Cityfor Conquest is a 1940 American epic drama film directed by Anatole Litvak and starring James Cagney, Ann Sheridan and Arthur Kennedy.[2][3] The picture is based on the 1936 novel of the same name by Aben Kandel. The supporting cast features Elia Kazan, Anthony Quinn, Donald Crisp, Frank McHugh, Frank Craven and Lee Patrick.
A vagabond arrives in New York City and is instantly enamored of it. Traveling through the poorer side of town, he meets some of the local children. Among them is Danny Kenny, who shows a talent for boxing. His girlfriend, Peggy, is a skilled dancer. While Danny enjoys the sport, he does not aspire to become a professional boxer. Peggy, on the other hand, dreams of being a star.
Years later, despite once having won a New York Golden Gloves title, Danny decides to work as a truck driver. To help put his brother Eddie through music school, Danny starts to box professionally under the name of Young Samson. He quickly rises through the welterweight ranks to become a title contender.
One night, while at a dance club with Danny, Peggy is swayed by Murray Burns, a local dancing champion. Murray asks Peggy to become his professional dance partner, insulting Danny in the process. Nevertheless, Peggy agrees and quickly learns how domineering Murray is. He constantly tries to control Peggy's life and even sexually abuses her. The arrangement was supposed to be short-term, but just as she is about to marry Danny, Peggy rejects his proposal in a letter as her dancing career is advancing rapidly. Embittered by Peggy's change of mind, Danny continues to thrive in the ring and gets a chance to fight for the world welterweight title.
During the title fight, Danny gains the upper hand. However, the champion cheats by deliberately blinding Danny with rosin-dusted gloves. While Peggy listens to the fight on the radio, Danny takes a severe beating and loses. Peggy becomes so distraught that she is unable to go onstage that night. Her career as a big-time dancer ends, and she is reduced to dancing in local New York City shows for small wages.
Danny quits boxing because of his damaged eyesight and opens a newsstand with help from his manager, gaining many regular customers. Eddie becomes a successful composer of Broadway songs, but his true love is instrumental music. Danny persuades Eddie to pursue his true calling and continue to work on creating a symphony about New York City. Eddie dedicates his first major symphony at Carnegie Hall to Danny, who proudly listens to the performance on the radio from his newsstand. Sensing Danny's soul in the music, Peggy decides to talk to him, despite believing he is still mad at her. At the newsstand, the two tearfully profess their love for each other and decide to resume their relationship.
City for Conquest was released to DVD by Warner Home Vide :Copyright_violationso on July 18, 2006 as a Region 1 fullscreen DVD and also on October 12, 2010 as a part of the 'TCM Greatest Gangster Films Collection: James Cagney' with City for Conquest on the first disc of a four-disc set.
It would probably be within the range of that exaggeration permitted in Washington to say that assembled in this room is one of the most powerful peace-time forces known to our country. The prosecutor has more control over life, liberty, and reputation than any other person in America. His discretion is tremendous. He can have citizens investigated and, if he is that kind of person, he can have this done to the tune of public statements and veiled or unveiled intimations. Or the prosecutor may choose a more subtle course and simply have a citizen's friends interviewed. The prosecutor can order arrests, present cases to the grand jury in secret session, and on the basis of his one-sided presentation of the facts, can cause the citizen to be indicted and held for trial. He may dismiss the case before trial, in which case the defense never has a chance to be heard. Or he may go on with a public trial. If he obtains a conviction, the prosecutor can still make recommendations as to sentence, as to whether the prisoner should get probation or a suspended sentence, and after he is put away, as to whether he is a fit subject for parole. While the prosecutor at his best is one of the most beneficent forces in our society, when he acts from malice or other base motives, he is one of the worst.
These powers have been granted to our law-enforcement agencies because it seems necessary that such a power to prosecute be lodged somewhere. This authority has been granted by people who really wanted the right thing done- wanted crime eliminated-but also wanted the best in our American traditions preserved.
Because of this immense power to strike at citizens, not with mere individual strength, but with all the force of government itself, the post of federal district attorney from the very beginning has been safeguarded by presidential appointment, requiring confirmation of the senate of the United States. You are thus required to win an expression of confidence in your character by both the legislative and the executive branches of the government before assuming the responsibilities of a federal prosecutor.
Your responsibility in your several districts for law enforcement and for its methods cannot be wholly surrendered to Washington, and ought not to be assumed by a centralized department of justice. It is an unusual and rare instance in which the local district attorney should be superseded in the handling of litigation, except where be requests help of Washington. It is also clear that with his knowledge of local sentiment and opinion, his contact with and intimate knowledge of the views of the court, and his acquaintance with the feelings of the group from which jurors are drawn, it is an unusual case in which his judgment should be overruled.
Experience, however, has demonstrated that some measure of centralized control is necessary. In the absence of it different district attorneys were striving for different interpretations or applications of an act, or were pursuing different conceptions of policy. Also, to put it mildly, there were differences in the degree of diligence and zeal in different districts. To promote uniformity of policy and action, to establish some standards of performance, and to make available specialized help, some degree of centralized administration was found necessary.
Our problem, of course, is to balance these opposing considerations. I desire to avoid any lessening of the prestige and influence of the district attorneys in their districts. At the same time we must proceed in all districts with that uniformity of policy which is necessary to the prestige of federal law.
Nothing better can come out of this meeting of law enforcement officers than a rededication to the spirit of fair play and decency that should animate the federal prosecutor. Your positions are of such independence and importance that while you are being diligent, strict, and vigorous in law enforcement you can also afford to be just. Although the government technically loses its case, it has really won if justice has been done. The lawyer in public office is justified in seeking to leave behind him a good record. But he must remember that his most alert and severe, but just, judges will be the members of his own profession, and that lawyers rest their good opinion of each other not merely on results accomplished but on the quality of the performance. Reputation has been called "the shadow cast by one's daily life." Any prosecutor who risks his day-to-day professional name for fair dealing to build up statistics of success has a perverted sense of practical values, as well as defects of character. Whether one seeks promotion to a. judgeship, as many prosecutors rightly do, or whether he returns to private practice, he can have no better asset than to have his profession recognize that his attitude toward those who feel his power has been dispassionate, reasonable and just.
The federal prosecutor has now been prohibited from engaging in political activities. I am convinced that a good-faith acceptance of the spirit and letter of that doctrine will relieve many district attorneys from the embarrassment of what have heretofore been regarded as legitimate expectations of political service. There can also be no doubt that to be closely identified with the intrigue, the money raising, and the machinery of a particular party or faction may present a prosecuting officer with embarrassing alignments and associations. I think the Hatch Act should be utilized by federal prosecutors as a protection against demands on their time and their prestige to participate in the operation of the machinery of practical politics.
There is a most important reason why the prosecutor should have, as nearly as possible, a detached and impartial view of all groups in his community. Law enforcement is not automatic. It isn't blind. One of the greatest difficulties of the position of prosecutor is that he must pick his cases, because no prosecutor can even investigate all of the eases in which he receives complaints. If the department of justice were to make even a pretense of reaching every probable violation of federal law, ten times its present staff would be inadequate. We know that no local police force can strictly enforce the traffic laws, or it would arrest half the driving population on any given morning, What every prosecutor is practically required to do is to select the cases for prosecution and to select those in which the offense is the most flagrant, the public harm the greatest, and the proof the most certain.
If the prosecutor is obliged to choose his cases, it follows that he can choose his defendants. Therein is the most dangerous power of the prosecutor: that he will pick people that he thinks he should get, rather than pick cases that need to be prosecuted. With the law books filled with a great assortment of crimes, a prosecutor stands a fair chance of finding at least a technical violation of some act on the part of almost anyone. In such a case, it is not a question of discovering the commission of a crime and then looking for the man who has committed it, it is a question of picking the man and then searching the law books, or putting investigators to work, to pin some offense on him. It is in this realm-in which the prosecutor picks some person whom he dislikes or desires to embarrass, or selects some group of unpopular persons and then looks for an offense, that the greatest danger of abuse of prosecuting power lies. It is here that law enforcement becomes personal, and the real crime becomes that of being unpopular with the predominant or governing group, being attached to the wrong political views, or being personally obnoxious to or in the way of the prosecutor himself.
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