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Personalità carismatica, eccessiva e
indiscutibilmente geniale, Diana Vreeland racconta in queste pagine, con
straordinaria verve e bruciante ironia, la sua incredibile vicenda
umana e professionale. Diana ha sempre reinventato se stessa, e lo fa
anche nella sua autobiografia, arditamente in bilico tra realtà e
finzione. Dalle sontuose dimore londinesi alla Parigi degli anni trenta,
dal jet-set newyorchese alle ribalte più esclusive del mondo, si
susseguono gustosi aneddoti e incredibili situazioni condivise con la
sua eclettica cerchia di amici: da Coco Chanel a Jack Nicholson, da Andy
Warhol a Josephine Baker. Dalla boutique di lingerie di cui era
proprietaria, grazie al suo gusto innato per gli abiti e le stoffe,
Diana si ritrova a pieno titolo nella redazione di "Harper's Bazaar". E
sarà un esordio folgorante: la rubrica Why Don 't You?, da lei stessa
ideata nel 1936, riscuote un successo immediato. Ai lettori Diana
dispensa sapientemente consigli pratici insieme a idee del tutto
strambe, in un mélange originalissimo di estro e ingegno. Nel 1962,
Diana Vreeland passa saldamente al timone di "Vogue", dove riesce a dare
libero spazio alla sua inesauribile creatività e a dettare lo stile di
un'intera epoca. Lo farà fino al 1971, quando la rivista decide di
voltare pagina. Da allora fino alla sua scomparsa, nel 1989, è stata la
regina incontrastata dell'alta moda mondiale, e la sua vita è diventata
leggenda.
Sarah L. Thornton (born 1965) is a writer, ethnographer and
sociologist of culture.[1] Thornton has authored three books and many
articles about artists, the art market, technology and design, the
history of music technology, dance clubs, raves, cultural hierarchies,
subcultures,[2] and ethnographic research methods.
Thornton was born in Canada. She Scaricare D.V. PDF Gratis
lived in London, England, for 25 years. She now resides in San
Francisco, CA.
Her education comprises a BA in the History of Art from
Concordia University, Montreal, and a PhD in the Sociology of Culture
from Strathclyde University, Glasgow.[3]
Her academic posts have included a full-time lecturership
at the Scaricare D.V. PDF Gratis University of Sussex, and a period as
Visiting Research Fellow at Goldsmiths, University of London.
She worked as a brand planner in a London advertising
agency.[4] She was the chief writer about contemporary art for The
Economist.[5] She has also written for publications including The Sunday
Times Magazine,[6] The Art Scaricare D.V. PDF Gratis Newspaper,[7]
Artforum.com,[8] The New Yorker,[9] The Telegraph,[10] The Guardian,[11]
and
The New Statesman.[12]
In Club Cultures: Music, Media, and Subcultural Capital (1995), Thornton
examines the shift from live to recorded music for public dancing (from
record shops to raves) and the resistance to recording technology's
enculturation of the "authentic," valued Scaricare D.V. PDF Gratis
cultural form. The book also analyzes the dynamics of "hipness,"
critiquing Pierre Bourdieu's theory of cultural capital with her own
formulation of "subcultural capital." The study responds to earlier
works such as Dick Hebdige's 1979 book Subculture: The Meaning of Style.
It does not see media as a reflection of Scaricare D.V. PDF Gratis
social groups, but as integral to their formation.[13]
Contrary to youth subcultural ideologies, "subcultures" do not germinate
from a seed and grow by force of their own energy into mysterious
‘movements’ only to be belatedly digested by the media. Rather, media
and other culture industries are there and effective right Scaricare
D.V. PDF Gratis from the start. They are central to the process of
subcultural formation.[13]
The book is described by Stuart Hall and
Tony Jefferson as "theoretically innovative" and "conceptually adventurous".[14]
The New York Times' Karen Rosenberg said that Seven Days in
the Art World (2008) "was reported and written in a heated Scaricare
D.V. PDF Gratis market, but it is poised to endure as a work of
sociology...[Thornton] pushes her well-chosen subjects to explore the
questions ‘What is an artist?’ and ‘What makes a work of art
great?’"[15]
In the UK, Ben Lewis wrote in The Sunday Times that Seven
Days was "a Robert Altmanesque panorama Scaricare D.V. PDF Gratis
of...the most important cultural phenomenon of the last ten years".[16]
While Peter Aspden argued in the Financial Times that "[Thornton] does
well to resist the temptation to draw any glib, overarching conclusions.
There is more than enough in her rigorous, precise reportage… for the
reader to make his or her Scaricare D.V. PDF Gratis own
connections."[17]
András Szántó reviewed Seven Days in the Art World:
"Underneath [the book's] glossy surface lurks a sociologist's concern
for institutional narratives as well as the ethnographer's conviction
that
entire social structures can be apprehended in seemingly frivolous patterns of speech or dress."[18]
Thornton's book 33 Artists in 3 Scaricare D.V. PDF Gratis
Acts (2014) looks at the lives and work of figures "from all over the
art ecosystem, from the market-driven mogul (Jeff Koons) to the
profoundly intellectual performance artist (UCLA professor Andrea
Fraser) to the impish prankster (Italian conceptual artist Maurizio
Cattelan.)"[19] The central question guiding the book is: What defines
Scaricare D.V. PDF Gratis an artist in the 21st century? Thornton
received "a range of answers that will startle even art-world
insiders."[20] Jackie Wullshlager of the Financial Times opined that
Thornton is "skillfully nuanced" and "elevates gossip to sociology,
writing with verve, insight and authenticity."[21]
33 Artists in 3 Acts received praise for its Scaricare
D.V. PDF Gratis academic approach and "attention to detail and
illustration of subtleties that bring her interviewees to life....
[Thornton's] flair for creating clear structures offer readers
manageable points of
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