Gang 2 Movie Download 720p Movie
Jessie Hadian
Gang is a 2000 Indian Hindi-language gangster drama film[1] directed by Mazhar Khan.[2] The film stars Kumar Gaurav, Jackie Shroff, Nana Patekar, Javed Jaffrey, Juhi Chawla and Imtiaz Khan in pivotal roles. The film began production in 1990 and was delayed for 10 years because of director Mazhar Khan's ill health. After his death in 1998, his assistant director helped complete the film for release on 14 April 2000.[3] The film was also the last to feature music by RD Burman who died in 1994.[4]
Four friends, Gangu (Jackie Shroff), Abdul (Nana Patekar), Nihal (Kumar Gaurav) and Gary (Jaaved Jaffrey) - which forms the word G.A.N.G, get together to start their crime business, but their roots are built on friendship and trust. They succeed in their criminal goals, but later they are attacked by a local gangster Tagdu (Gulshan Grover). As a result, G.A.N.G. retaliates with Tagdu and joins with Lala (Mukesh Khanna), a criminal leader with a conscience. But this does not pleases Abdul as they work for free with Lala and decides to join forces with Girja Singh (Imtiaz Khan), another gang leader, for money, to which Gangu disagrees. Gary's sister is later killed by Tagdu and his men as a form of early humiliation, which shatters them deeply. Later G.A.N.G. and Tagdu's men are embroiled in a gang war, in which Gangu is arrested and sentenced to jail for five years.
The music of this movie was mainly composed by Anu Malik. R. D. Burman composed only one track, Chhodke Na Jana, sung by Asha Bhosle, for the film. But since the movie faced late release and his death, Mazhar Khan signed in Anu Malik for the composition. It can be noted that Anu Malik used some bits of the background score composed by Burman, of the movie, Caravan for the song Dil Hai Bechain in the late composer's remembrance. All of the songs are written by Javed Akhtar.
Kelly was an anti-authoritarian of Irish descent who became a bushranger (wandering robber) under the tutelage of Harry Power (played onscreen here by Russell Crowe), then waged war on Australian colonial police, partly as a result of ugly run-ins between Victorian police and the Kelly family. He and his gang were crushed in a shoot-out with law enforcement in 1880 after failing to derail a police train. The gang was wearing homemade metal armor at the time, in hopes that it would deflect bullets. Kelly was tried and hanged. He was 25.
A few years ago, while watching (as nearly as I can recall) a Disney movie named "Blackbeard's Ghost," I devised the Thunder Index as a means of measuring audience enthusiasm at kiddie matinees. To the degree that the kids do not thunder up and down the aisles (and up and down on each other), they're enjoying the movie - or are at least lulled by it. But when there are more kids at the candy counter than in the theater, something has gone wrong.
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Simultaneously a yakuza movie, a kung-fu flick and a love letter to cinema, Japanese director Sion Sono's Why Don't You Play in Hell is the anti-gritty gangster tale. Following a group of young filmmakers who decide to turn a real conflict between rival gangs into a film, while inserting some stars of their own. Comedic and bloody in it's execution, Sono's movie pokes fun at genre tropes one minute and shamelessly embraces them the next.
Director John Woo deserves several places on any list of classic crime movies, but there's no more perfect representation of his stylish brand of brotherly bonding across lines of justice than this box-office smash. It made Chow Yun Fat a star and was centrally responsible for thrusting Hong Kong action cinema into the global limelight.
You've seen plenty of gangster and crime movies that build to a heist, but The Hot Rock is a string of heists that take place as a result of unforseen circumstances. Robert Redford and George Segal play against type, presenting themselves as hardened crooks, but ultimately revealing that they're extremely fallible. And just wait until you hear the funky soundtrack that Quincy Jones cooked up for this crime comedy of errors.
This list is filled with movies that follow gangsters who meet untimely ends, but directors rarely devote much screentime to the people they leave behind. Steve McQueen's Chicago-set caper is centered around the widows of a recently-deceased criminal outfit, who band together to complete their husbands' unfinished business, attempting to pull off a dangeous heist.
Director Jean-Pierre Melville would become a giant in the specialized field of the gangster film and this is one of his earliest triumphs, a beautiful showcase for rising star Jean-Paul Belmondo as a shifty informant. Cool and minimalist, Melville's style remains influential.
The template for the modern heist movie was set by this brooding slice of French noir, as a gang of thieves plan to pull off the impossible by ripping off a jewelry store on the Rue de Rivoli. The heart-stopping, near-wordless break-in scene remains unbeaten 60 years on.
Sergio Leone's Depression-era epic evokes New York City's teeming Lower East Side like no movie before or since. The curiosity of youth is balanced against the euphoria and bitter sacrifices of criminal life. More than just The Godfather of Jewish gangster movies, Leone's masterwork is the apex of a glorious, genre-bending career.
It might just be Martin Scorsese's finest two hours and change, this swirling, relentlessly paced crime classic that served up a feast of salty dialogue (we all have our favorite quotes) and, in turn, directly inspired both The Sopranos and Quentin Tarantino's on-the-horizon game-changers. It's not a stretch to call Goodfellas the most significant movie of the last 30 years. It's certainly the most fun.
King of New York is a film that fits into the stylistic tone of other New York City underworld movies, Escape from New York and Good Time. The use of color; like neon deep blues, gives this sub-genre an interesting visual tone.
The most modern gangster film on this list, Killing Them Softly addresses the impact of organized crime on American society after the collapse of the housing market. It also happens to be one of the best crime movies.
The themes of questioning loyalty and escape from poverty are shown in new and modern lights. It's one of the best Brad Pitt movies and James Gandolfini also gives an excellent performance. The last scene, although divisive among viewers, is one that has stuck with me for years.
Anchored by an incredible cast and helmed by Brian De Palma, The Untouchables is one of the most iconic gangster films ever made. Kevin Costner, Sean Connery, and Robert De Niro all turn in incredible performances. The Untouchables is a Prohibition-era crime film that mixes police procedural and thriller to a satisfying degree.
Paranoia seeps into the mind of gangster Martin Cahill (Brendan Gleeson) like a drug by the end of The General. After drawing the ire of the IRA with his business dealings, Cahill is forced to reflect on a lifetime of mischief and crime.
This is an authentic Irish film that portrays authentic Irish crime; such as the crimes of the Catholic church and the corruption of the police. Cahill is a real Irish gangster played by a real Irish actor.
The Harder They Come is perhaps best known for its infectious reggae soundtrack, which holds its own against the best movie songs. But at the heart of the picture, is an important commentary on gangster celebrity. The protagonist Ivan, played by Jimmy Cliff, wants to be a reggae singer but corruption and poverty keep him from success.
Instead, Ivan finds himself enraptured in a life of crime. He becomes infamous for killing police officers. In turn, his former record label releases his song and reaps the profits of his celebrity. Ivan succumbs to a glorified view of the gangster which ultimately forces his downfall.
The film condemns the gangster lifestyle even more than before. This is also one of the first gangster films to heavily involve the Catholic faith, which would go on to become a major characteristic of Mafia films.
The Departed is adapted from the Hong Kong film Infernal Affairs. Infernal Affairs is an excellent movie in its own right and I considered putting it here in place of The Departed. But I came to the conclusion that if one film outranked the other, it was The Departed.
The Long Good Friday is the quintessential British gangster film. Bob Hoskins plays the leader of a British gang that plans to start a partnership with the American Mafia in hopes that he can become a legitimate businessman.
By the year 2000, world culture had grown to see gangster films as a mostly sensational, idyllic genre. Popular gangster movies were rife with moral praise; often creating heroes and badass anti-heroes out of people the court would sentence to death.
Gomorrah, which is based on a book of the same name about the real Mafia group from Napoli, has no intent of glamorizing gang life. In fact, Gomorrah is an indictment of gangster films that have inspired young people to take up a life of crime.
One film in particular that is condemned in this way is Scarface. Children in the film say they want to be like Tony Montana but the life of crime they find is not the one that they had envisioned from the movies.
Jacques Audiard directs this thrilling gangster film about a young man who finds himself recruited into the Corsican Mafia while serving a prison sentence. A Prophet is a remarkably modern gangster movie.
This is the most iconic gangster film ever made. Every cinema fan knows the image of Don Vito holding the cat, the horse in the bed, or Michael shutting the door on his former life. And for good reason, these are some of the most expressive and emotional moments in film history.
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