Yes! :D
It won't cut out the bass rumble from the Hackney Road in rush hour... :))
It will cut out most of the top end of the audio spectrum, but that's not where the problems are coming from.
If you look at the thickness and the materials used to make the existing
wall, It provides no structural support and it's almost exactly the
same as the drywall that we installed when we first moved in.
Look at the wall that the craft shelves back onto, and see how it sits in relation to the windows. It was simple to install, so it'll be simple to remove.The wall with the window facing the fire stairs, has a window made out of a sheet of perspex... :))
It'll take time to build it, and it'll have an impact on how the rest of the space is used, so making those sort of alterations to the place is something that everyone will have to agree on.
Acoustic panelling isn't that hard to build.. Internal sprung floors, with sound baffles, is something that we can make with the tools that we've got in the basement. Use standard materials, and use standard designs, and it's simple to get them compliant with broadcast quality sound.
Sheets of nicely-prepped and varnished plywood, with layers of industrial-garade wool. with a heavy-duty canvas to contain the fibres and add an extra flavour to the sound quality, is how this was done in the past..
However, installing them to get them useful for the next three years, AND making them removable enough to be able to take them with us when we leave, wil require a little more forward planning..
We were able to think about building the drywall; as we had a five-year tenancy. We could afford to build things with five years in mind.
At the moment we can only think about installing stuff with three years in mind.
Acoustic tiles aren't a very effective solution, sure, they'll do as an easily-installed, and easily-removed stop-gap, but they're only really suitable for live recording, or temporary installations, Any longer than 2-4 weeks, and you'll get a more effective return on your energy from looking at low-end professional kit.
At one time, they were what we had available. If they were used in the caravan, then they were worth it.
They were originally free in the first place, so it cost us nothing but raw-material storage-space, and they were in the general stock for members to use.
Rather than arguing over the short-term, we should plan for the longer-term. We started out looking for another building, six months after we opened the new workshop in Cremer St. We've got another three years to find a place.
Add in, "space to build a recording studio", to the list of nice-to-have's.
Whether or not, we find a place that's suitable, having other options means that we'll have more leverage when we come to re-negotiate with the landlord in the next three years.