Re: Five Feet Apart Türkçe
Germana Layng
Sonequa Martin-Green stars as Michael Burnham, a science specialist on Discovery who eventually becomes captain. Doug Jones, Shazad Latif, Anthony Rapp, Mary Wiseman, Jason Isaacs, Wilson Cruz, Anson Mount, David Ajala, Rachael Ancheril, Blu del Barrio, Tig Notaro, and Callum Keith Rennie also have starring roles across the five seasons.
The series was announced in November 2015 as the first Star Trek series since Star Trek: Enterprise concluded in 2005. It was produced by CBS Studios in association with Secret Hideout and Roddenberry Entertainment. Fuller was initially set as showrunner but left due to creative differences with CBS. He was replaced by Gretchen J. Berg and Aaron Harberts, with producing support from Akiva Goldsman for the first season. Berg and Harberts were fired by CBS during production on the second season. Kurtzman took over as showrunner and was joined by Michelle Paradise starting with the third season. Discovery features more serialized storytelling than previous Star Trek series but became more episodic in later seasons. Filming took place at Pinewood Toronto Studios in Toronto, Canada, and existing franchise designs were reinvented with modern techniques and visual effects.
The series' release led to record subscriptions for CBS All Access and it became the most viewed original series on both All Access and Paramount+. It has received positive reviews from critics, who highlighted Martin-Green's performance and the time-jump to the 32nd century, as well as numerous accolades including two Primetime Creative Arts Emmy Awards for its prosthetic makeup and visual effects. The series began an expansion of the Star Trek franchise, including the companion shorts series Star Trek: Short Treks, spin-off series Star Trek: Strange New Worlds, and spin-off film Star Trek: Section 31. Various tie-in media and two official aftershows have also been produced based on the series.
The series begins around ten years before the events of Star Trek: The Original Series,[1] when Commander Michael Burnham's actions start a war between the United Federation of Planets and the Klingon Empire. She is court-martialed, stripped of rank, and reassigned to the USS Discovery, which has a unique means of propulsion called the "Spore Drive". After an adventure in the Mirror Universe, Discovery helps end the Klingon war. In the second season they investigate seven mysterious signals and a strange figure known as the "Red Angel", and fight off a rogue artificial intelligence. This conflict ends with the Discovery traveling to the 32nd century, more than 900 years into their future.
The USS Discovery finds the Federation fragmented in the future, and investigates the cause of a cataclysmic event known as the "Burn" in the third season. Burnham is promoted to captain of Discovery at the end of the season, and in the fourth season the crew helps rebuild the Federation while facing a space anomaly created by unknown aliens that causes destruction across the galaxy. In the fifth season, the Discovery goes on a galactic adventure to find a mysterious ancient power that other dangerous groups are also searching for.
On November 2, 2015, CBS announced that a new Star Trek television series would premiere in January 2017, "on the heels" of the 50th anniversary of Star Trek: The Original Series in 2016. This was the first Star Trek series since Star Trek: Enterprise concluded in 2005, and the first series to be developed specifically for the CBS All Access streaming service. Alex Kurtzman, co-writer of the films Star Trek (2009) and Star Trek Into Darkness (2013), and Heather Kadin were set as executive producers.[55][56] The January 2017 date was the earliest that CBS could release a new Star Trek series after an agreement the company made when it split from Viacom in 2005.[57] Showtime, Netflix, and Amazon Video all offered "a lot of money" for the rights to stream the series,[58] but after heavily investing in the new All Access service CBS believed that a returning Star Trek could be "the franchise that really puts All Access on the map".[57][58] In January 2016, CBS president Glenn Geller said the network would broadcast the first episode but was not creatively involved in the series, saying, "It really is for All Access."[59]
Fuller had publicly called for Star Trek to return to television for years, particularly because of its impact on minority groups, as he explained, "I couldn't stop thinking about how many black people were inspired by seeing Nichelle Nichols on the bridge of a ship. I couldn't stop thinking about how many Asian people were inspired by seeing George Takei and feeling that gave them hope for their place in the future. I wanted to be part of that representation for a new era."[65] When Fuller first met with CBS about the series, the company did not have a plan for what it would be.[66] He proposed an anthology series, with each season being a standalone, serialized story set in a different era. This would begin with a prequel to The Original Series, followed by stories set during The Original Series, during Star Trek: The Next Generation, and then "beyond to a time in Trek that's never been seen before". Fuller compared this to what American Horror Story did for horror, and described the proposal as a platform for "a universe of Trek shows". CBS instead suggested he create a single serialized series to see how that performed.[65]
By August 2016, Fuller had hired Gretchen J. Berg and Aaron Harberts, whom he worked with on Pushing Daisies, to serve as co-showrunners with him.[67][71] A month later, he and Kurtzman asked CBS to delay the series' release so they could meet the high expectations for it, and the studio pushed the premiere back to May 2017.[72] At the end of October, CBS asked Fuller to step down as showrunner,[65] and announced a restructuring of the production: Berg and Harberts were made sole showrunners, working from a broad story arc and overall mythology established by Fuller; Kurtzman and Fuller would continue as executive producers, but with Fuller moving his attention fully to American Gods; and Akiva Goldsman would join as a supporting producer similar to the role he held on Fringe alongside Kurtzman. CBS said they were still happy with Fuller's creative direction for the series,[71] but some elements that came from him, including designs and "more heavily allegorical and complex story" points, were soon dropped.[65] Fuller later confirmed that he was no longer involved with the series.[73]
With production set to begin in January 2017, "careful deliberation" was going into the series' production value and effects.[74] Ted Sullivan joined as supervising writing producer,[75][76] and CBS Interactive president Marc DeBevoise revealed that the episode order had been expanded to 15 episodes.[77][78] In June, CBS announced a new premiere date of September 24, 2017,[79] and Kurtzman said he had discussed future seasons with Fuller before the latter's departure. Kurtzman promised that the series' "set-up, character, big ideas, [and] the big movement of the season" were all true to Fuller's original plans.[80] In August, Goldsman said future seasons would have a "hybridized [anthology] approach" with each season having its own story arc and a mixture of new and familiar characters.[10] Kurtzman added that the success of Discovery could lead to other new Star Trek series.[81]
After Kurtzman took over, the second season was on track for a January 2019 premiere.[88] There was enough of a delay in production that CBS extended the season's episode count to 14 as a way to amortize the cost of the delays.[89] In February 2019, shortly after the season premiere, the series was renewed for a third season with writer Michelle Paradise promoted to co-showrunner alongside Kurtzman.[90] In October 2019, Kurtzman said the third season would consist of 13 episodes.[91] Active development on a fourth season had begun by January 2020,[92] and it was officially announced in October.[93] Also in October, Kurtzman was asked how long he intended for Discovery to continue, especially with other streaming series being cancelled during the COVID-19 pandemic, and said there were "years and years left on Discovery". He noted the precedent of several previous Star Trek series running for seven seasons each.[94] A 10-episode fifth season was ordered in January 2022.[95][96] Paramount announced in March 2023 that the season would be the last for the series,[97] which came as a surprise to the cast and crew who expected to make at least one or two more seasons.[98] The decision came amid cost cutting for Paramount's streaming content.[99] The season's ending was updated so it could better serve as a series finale.[100][101]
"The defining factor of Roddenberry's vision is the optimistic view of the future... Once you lose that, you lose the essence of what Star Trek is. [The question] is how do you preserve and protect what Starfleet is in the weight of a challenge like war and the things that have to be done in war?"
The series' writers room is based at Kurtzman's Secret Hideout offices in Santa Monica.[103] The titular ship was named after Discovery One from 2001: A Space Odyssey, NASA's Space Shuttle Discovery, and "the sense of discovery... what [that] means to Star Trek audiences who have been promised a future by Gene Roddenberry where we come together as a planet and seek new worlds and new alien races to explore and understand".[104]
Fuller wanted to differentiate Discovery from previous Star Trek series by taking advantage of the streaming format of All Access and telling a single serialized story across the entire first season,[66] inspired by the general change in television to tell those kinds of stories rather than the "new destination-based adventure each week" format mostly used in previous Star Trek series. Fuller had been one of several writers during the 1990s pushing for Deep Space Nine and Voyager to move towards this style.[105] The producers wanted to build towards Roddenberry's Star Trek ideals and show that "you can't simply be accepting and tolerant without working for it",[106] and chose to ignore Roddenberry's longstanding rule that Starfleet crew members not have significant conflict with one another.[105]
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