps. Built with a custom internal acoustic design using a proprietary wireless software, it surpasses traditional mobile device audio quality. Shure engineers distilled decades of experience both onstage and in the studio to bring this tiny yet mighty microphone to you.

Vocopro's new Sing & Hear is an innovate wireless mic/monitor system that combines a wireless microphone, wireless plug-in mic receiver, and wireless in-ear receiver in one easy to use, affordable system.

Easy to use because the wireless microphone is sending signal directly to the wireless in-ear receiver and the wireless mic receiver for the sound system simultaneously without the need for additional in-ear monitor transmitter and mixing board to connect them together.

Tap and sync function to synchronize to all other commander receivers within RF Range, like the wireless USB receiver to record the performance on PC, MAC, or even iPhone*, making this the easiest to use integrated wireless mic / monitor system.

Four different frequency groups means you can run up to four transmitters to unlimited receivers. Each transmitter has 20 PLL frequencies that can be switched on the fly to avoid interference, all designed to work together with no set-up or re-syncing required.

A wireless microphone system provides great advantages for content creators. It enables you to make use of simple setup and eliminates the need of cables to reduce the risks of tripping. There are various types of wireless system on the market. And the dual channel wireless microphone system gains much popularity. If you are new to it, read on and get information including:

As for transmitter, its role is to transform the audio signal it gets from the microphone into a signal that can be picked up by the receiver and wirelessly sent. In digital wireless systems, this procedure entails transforming the analog mic signal into a digital signal, which is then transmitted to the receiver as a series of 1s and 0s through a radio connection.

The receiver is located at the opposite end of the radio connection. It extracts the digital signal's 1s and 0s and transforms them back to the audio stream. It comes in types of bigger desktop machines or smaller camera-mounted units or beltpacks.

Have you ever encountered a circumstance where you needed to covertly and clearly record audio from two distinct sources while filming in the field? Perhaps you were shooting a two-person interview, or perhaps you were speaking with someone for a documentary and wanted to capture both your questions and their responses.

In this case, if you record your audio straight into a camera, you've probably run into a problem because most DSLRs only have one microphone input. However, there is a fairly straightforward solution that is really inexpensive and quite quick to set up for recording two mics into a single camera.

You can use dual channel wireless microphone system for recording two-person interviews or presentations. When filming, be sure that both subjects are speaking clearly and understandably. The ideal option in this situation is a wireless microphone since you can record near to the sound sources while standing farther away to get both subjects in the shot.

As aforementioned, your two audio signals will be merged into a single input while remaining independent while recording to the left and right channels of your camera's stereo microphone input when using two microphones. And this helps you to monitor separate audio channels and make adjustments independently.

For example, when you record with the SYNCO G2(A2), a dual wireless microphone with TFT display to record a two-person interview, and find one channel is louder and near to peaking, you'll be able to readily identify which mic this is and tell the speaker to lower their voice or bring the gain down on their receiver.

For instance, you may quickly replace audio that is useless from one microphone with clean audio from the second microphone if you are utilizing a dual-mic setup to guarantee you have a backup of your recording. You may also just enhance one subject's track to balance the audio if you're recording a two-person interview and one subject has a quieter voice than the other.

Despite their name, digital wireless systems require analog carrier signals just like analog systems, hence they are not entirely digital. The primary distinction is that digital systems transmit ones and zeros over the signal instead of just pure analog audio.

How come you would want to do this? Simply put, digital technology makes it simpler to remove noise. Professional-grade analog wireless systems effectively reduce background noise. Despite this, signal quality degradation is still a possibility. Contrarily, digital wireless systems encode your audio as digital at the transmitter, transmit it to the receiver, and then decode it as analog at the receiver. Your receiver doesn't even consider analog noise or interference because it solely works with digital data. Anything that isn't a continuous stream of ones and zeroes is simply ignored.

Thus, using digital is recommended, right? No, not always. To achieve greater audio quality, digital units occupy a little bit more of the frequency spectrum, which is already in short supply. Additionally, they may add delay to your system. When picking the finest wireless microphone system for you, keep in mind that high-quality analog wireless systems may compete with digital wireless systems in terms of audio quality and usability.

Building on the success of the highly acclaimed Diversity Fin Antenna, the Diversity Omni Antenna is an all-new antenna system designed for omnidirectional coverage of wireless microphones. The Diversity Omni features two antennas on a single stand, capturing both vertically and horizontally polarized signals and eliminates the most common signal dropouts in a compact size.

The Diversity Omni also offers greater flexibility in antenna placement, since only one is needed in place of two separate antennas. Its weather resistant design allows it to be mounted outdoors by installing simple protection for the connectors and the provided cordura nylon cover.

DISTRO4 is a 4-way active antenna splitter plus cascade port with external power that allows you to share one pair of diversity antennas with up to 5 wireless receivers. Built in a full metal housing it ships with 8 BNC cables and 4 dc power cables to connect up your receivers. Multiple DISTRO4s can be connected together up to 25 receivers to a single diversity pair of antennas.

To utilize directional antennas with more than two receivers, an antenna distributor is the right tool for the job. With a single Diversity Fin and DISTRO4, you can avoid crosstalk bleed from multiple whip antennas, and remove questionable wall warts and unneeded powerstrips that can cause other avoidable issues.

RF Venue provides premium made in USA low loss, 50Ω RG8X coaxial cable with BNC male connectors for wireless audio applications. Our cables are custom made to our specifications: double shielded braid over foil with a perfect balance between loss and flexibility. All cables are terminated in-house and QC on calibrated Agilent network analyzers for guaranteed performance. RF Venue stocks a variety of lengths from 5' to 150'.

The ECM-W3S comprises a microphone-transmitter featuring high signal-to-noise (S/N) ratio microphone unit, and a single-channel receiver. The transmitter and receiver process audio digitally and transmit it wirelessly, allowing the capture and recording of one speaker's voice with superb clarity and low noise.

A noise cut filter using digital signal processing to effectively remove noise, and a low cut filter that reduces noise in the low-frequency range, are provided on the microphone side. Less noise removal is needed post-production, making workflow more efficient.

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