1. I think you're onto something, but what strikes me here is the
_omission_ of Cicero. Following the pattern of the other scenes, he
should be the hero of this one.
2. Is the omission a compliment or something else? What pushes me in
the direction of "something else" is the characterization of Drances
in Book 11. This sounds like Cicero in his Philippics mode (with
Turnus as Mark Antony). But in the epic, Turnus/Antony gets to answer
back. Is this reply Virgil's critique of Cicero? That's putting it too
crudely, and I don't for a second think that Turnus is Virgil's idea
of a literary critic. But there's enough truth in what he says, even
if it's exaggerated, that Virgil lets it stand.
--
Dr. David Wilson-Okamura http://virgil.org da...@virgil.org
English Department Virgil reception, discussion, documents, &c
East Carolina University Sparsa et neglecta coegi. -- Claude Fauchet
I don't have a big investment in this, but we needn't take Turnus'
evaluation of Drances at face value, any more than we take Drances' of
Turnus. They are both exaggerations, in what they say but also in what
they are.
I don't mean that dismissively; for "exaggerations," you could also
read "grand simplicifications" or "clarifications." As I see it,
that's one way in which an epic is different from a novel; novels
reveal complexity, epics reveal patterns. Virgil's case may be a
special one -- or maybe my definition of epic is just wrong -- because
his pattern is elaborated with epicycles (wheels within wheels). You
don't have to be a pessimist to hear more than one voice in the
Aeneid. But insofar as novels do complicate -- and I think they do --
they also lengthen; whereas Virgil, we know, favors brevity.
Tum Drances idem infensuss, quem gloria Turni
obliqua inuidia stimulisque agitabat amaris,
largus opum et lingua melior, sed frigida bello
dextera, consiliis habitus non futtilis auctor,
seditione potens (genus huic materna superbum
nobilitas dabat, incertum de patre ferebat) . . .
'Largus opum' doesn't suit Cicero, who lacked the _opes_; nor does
'seditione potens' (indeed, part of Cicero's problem was that he did not
possess the _potentia_, politely called _gratia_, to make his will count).
Yvan Nadeau yvann...@btinternet.com 3/13 Forrest Hill EDINBURGH EH1 2QL 0131-225-8240 http://www.shca.ed.ac.uk/staff/hon_fellows/ynadeau/index.html
This is a very minor point and pure speculation, but I wonder whether the apostrophe to Catiline in Aen. VIII 668 is intended to recall the First Catilinarian and in particular its famous opening sentence. I also wonder whether the reference to Catiline and possible echo of Cicero's speech, in addition to presenting Catiline as an archetypical villain of Roman history, might be a veiled eulogy of Cicero himself, or at least a covert way of incorporating an outstanding figure of late Republican Rome into the pageant of Roman history presented in the Heldenschau of Book VI and the shield of Book VIII. Cicero�s son had already been absorbed into Augustus� camp by the time of Actium, and Augustus himself is said to have expressed respect for Cicero, but perhaps even writing in the 20s, Vergil would have shied away from explicit praise of Cicero, which might call to mind Augustus� passive complicity in Cicero�s death two decades earlier and (even worse) Augustus� previous alliance with Antony. Praise for an exemplary representative of the Old Order would be consistent with Vergil�s at least partially sympathetic treatment of those who found themselves on the wrong side of history (from Vergil�s perspective), such as Dido and Turnus. After all, in the next breath Vergil eulogizes Cato of Utica.
yn
Yvan Nadeau
yvann...@btinternet.com
3/13 Forrest Hill
EDINBURGH EH1 2QL
0131-225-8240
http://www.shca.ed.ac.uk/staff/hon_fellows/ynadeau/index.html
On 28/12/2011 17:27, Bill Walderman wrote:
> This is a very minor point and pure speculation, but I wonder whether
> the apostrophe to Catiline in Aen. VIII 668 is intended to recall the
> First Catilinarian and in particular its famous opening sentence. I
> also wonder whether the reference to Catiline and possible echo of
> Cicero's speech, in addition to presenting Catiline as an archetypical
> villain of Roman history, might be a veiled eulogy of Cicero himself,
> or at least a covert way of incorporating an outstanding figure of
> late Republican Rome into the pageant of Roman history presented in
> the Heldenschau of Book VI and the shield of Book VIII.
>
> Cicero�s son had already been absorbed into Augustus� camp by the time
> of Actium, and Augustus himself is said to have expressed respect for
> Cicero, but perhaps even writing in the 20s, Vergil would have shied
> away from explicit praise of Cicero, which might call to mind
> Augustus� passive complicity in Cicero�s death two decades earlier and
> (even worse) Augustus� previous alliance with Antony.
>
> Praise for an exemplary representative of the Old Order would be
> consistent with Vergil�s at least partially sympathetic treatment of
> those who found themselves on the wrong side of history (from Vergil�s
Quite true. And if someone were arguing that Cicero had been
transposed, whole, into Virgil's fictional world, this would be fatal.
But that is not, to judge from other examples that we probably agree
on, how Virgil works. Aeneas is, in some things, clearly modeled on
Augustus, but there are many points where the resemblance fails. The
same is true for Dido and Cleopatra and (I don't think it is hard to
argue) Anchises and Caesar. The correspondence is never 1:1, but we
all see a correspondence.
But the general principle does not prove the particular case. Drances
is a minor character, and minor discrepancies tell more. Are there
enough points of resemblance -- or is the main point of resemblance
weighty enough -- to hypothesize a correspondence?