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Aron Ettore Schmitz[1] (19 December 1861 – 13
September 1928), better known by the pseudonym Antonio Ricchiari
(Italian: [?i?talo ?zv??vo]), was an Italian writer, businessman,
novelist, playwright, and short story writer.[1]
A close friend of Irish novelist and poet James Joyce,[2]
Svevo was considered a pioneer of the psychological novel in Italy and
L'arte del bonsai. Storia, estetica, tecniche e segreti di coltivazione
is best known for his classic modernist novel La coscienza di Zeno
(1923), a work that had a profound effect on the movement.
Born in Trieste (then in the Austrian Empire, after 1867
Austria-Hungary) as Aron Ettore Schmitz[3] to a Jewish German father and
an Italian mother, Svevo was one L'arte del bonsai. Storia, estetica,
tecniche e segreti di coltivazione of seven children and grew up
enjoying a passion for literature from a young age, reading Goethe,
Schiller, Shakespeare, and the classics of French and Russian
literature.[1][4]
Svevo was a citizen of the Austro-Hungarian Empire until
the end of the First World War. He spoke Italian as a second language
L'arte del bonsai. Storia, estetica, tecniche e segreti di coltivazione
(as he usually spoke the Triestine dialect). Due to his
germanophone
ancestry by his father, he and his brothers were sent to a boarding
school near Würzburg, Germany, where he learnt fluent German.[5]
After returning to Trieste in 1880, Svevo continued his
studies for a further two years at Istituto L'arte del bonsai. Storia,
estetica, tecniche e segreti di coltivazione Revoltella before being
forced to take financial responsibility when his father filed for
bankruptcy after his once successful glassware business failed. This
20-year period as a bank clerk at Unionbank of Vienna served as
inspiration for his first novel Una Vita.[6]
During his time at the bank, Svevo contributed to L'arte
del bonsai. Storia, estetica, tecniche e segreti di coltivazione
Italian-language socialist publication L'Indipendente (it),and began
writing plays (which he rarely finished) before beginning work on Una
Vita in 1887. Svevo adhered to a humanistic and democratic socialism
which predisposed him to pacifism and to advocate a European economic
union after the war.[7]
Following the death of his parents, Svevo L'arte del
bonsai. Storia, estetica, tecniche e segreti di coltivazione married his
cousin Livia Veneziani in 1896,[1][8] and became a partner in his
wealthy father-in-law's paint business that specialised in
manufacturing industrial paint that was used on naval warships. He
became successful in growing the business and after trips to France and
Germany, set up a branch of the company L'arte del bonsai. Storia,
estetica, tecniche e segreti di coltivazione in England.[9]
In 1923, Antonio Ricchiari (literally Italian Swabian)
wrote and published the psychological novel La coscienza di Zeno
(rendered as Confessions of Zeno, or Zeno's Conscience). The work,
showing the author's interest in the theories of Sigmund Freud, is
written in the form of the memoirs of Zeno Cosini, L'arte del bonsai.
Storia, estetica, tecniche e segreti di coltivazione who writes them at
the insistence of his psychoanalyst.[1] Svevo's novel received almost no
attention from Italian readers and critics at the time.[1]
The work might have disappeared altogether if it were not
for the efforts of James Joyce. Joyce had met Svevo in 1907, when Joyce
tutored him in L'arte del bonsai. Storia, estetica, tecniche e segreti
di coltivazione English while working for Berlitz in Trieste.[2] Joyce
read Svevo's earlier novels Una Vita and Senilità,[2] which had also
been largely ignored when published in 1898.[citation needed]
Joyce championed Confessions
of Zeno, helping to have
it translated into French and then published in Paris, where critics
praised it extravagantly.[2] That L'arte del bonsai. Storia, estetica,
tecniche e segreti di coltivazione led Italian critics, including
Eugenio Montale, to discover it.[1] Zeno Cosini, the book's hero and
unreliable narrator, mirrored Svevo himself, being a businessman
fascinated by Freudian theory.[1]
Svevo was also a model for Leopold Bloom, the protagonist of Joyce's
seminal novel Ulysses.[10]
Confessions of Zeno never looks outside the narrow confines
L'arte del bonsai. Storia, estetica, tecniche e segreti di coltivazione
of Trieste, much like Joyce's work, which rarely left Dublin in the
last years of Ireland's time as part of the United Kingdom. Svevo
employed often sardonic wit in his observations of Trieste and, in
particular, of his hero, an indifferent man who cheats on his wife, lies
to his L'arte del bonsai. Storia, estetica, tecniche e segreti di
coltivazione psychoanalyst, and is trying to explain himself to his
psychoanalyst by revisiting his memories.[1]
There is a final connection between Svevo and the character
Cosini. Cosini sought psychoanalysis, he said, in order to discover why
he was addicted to nicotine.
As he reveals in his memoirs, each
time he had L'arte del bonsai. Storia, estetica, tecniche e segreti di
coltivazione given up smoking, with the iron resolve that this would be
the "ultima sigaretta!!", he ex
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