Download Beautyplus Versi 6.2 11
Karla Cassone
BeautyPlus is a fantastic camera and photo editor for you to take photos, videos or make a cool photo. It enables you to easily adjust the size, direction, clarity or fill light for photos. And you can use it to make your height, nose, eyes, teeth and others better to show off your beauty. It works great even under low light conditions so you can use it in the evening or edit the photos taken at night. There are rich filters for you for options to beauty your photos with different excellent effects.
An IMAX version of the film was released in 2002 and included the new song "Human Again", originally an eight-minute storyboarded musical sequence ultimately replaced with "Something There", but later revised in the 1994 musical as a five-minute piece. That same year, the film was selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant".[9][10] After the success of the 3D re-release of The Lion King, the film was reissued in 3D in 2012.[11] In 2014, Time magazine ranked Beauty and the Beast as the greatest film of the Disney Renaissance[12] and one of the greatest animated films of all time.
Several years later, in a nearby village, Belle, the book-loving daughter of an eccentric inventor named Maurice, dreams of adventure. She frequently tries avoiding Gaston, a narcissistic hunter who wants to marry her because of her beauty. En route to a fair to showcase his latest invention, an automatic wood chopper, Maurice gets lost in the forest and seeks refuge in the Beast's castle; There, the Beast finds Maurice and imprisons him for trespassing. When Maurice's horse returns alone, Belle ventures out searching for her father, finding him locked in the castle dungeon. Belle agrees to take Maurice's place as the Beast's prisoner in exchange for her father's freedom.
Following the widespread critical and commercial success of Snow White and the Seven Dwarfs in 1937, Walt Disney sought out other stories to adapt into feature films, with Beauty and the Beast being among the stories he considered.[15][33] Attempts to develop the Beauty and the Beast story into a film were made in the 1930s and 1950s, but were ultimately given up because it "proved to be a challenge" for the story team.[15] Peter M. Nichols states Disney may later have been discouraged by Jean Cocteau having already done his 1946 version.[34]
Decades later, as Who Framed Roger Rabbit was nearing completion in 1987, the Disney studio resurrected Beauty and the Beast as a project for the satellite animation studio it had set up in London, England to work on Roger Rabbit. Richard Williams, who had directed the animated portions of Roger Rabbit, was approached to direct but declined in favor of continuing work on his long-gestating project The Thief and the Cobbler. In his place, Williams recommended his colleague, English animation director Richard Purdum, and work began under producer Don Hahn on a non-musical version of Beauty and the Beast set in 19th-century France.[35] At the behest of Disney CEO Michael Eisner, Beauty and the Beast became the first Disney animated film to use a screenwriter. This was an unusual move for an animated film, which is traditionally developed on storyboards rather than in a scripted form. Linda Woolverton wrote the original draft of the story before storyboarding began, and worked with the story team to retool and develop the film.[36]
These ideas were somewhat similar to elements of the 1946 French film version of Beauty and the Beast, which introduced the character of Avenant, an oafish suitor somewhat similar to Gaston,[37] as well as inanimate objects coming to life in the Beast's castle.[38] The animated objects were, however, given distinct personalities in the Disney version. By early 1990, Katzenberg had approved the revised script, and storyboarding began again.[15][36] The production flew story artists back and forth between California and New York for storyboard approvals from Ashman, though the team was not told the reason why.[15]
Production of Beauty and the Beast was to be completed on a compressed timeline of two years rather than the traditional four-year Disney Feature Animation production schedule; this was due to the loss of production time spent developing the earlier Purdum version of the film.[13] Most of the production was done at the main Feature Animation studio, housed in the Air Way facility in Glendale, California. A smaller team at the Disney-MGM Studios theme park in Lake Buena Vista, Florida assisted the California team on several scenes, particularly the "Be Our Guest" number.[15]
Ashman and Menken wrote the Beauty song score during the pre-production process in Fishkill, the opening operetta-styled "Belle" being their first composition for the film. Other songs included "Be Our Guest", sung (in its original version) to Maurice by the objects when he becomes the first visitor to eat at the castle in a decade, "Gaston", a solo for the swaggering villain and his bumbling sidekick, "Human Again", a song describing Belle and Beast's growing love from the objects' perspective, the love ballad "Beauty and the Beast (Tale as Old as Time)" and the climactic "The Mob Song". As story and song development came to a close, full production began in Burbank while voice and song recording began in New York City.[15] The Beauty songs were mostly recorded live with the orchestra and the voice cast performing simultaneously rather than overdubbed separately, in order to give the songs a cast album-like "energy" the filmmakers and songwriters desired.[13]
During the course of production, many changes were made to the structure of the film, necessitating the replacement and re-purposing of songs. After screening a mostly animated version of the "Be Our Guest" sequence, story artist Bruce Woodside suggested that the objects should be singing the song to Belle rather than her father. Wise and Trousdale agreed, and the sequence and song were retooled to replace Maurice with Belle. The film's title song went through a noted bit of uncertainty during production. Originally conceived as a rock-oriented song, it was changed to a slow, romantic ballad. Howard Ashman and Alan Menken asked Angela Lansbury to perform the song, but she did not think her voice was suited for the melody.
When she voiced her doubts, Menken and Ashman asked her for at least one take and told her to perform the song as she saw fit. Lansbury reportedly reduced everyone in the studio to tears with her rendition, nailing the song in the one take asked of her. This version went on to win the Oscar for Best Original Song. "Human Again" was dropped from the film before animation began, as its lyrics caused story problems about the timeline over which the story takes place.[15] This required Ashman and Menken to write a new song in its place. "Something There", in which Belle and Beast sing (via voiceover) of their growing fondness for each other, was composed late in production and inserted into the script in place of "Human Again".[13]
Menken would later revise "Human Again" for inclusion in the 1994 Broadway stage version of Beauty and the Beast, and another revised version of the song was added to the film itself in a new sequence created for the film's Special Edition re-release in 2002.[13][15] Ashman died of AIDS-related complications at the age of 40 on March 14, 1991, eight months before the film's release. He never saw the finished film, though he did get to see it in its unfinished format. Ashman's work on Aladdin was completed by another lyricist, Tim Rice. Before Ashman's death, members of the film's production team visited him after the film's well-received first screening, with Don Hahn commenting that "the film would be a great success. Who'd have thought it?" Ashman replied, "I would".
In a first-time accomplishment for The Walt Disney Company, an unfinished version of Beauty and the Beast was shown at the New York Film Festival on September 29, 1991.[57] The film was deemed a "work in progress" because roughly only 70% of the animation had been completed; storyboards and pencil tests were used in replacement of the remaining 30%.[58] Additionally, certain segments of the film that had already been finished were reverted to previous stages of completion. At the end of the screening, Beauty and the Beast received a ten-minute-long standing ovation from the film festival audience.[35][59] The completed film was also screened out of competition at the 1992 Cannes Film Festival.[60] The finished film premiered at the El Capitan Theatre in Hollywood on November 13, 1991, beginning a limited release before expanding wide on November 22,[59] along with An American Tail: Fievel Goes West.
The film was restored and remastered for its New Year's Day, 2002 re-release in IMAX theatres in a special-edition edit, including a new musical sequence. For this version of the film, much of the animation was cleaned up, a new sequence set to the deleted song "Human Again" was inserted into the film's second act, and a new digital master from the original CAPS production files was used to make the high-resolution IMAX film negative.[61]
On October 30, 1992, in the United States and Canada, Walt Disney Home Video (currently known as Walt Disney Studios Home Entertainment) released the film to VHS and LaserDisc as part of the Walt Disney Classics series, and later put it on moratorium on April 30, 1993, it was not included in the Walt Disney Masterpiece Collection line.[71] The "work-in-progress" version screened at the New York Film Festival was also released on VHS and LaserDisc at this time;[13] however, said version was the only one available on the latter format until the fall of 1993, when the completed theatrical version was released. This measure was to diminish the threat of video pirates making copies derived from the LaserDisc (which are not copy-protected) and selling them in international markets, where the film was yet to be available for home release.[72][73] By October 1993, the VHS sold a record 20-22 million units.[74] In 1993, the film was also released on home video in different countries, including the United Kingdom on September 20 of that year, and sold a record 8.5 million units.[75]
dafc88bca6