After Earth is a 2013 American post-apocalyptic action film co-produced and directed by M. Night Shyamalan, who co-wrote the script with Gary Whitta. The film was loosely based on an original story idea by Will Smith about a father-and-son trip in the wilderness before it was eventually reworked into a sci-fi setting, taking place 1,000 years in the future where humans evacuated Earth to another planet due to a massive environmental catastrophe. It is the second film after The Pursuit of Happyness (2006) that stars real-life father and son Will and Jaden Smith; Will Smith, his wife Jada Pinkett Smith, his brother-in-law Caleeb Pinkett, and business partner James Lassiter also produced the film via their company Overbrook Entertainment while Columbia Pictures distributed the film. The film was co-produced by John Rusk, who was also the first assistant director on this film as well as on many of Shyamalan's other films.[4]
The film follows father and son, Cypher and Kitai Raige, who find themselves crash-landing on the abandoned Earth. When Cypher gets injured from the crash, Kitai must travel across the wild environment in search of a backup beacon to fire a distress signal, while having to defend himself from the highly evolved animals, as well as an extraterrestrial creature that detects its prey by smelling fear.
In the future on a human-populated space colony, Nova Prime, the S'krell extraterrestrial race attempts to take it over with creatures called Ursas, which hunt by "sensing" fear. Ranger Corps, a global peacekeeping organization manages to defeat them with a fear-suppressing technique called "ghosting", but not before an Ursa kills Senshi, the daughter of their leader Cypher Raige. His son Kitai blames himself for Senshi's death. He trains to become a Ranger like Cypher but is rejected. Kitai's mother Faia convinces Cypher to take Kitai on his last voyage before retirement. During flight, their spaceship is caught in an asteroid shower, causing them to crash-land on Earth, which humans had evacuated a thousand years earlier due to an environmental cataclysm.
The two manage to survive, but Cypher's legs are broken in the process, and the main beacon for firing a distress signal is damaged. Cypher instructs Kitai to locate the tail section of the ship, which broke off on entry to the atmosphere. Inside is the backup beacon, which they can use to signal Nova Prime. Cypher gives Kitai his weaponized cutlass, a wrist communicator and six capsules of a fluid that enhances oxygen intake so he can breathe in Earth's low-oxygen atmosphere. Cypher warns him to avoid the highly evolved fauna and flora and be careful of violent thermal shifts. Kitai leaves to find the tail section, with Cypher guiding him through the communicator.
Kitai confronts many hazards along the journey; bitten by a paralytic leech after fleeing from a pack of baboon-like monkeys he manages to self-medicate, but damages two of his capsules and does not report to Cypher. After being awakened[by whom?], Kitai takes shelter just as the thermal shift arrives, where Cypher tells him a story about how he conceived "ghosting" to kill the Ursas.
Kitai reaches a cliffside waterfall and Cypher learns about the broken capsules. Knowing that the only way to continue with two capsules would be to skydive, Cypher orders Kitai to abort the mission, but Kitai, believing that Cypher still sees him as a disappointment, refuses to comply after furiously blaming Cypher's absence at home for Senshi's death. Kitai is captured by a large condor and his communicator is damaged. In her nest, Kitai tries and fails to defend her chicks against large panthers before escaping to a river, where he drifts on a raft. After a sleep where he dreams of Senshi, he wakes up to a thermal shift that nearly freezes him to death. The large condor, who had been following him, shelters Kitai at the last moment, sacrificing her life.
Kitai reaches the tail section and tries to activate the emergency beacon, but the atmosphere blocks the signal. Kitai learns that the ship's Ursa has escaped and killed the rest of the crew. While he climbs up the volcano where he hopes to manage to activate the beacon he is being followed by the Ursa. It attacks him, but Kitai is able to kill it using the "ghost" technique he learned from Cypher. After activating the beacon he and Cypher are sent back to Nova Prime via a rescue team.
Will Smith conceived the story for the film when he was watching the television show called I Shouldn't Be Alive with his brother-in-law Caleeb Pinkett, who also served as one of the film's producers.[5] It was originally not a science fiction story but about a father and son crashing their car in the mountains or some remote region, with the son having to go out and get rescue for his father. Smith then decided to change the setting to 1000 years in the future, which imposed a higher production budget. The film was also intended to be the first in a trilogy.[6] Smith had his production company Overbrook contact Gary Whitta (who was then known for his script for The Book of Eli) with a simple log line for a film: a father and son crash landed on Earth 1000 years after it had been abandoned by humankind. Impressed with his idea and excited about the opportunity to work with him, Whitta fleshed out Smith's idea and pitched it to him, subsequently becoming the first employee on the project.
In December 2011, Columbia Pictures, a subsidiary of Sony, signed up both Will and Jaden Smith to co-star in the film with Shyamalan directing. Shyamalan, who also co-wrote the screenplay with Gary Whitta, also additionally co-produced the film with Will Smith, Jada Pinkett Smith, Caleeb Pinkett, and James Lassiter. Doug Belgrad, president of Columbia Pictures, made the announcement and said, "Night is an outstanding filmmaker who has a tremendous vision for this science-fiction adventure story and we couldn't be more excited to be working again with Jaden after our experiences on The Pursuit of Happyness and The Karate Kid," and added "We're thrilled to have the two of them together on this project." Shyamalan also added, "The chance to make a scary, science-fiction film starring Jaden and Will is my dream project."[10] Will Smith's decision to take on the starring adult male role required him to step aside in producing and starring in the Hurricane Katrina drama The American Can, and offered the lead role to Denzel Washington instead. The shooting of the movie was also pushed back from September 2011 to January 2012.[11]
On July 25, 2011, Smith travelled to Costa Rica accompanied by an entourage of about 20 people, including Shyamalan, to scout for locations to shoot the film.[12] They visited sites like the Arenal Volcano, hot springs and a lake, and some beaches.[13]
In September 2012, Columbia committed to a June 7, 2013 release date.[14] Shyamalan also scouted locations in Philadelphia. Fifty percent of the filming was to take place at the new Sun Center Studios in Delaware County (Chester Township). Other locations would be in Costa Rica, Utah and Northern California.[15] Shyamalan also visited Valley Forge Military Academy, the filming location of Taps, for research of the film, then entitled After Earth, as Jaden Smith would be playing a military cadet of the future.[16]
The screenplay by Whitta and Shyamalan was later polished by Stephen Gaghan[17] and Mark Boal.[18] Jonathan Young, a psychologist and screenwriter, polished the mythic journey structure.[19] As reported by Screen Rant in 2020, "Some scripts sidelined Will completely in favor of his son, Jaden, but Sony wanted him on the big screen as much as possible."[20]
After Earth also became the first film from Sony to be both shot and presented in the emerging 4K digital format.[21] It was primarily shot with Sony's CineAlta F65 camera, which was shipped in January 2012.[22] However, a skydiving sequence required a smaller sized Canon Cinema EOS C500 4K camera mounted on the helmet of a professional skydriver.[23] The cinematographer Peter Suschitzky who picked Sony F65 digital camera for the movie over other digital and film cameras, argued that benefits of film are lost when shown in theaters with digital projectors, as many are today.[21]
On May 3, 2013, it was revealed that Korean-American singer Jay Park would be participating on the official soundtrack of the film in Korea, with a song titled "I Like 2 Party". Then on May 5, 2013, another 30-second snippet of the song was then released with another teaser and trailer.[26]
The estimated worldwide marketing budget for After Earth was approximately $100 million in addition to the $130 million budget to produce the film.[27] Initial marketing began online with an internet marketing campaign on Facebook and Google+, including a teaser trailer. Alongside the Facebook marketing is a Web 2.0 site that lets people scroll through different images and paragraphs in a complex dynamic way. An image of Jaden's character "Kitai" in costume was released online on February 15, 2012.[28] Later on in the same year, another theatrical teaser was released alongside a trailer for the competing Joseph Kosinski film Oblivion. On March 12, a modified version of After Earth's theatrical teaser was released as the official trailer.[29] The official trailer was broadcast as a TV Spot during late May 2013. The trailer featured the menu music of the video game Deus Ex: Human Revolution, composed by Michael McCann.[30]
In a stark contrast to his previous films, Shyamalan's name was notably absent from several trailers, TV commercials, and marketing signage.[31] Instead, Sony Pictures opted to feature Will and Jaden Smith prominently in the marketing campaign.[32] Sony's worldwide marketing and distribution chairman, Jeff Blake, said that "Night is, without a doubt, a world-class filmmaker who we were thrilled to team up with on this project," but "Together, we decided to focus our campaign on both the action and both Will and Jaden given that 'After Earth' is an adventure story of a father and son." Alex Suskind of Moviefone pointed out to Shyamalan that After Earth was not being marketed on the strength of his name unlike his previous projects, to which he responded, "There's such a specific expectation that comes with a name. It's nice to have people watch the movie and then have them talk about the storyteller; it's a healthy balance."[33]
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