Lastof the Dogmen is a 1995 American Western film written and directed by Tab Murphy (in his feature directorial debut). It stars Tom Berenger, Barbara Hershey, Kurtwood Smith, and Steve Reevis. Set in the mountains of northwest Montana, United States, the film is about a bounty hunter who tracks escaped convicts into a remote region and encounters an unknown band of Dog Soldiers from a tribe of Cheyenne Indians. The film was shot on location in Alberta and British Columbia, Canada, as well as in Mexico.[4] Critical reviews were mixed to positive, though the film was a box office disappointment.
Distraught but skillful bounty hunter Lewis Gates is accompanied by his horse and faithful companion Zip, an Australian cattle dog. Gates tracks three armed escaped convicts into Montana's isolated Oxbow Quadrangle, at the persistence of his unforgiving ex-father-in-law, who blames Gates for his daughter's tragic death. Gates sees the convicts but hears gunshots. Investigating the scene, Gates finds only a bloody scrap of cloth, "enough blood to paint the sheriff's office," a bloody shotgun shell, and an old-fashioned Indian arrow.
Gates takes the arrow to archaeologist Lillian Sloan, who identifies it as a replica of the arrows used by Cheyenne Dog Soldiers. Gates doesn't think it's a replica and, after some library research, develops a long list of people who have disappeared into the Oxbow. He also finds a story of a "wild child" captured in the woods in the early 20th century. Now, he's convinced that the fugitives were killed by a tribe of Dog Soldiers, hardy band of Native Americans who somehow escaped the 1864 Sand Creek massacre and survived for 128 years, secluded in the Montana Wilderness, killing anyone who threatened to find and expose them.
Gates convinces Sloan to join him in a search for the band. The two enter the Oxbow and begin to search. They survive many mishaps and bond throughout their journey, eventually venturing deeper into the wilderness than Gates has ever gone before, around 50 miles in.
After a week and nearing the end of their supplies, Sloan suggests heading back. As the two are packing their gear, they are suddenly attacked by Cheyenne Indians. Sloan, speaking the Cheyenne language, deescalates the situation, and the two are taken captive by Yellow Wolf. They are taken to the Cheyenne encampment in a valley accessed through a tunnel behind a waterfall, where the duo meet the village leader Spotted Elk. He tells them of the escape and salvation of the Cheyenne 128 years ago, as well as his own run-in with the "white people" when he was a child.
Gates and Sloan slowly become friendly with the Cheyenne. However, Yellow Wolf's son is sick, wounded after the gunfight with the convicts. Despite the elder's concerns, Sloan convinces Yellow Wolf to allow Gates to ride into town to obtain antibiotics. In town, Gates robs the pharmacy and is chased by local law enforcement, including Sheriff Deegan, his father-in-law.
After escaping, Gates meets Yellow Wolf in the wilderness, and they return to the Cheyenne camp. By this time, the sheriff has gathered a posse and sets out to hunt down Gates both for robbing the store and to find Gates' female companion, whom the sheriff believes Gates has hiding in the Oxbow.
Gates and Sloan continue to grow closer to the Cheyenne, and Sloan discloses that they are indeed the last of their kind. However, Yellow Wolf shows Gates that the sheriff is following his trail and is slowly getting closer to the encampment. Knowing that if discovered, the Cheyenne will fight and die, Gates proposes a solution; using some leftover TNT the Cheyenne had taken from explorers many years earlier, he will create a distraction and allow the Cheyenne to flee deeper inside the Oxbow and live in peace, far away from civilization. Sloan decides to stay with the Cheyenne, which Gates reluctantly agrees to.
The two share a passionate kiss, and Gates begins to set up his plan. Gates gives himself up to the sheriff and pleads with him to leave the wilderness. However, the sheriff discovers the hidden tunnel and prepares to enter it. Escaping, Gates attempts to light the TNT with a rifle, but the sheriff stops him and threatens him with a gun to his head. Yellow Wolf appears, surprising the sheriff, and fires an arrow at the TNT, setting it off.
Gates and the sheriff are propelled out of the tunnel into the waterfall. Gates saves the sheriff, who is badly wounded. The deputy tells everyone to clear out, and they all head back to town to treat the wounded sheriff and Gates.
In Gates' holding cell, the sheriff confronts him about what Gates saw. Gates relents and says some things don't need an explanation; they deserve to remain undiscovered. This seemingly helps smooth over Gates' and the sheriff's relationship.
Sloan and the Cheyenne are shown to have successfully escaped. An indeterminate time later, Gates has begun searching for them in heavy snow. Using hints provided by Sloan, he is able to find them. The film ends with Zip running toward Gates as he enters a clearing and a passionate embrace between Sloan and Gates.
Last of the Dogmen was Tab Murphy's directorial debut; he wrote the screenplay in the early-1980s and producer Joel B. Michaels bought the film rights. The film was budgeted at $25 million and was expected to have an 11-week shooting schedule.[1]
Last of the Dogmen holds a 69% "Fresh" rating on Rotten Tomatoes.[5] Roger Ebert of The Chicago Sun-Times gave the movie 3 out of 4 stars, describing it as "an absorbing story, well told" and carried by Berenger's unpretentious performance, but he felt the final act descended into clichs and failed to live up to the intriguing premise.[6]
The American theatrical and home video releases of this film included third-person narration by Wilford Brimley, which is absent from the UK version. The DVD allows the viewer to choose. A limited version available to watch on Netflix until October 19, 2020, featured another alternate narrated by Kurtwood Smith. [citation needed]
The original reason for the acorns at the end of the cavalry cords is believed to have been to keep the cavalry man awake in the saddle, from the gentle drumming as the acorns bounced off the brim.
The open crowned hat style was perhaps the most common crown style of the late 19th century and sold in the mail order catalogues of the day like, Sears-Roebuck, and the Hudson Bay Company.
Cowboys would crease and mold the crown, to add character to their hat, and make it easier to pick up. Decades later the hat companies started pre-creasing the cowboy hats in the most popular styles.
An Unfinished Brim is more for an everyday-do-yer-work type Cowboy Hat and likely the more common of the two finishes for a wide brimmed cowboy hat. It is also fairly easy to reshape the brim of a beaver/beaver blend cowboy hat with just a steam iron and a bit of patience.
Our hats are made with beaver fur felt which is dense and virtually waterproof. It consists of beaver and/or rabbit/hare fur blended with felt to produce a material that lasts 5-10 times longer than wool-felt. A fine Beaver and Beaver blend fur-felt hat body holds its shape wonderfully and is the gold standard from which to manufacture fine working hats.
We make hand-made custom cowboy hats so the crown and brim measurements are pretty much redundant. The hats you see online are our standard hats, which have specific crown heights and brim widths to maximize the look of that particular style or hat design.
If you wish a different crown height or brim width, or if you want to tell us anything else about the making of your hat, just enter it into the PRODUCTION NOTES as you put together your hat order.
Any hat with a brim width of more than 4 inches we must start with an oversized hat body, which adds a little to the cost. However the oversized brim can give you up to 50% more sun/bad weather protection, than a regular hat body.
Some hat styles with a wider brim include The Wasey, Quigley, Everett Hitch, Blondie, Little J, The Dunson, Last of the Dogmen, Wild Bill, all our B-Movie hats, and many of our Custom Rodeo Hats.
Starring: Tom Berenger, Barbara Hershey, Kurtwood Smith, Steve Reevis. Written and directed by Tab Murphy.
Modern bounty hunter Lewis Gates is hired to track down three dangerous fugitives who have escaped into the Montana wilderness. When the fugitives are found murdered, Gates has a mystery on his hands. Accompanied by anthropologist Lillian Sloane, Gates ventures further into the mountains and discovers an isolated settlement inhabited by a Native American tribe thought to have been wiped out by white settlers a century earlier. The two gradually begin to gain acceptance within the tribe, but when Gates' vengeful ex father-in-law, Sheriff Deegan, leads a posse into the mountains, Gates and Sloane must prevent the tribe from being massacred a second time.
*This version of LAST OF THE DOGMEN differs from our Director's Cut Release version (listed here: -of-the-dogmen-deluxe-director-s-edition) mainly because this Theatrical version has the Wilfred Brimley narration.
With shades of his earlier thriller Deadly Pursuit, Berenger is cast as a backwoodsman known as the best tracker in the country and sent out, with his trusty hound, to hunt escaped convicts in a Montana wilderness, catching up with them only after they've been wiped out by what he comes to believe is a tribe of Cheyenne dog soldiers.
And so, with anthropologist Barbara Hershey in tow, he returns to find the lost tribe.The bulk of the film revolves around the concept of the modern cowboy who falls in with primitive survivalists, learns to respect them even if they have been killing back-packers for years, and finally turns into a Rambo-style hero to protect his "dogmen" buddies from a civilisation represented by a nasty sheriff (the always mean-spirited Smith).
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