Aditya Pratap Singh is in jail. His wife Madhavi is ruling the roost, enjoying her freedom and position in local politics. This time, screenwriters Sanjay Chauhan and Dhulia make the biwi the puppeteer. But for how long can she outwit her equally unscrupulous husband, who is hanging on to notions of lost grandeur?
The rivalry now extends to another royal house, which is experiencing its own complications. Uday (Sanjay Dutt), the exiled son with a questionable past, is returning home after 20 years. The news causes his father (Kabir Bedi) and younger brother Vijay (Deepak Tijori) serious heartburn. Only his mother (Nafisa Ali) and his mistress Suhani (Chitrangadha Singh) are delighted by his return.
The weakest of the trilogy, this story takes exceedingly long to set up the key players and their motivations. Dhulia does end part three neatly poised for a follow up. That might work too, as long as Gill and Sheirgill are at the epicentre and the gangster is not required to dance and sing romantic songs amidst sand dunes.
i also think that this movie is worth watch second time. first it also worth to analyse autonomously..coz i think that it is thematic adaptation . we say it female version ..coz alle male leads are sidelined by chhoti bahu..noe the saheb is on chair and he need help of biwi to raise his hand. now this time gulam is real victim of class and sanskritiazation.
Bhansali is a musically aware operatic idiosyncratic filmmaker whom , for some reason the entire country (of india) has taken a dislike to. he is much shallower than his films let us think he is, but his films are unique and will date very well. (any song in saawariya or Guzaarish are testement).
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