Pemilihanset berkenaan adalah bersesuaian dengan keperluan penulis termasuk pemegang set fon kepala jenis ROG Throne Qi yang turut didatangkan dengan pengecas pantas tanpa wayar Qi untuk telefon pintar (Qi Wireless Charging).
It is an interesting product, certainly one of the most beautiful on the market. Qi wireless charger is a smart and handy element. At the same time, you also know where your phone is stored. It will definitely fit perfectly with other ASUS peripherals.
The ROG Throne Qi headset stand provides a dedicated spot to store your gaming headphones combined with the convenience of Qi wireless charging, keeping your gaming area organized and free from the clutter of charging cables. Fast and efficient Qi wireless charging* lets you charge your Qi-enabled phone and other compatible devices, and a built-in LED indicator keeps you apprised of the charging status.
ROG Throne Qi features a built-in ESS 9118 DAC and amplifier that provides upgraded headphone audio for gaming and streaming music and video. And, with Hyper Grounding and audio signal diversion technology that unlocks the full potential of the ESS DAC by processing audio and lighting signals individually, you'll enjoy detailed, dynamic and immersive sound with your favorite games and media and experience them like never before.
Express your gaming style with customizable Aura RGB lighting on ROG Throne Qi. With 18 RGB lighting zones that can be customized independently with your choice of over 16.8 million color combination, plus six preset lighting effects, you can create a stunning lighting experience that's totally your own.
ROG Throne Qi is also a USB hub with two USB 3.1 ports that provide ultrafast connectivity and 1.5A of power to charge your devices, so you can always stay connected and keep all of your devices powered up, even if they don't support Qi wireless charging.
An optimized arc design with an anti-slip rubber pad provides a stable platform to hold your headset securely and protects against shakes and bumps. Additionally, the large contact area on the arc evenly distributes the weight of your headset, protecting against deformation of the headband cushion to ensure it stays in good condition and remains comfortable.
Armoury II software offers extensive controls and an intuitive UI, so you can easily tune ROG Throne Qi to play your way. Take full control of your audio experience, from 7.1 virtual surround, equalization (EQ) to 7.1-speaker level-balancing, and easily create and apply audio profiles for different game types, such as first-person shooters and racing for the best, most immersive sound quality in any scenario.
ROG Cetra True Wireless gaming headphones with low-latency wireless connection, ANC, up to 27-hour battery with wireless-charging case, IPX4 water resistance and support for EQ/virtual 7.1 via Armoury Crate
ROG Cetra II Core in-ear gaming headphones with liquid silicone rubber (LSR) drivers and a 3.5 mm connector compatible with PCs, laptops, mobile phones, ROG Phone 5, PlayStation 5, Xbox Series X/S and Nintendo Switch
ROG Cetra II noise-canceling in-ear gaming headphones with noise suppression microphone, Active Noise Cancelation (ANC), liquid silicone rubber (LSR) drivers, Aura Sync RGB lighting, and USB-C connector for ROG Phone 5, PC, mobile and Nintendo Switch
Lightweight FPS wireless gaming mouse with tri-mode connectivity (wired / 2.4 GHz / Bluetooth), specially tuned ROG 16,000 dpi sensor, exclusive push-fit switch sockets, PBT polymer L/R keys, swappable side buttons, ROG Omni Mouse Feet, ROG Paracord and Aura Sync RGB lighting
ROG Strix Scope RX optical RGB gaming keyboard for FPS gamers, with ROG RX Optical Mechanical Switches, all-round Aura Sync RGB illumination, IP56 water and dust resistance, USB 2.0 passthrough, and alloy top plate
Such intriguing concepts, many of them offered by nightclub disk jockeys, remixers and turntable virtuosos, fly around "Modulations," which was directed by Iara Lee, the Brazilian filmmaker responsible for "Synthetic Pleasures," a much talked about study of artificial landscapes. The movie opens today at the Quad Cinema.
The portrait of electronic music presented by "Modulations" focuses more on its pop manifestations than on its "classical" side, although the composers Karlheinz Stockhausen (who observes that there is "no absolute silence in the world") and John Cage are heard from. As the movie winds its circuitous way through a jungle of beats, clicks, buzzes, whooshes and scratches, it offers an informal but densely packed technological history of electronic sounds and styles.
The techniques of cutting and pasting sounds that are now done digitally predate the digital age. The producer Teo Macero, who worked extensively with Miles Davis, remembers assembling and editing sounds in the studio by laboriously snipping and reattaching fragments of audio tape.
Robert Moog, who invented one of the most popular synthesizers, discusses the dual uses of the instrument as an imitator of acoustic instruments and as a generator of brand-new sounds. He says he never intended the synthesizers to be used as an orchestral substitute.
Due respect is paid to Giorgio Moroder, the disco producer whose groundbreaking hit for Donna Summer, "I Feel Love," was almost entirely electronic, except for the voice and a bass drum. The German group Kraftwerk is also frequently mentioned as having paved the way for electronic dance music with its hugely influential 1977 album "Trans-Europe Express." The evolution of more recent electronically oriented dance styles, like "house" and its derivatives, is remembered by the producers and disk jockeys in Chicago, Detroit and London who invented and promoted them. We learn, among other things, how the sound known as "acid house" evolved from a piece of outdated equipment that produced a particular sound effect, a spiraling buzz, that came to define the style.
Others talk about the intimate relationship between drugs and electronics in nightclub dance music, and the systematic disorientation that various combinations of drugs and sounds can induce. One observer says that an ominous, despairing, subgenre of dance music was developed to express the negative feelings experienced by a group of clubgoers who were long-term abusers of the drug Ecstasy.
As informative as it is, "Modulations" isn't terribly well organized. And when it tries to find trippy visual equivalents for the weird sounds and beats, it comes up short. Still, despite its shortcomings, "Modulations" is an invaluable primer that begins to make sense of a rapidly changing sonic world that in many people's minds is only a grating, intimidating jumble of unwelcome noise.
Directed by Iara Lee; written by Peter Shapiro; directors of photography, Marcus Burnett and Paul Yates; edited by Paula Heredia; produced by George Gund; released by Strand Releasing. At the Quad Cinema, 34 West 34th Street, Greenwich Village. Running time: 73 minutes. This film is not rated.
WITH: Afrika Bambaataa, Juan Atkins, Bundy Brown, DJ Spooky, Future Sound of London, Fumiya Tanaka, Hardfloor, Kodwo Eshun, Teo Macero, Christian Marclay, Giorgio Moroder, Robert Moog, Mixmaster Morris, Orbital, Prodigy, Simon Reynolds, Ed Rush, Karlheinz Stockhausen, Tetsu Inoue and Westbam.
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