Hey Erica,
How are you going?
Yes, that's right, it's more about historic value, though I do believe it could sound quite good. Either way, it's my curiosity that's driving me on this project! :D
You are correct about how the jig works. It's not an original idea, I saw a guy doing this on YouTube, but he didn't have one fixed nut on the frame so he had to manually move it along the X-axis after he did one rotation. Seemed obvious to weld a nut to a plate and screw that plate to the jig, so that's what I've done.
I ended up using chunky M20 threaded rod which was carefully selected as the straightest at the builders' merchant. (<1mm over 1000mm)
I'll go ahead and get the bottom-cleaning router bit. Thanks for the advice. :)
Hi Stephen, thanks for your replies and taking the time to do that CAD drawing. I've never seen a stave drum produced that way, commercially or otherwise. Seems like a lot of wastage and a lot higher chance of something going wrong, wouldn't you say? Also, as I understand it, the fewer seams on a drum, the clearer its tone (larger pieces offer more shell resonance).
As for the end-grain gluing, what you've said is 100% true of traditional PVA glues, but PUs like the one I used have exceptional end-grain-to-end-grain strength. Plus, if it falls apart, I can always use my biscuit joiner on it. I might do that on the next shell, hopefully getting some more historical timber from another famous studio in the next couple months.
Thanks everyone!
All the best,
Dax.