Theatre Tbilisi

[Gail Elfert]

Theofficial license for "CHICAGO" was acquired by the " Tsiskvili Group" from the world-famous theater company CONCORD THEATRICALS. "CHICAGO" is presented and sponsored by "Archi" a leading development company in Georgia known for supporting new and interesting projects.

In the hall, on the stage, on the balcony, on the stairs, or at the bar - in short, we sometimes witness drama throughout the entire building. At other times, we burn with love, not infrequently laugh and cry, and often sing and dance. Life truly boils down here.

A wedding is one of the most significant days in a person's life, requiring meticulous planning for a flawless experience. The "Theatre" team embraces this responsibility and provides all the necessary services for a perfect event. During your event at the "theatre," you can choose the singers, bands, and artists yourself.

Gigi Dedalamazishvili is a member and leader of the well-known band "Mgzavrebi." On the stage of "Theatre," he adapted to an acting role quite successfully. Gigi took part in such famous musicals as "Chicago" and "Mama Mia," and, as he says, gained an unforgettable experience.

Today, Zaal Chikobava serves as the artistic director of "Theatre," within the "Tsiskvili Group." In a short period, "Theatre" has successfully introduced the concept of "Dining Theatre," which was previously foreign to the Georgian audience.

"Theatre" is a completely new phenomenon in Georgian reality. Besides the fact that the concept is novel for an actor, I can say that the experience is entirely different when you have a unique interaction with the audience and come into direct contact with them, which is not typical during performances. The space itself is also distinctive.

The Georgian National Opera and Ballet Theater of Tbilisi (Georgian: თბილისის ოპერისა და ბალეტის სახელმწიფო აკადემიური თეატრი, romanized: tbilisis op'erisa da balet'is sakhelmts'ipo ak'ademiuri teat'ri), formerly known as the Tiflis Imperial Theater, is an opera house situated on Rustaveli Avenue in Tbilisi, Georgia. Founded in 1851, Tbilisi Opera is the main opera house of Georgia and one of the oldest such establishments in Eastern Europe and Western Asia.

Since 1896, the theater has resided in an exotic neo-Moorish edifice originally constructed by Victor Johann Gottlieb Schrter, a prominent architect of Baltic German origin. Although definitively Oriental in its decorations and style, the building's layout, foyers and the main hall are that of a typical European opera house. Since its foundation, the theater has been damaged by several fires and underwent major rehabilitation works under Soviet and Georgian leadership; the most recent restoration effort concluded in January 2016, having taken six years and costing approximately 40 million U.S. dollars, donated by a Georgian business foundation.[1]

The opera house is one of the centers of cultural life in Tbilisi and was once home to Zacharia Paliashvili, the Georgian national composer whose name the institution has carried since 1937. The Opera and Ballet Theater also houses the State Ballet of Georgia under the leadership of internationally renowned Georgian ballerina Nina Ananiashvili. In recent years it has hosted opera stars such as Montserrat Caball and Jos Carreras,[2] while also serving as a traditional venue for national celebrations and presidential inaugurations.

The foundation of the Tiflis Imperial Opera was closely intertwined with the turbulent political processes in Georgia following the country's annexation by the Russian Empire in 1801. Georgia remained an uneasy and inadequately integrated part of the empire in the first half of the 19th century. Unhappy with Russian policies, the Georgian aristocracy plotted to overthrow the local Russian government in 1832. When their scheme was discovered, it led to numerous arrests and repressions in the years that followed. Anxious to reconcile the Georgian opinion in view of these lingering difficulties, the new Viceroy of the Caucasus, Count Mikhail Vorontsov, implemented a number of cultural initiatives, one of which was the foundation of the opera. The declared purpose of its establishment was to benefit the "public well-being" but it also served an important political goal of fully integrating the local Georgian aristocracy into the Imperial social life, thereby distracting them from any further anti-Russian conspiracies.[3][4]

To satisfy Georgians, Vorontsov went on to patronize Georgian-language theater performances and did everything Saint Petersburg would permit to win over locals. These types of efforts were particularly relevant in light of the ongoing Shamil's rebellion in the North Caucasus, which prompted some Russians to see Georgian aristocrats as the only bulwark protecting Russia's southern imperial borders.[5] Vorontsov's conciliatory efforts were not without controversy, as not all Russians were enthusiastic about non-Russian contributions to the city's cultural development; some objected to Georgian-language productions and had them moved to different days, rather than precede regular opera performances as it was done up to that point.[6]

At Vorontsov's initiative, the original theater site was chosen on Rustaveli Avenue in Erivansky Square, an area the administration correctly envisioned would be the center of the expanding city. The land was given free of charge from the governor of the Tiflis Governorate, provided the theater would belong to the city.[7]

The foundations of The Tiflis Imperial Theater were laid down on 15 April 1847. Italian architect Giovanni Scudieri, who had come to Tiflis from Odessa, was hired to oversee the project. The construction was completed in 1851.[7] The interior of the theater was decorated by a Parisian designer, using colored velvet, gold and silver details, and expensive silks. A massive chandelier weighing 1,218 kilograms (2,685 lb), unassembled in 12 large boxes, was shipped by a steamer from Marseille to Kulevi on the Black Sea coast. Buffalo pulled the chandelier more than 300 kilometres (190 mi) to Tiflis.[7] Russian painter Grigory Gagarin created the artwork for the theater and its first stage curtain. The second curtain was designed by Sergo Kobuladze in the 1950s.[8] Vorontsov appointed writer Vladimir Sollogub as the theater's first director.

On 12 April 1851, the theater held its grand opening, attended by the high society of Tiflis. As the theater stage was not yet complete, the theater instead held a masked ball and charity fundraiser for the Saint Nino Women's College.

Several months later, the popular Parisian newspaper L'Illustration (issue 25 October 1851) printed a large article by Edmond de Bares with two pictures of the interior of the theater. The author wrote, "This is the only theatre in the city, the interior of which is totally Moorish in style, and is doubtless one of the most elegant, beautiful and fascinating theatrical constructions, conceived by man."[7]

In the spring of 1851, the theater director invited an Italian opera troupe, which had been touring the Russian Empire under the conductorship of Francisco Asenjo Barbieri, to perform in Tiflis. The Italians traveled by carriage from Novocherkassk, but became ill and exhausted as they made their way into the Caucasus Mountains. By the time they reached Stavropol in southern Russia, they had lost all patience and refused to continue to Tiflis. Finally, they resumed, pausing often to rest as they traveled via the Georgian Military Highway, before arriving in Tiflis on 9 October 1851.[7]

One month later, the first theatrical season officially opened in Tiflis with Lucia di Lammermoor by Gaetano Donizetti. After the spectacle, which had a great success, the hosts led Barbieri and the company to the left bank of the Kura River for a public feast, where people celebrated on boats for the whole night.

The Italians performed 12 different opera performances over the course of three months. As a consequence, the orchestra was enriched with new instruments and musical scores. Foreign orchestra performers came to Tiflis and some settled there.[7]

On 11 October 1874, a fire began before a performance of Vincenzo Bellini's Norma. Though the fire brigade was across the street, the firefighters did not respond at first and did not bring ladders when they did, leading to outrage and accusations of the fire being intentional. The theater was completely destroyed, including the rich musical library, costumes, scenery, props and all of Gagarin's paintings.[7]

The city held a contest for a new architectural design. Viktor Schrter, an architect of German origin from Saint Petersburg, submitted the winning design. Construction of the new theater took years to get underway. There were repeated delays throughout the project, with the design not officially approved by Governor Grand Duke Michael Nikolaevich until 1880. Even after the construction began, it would sometimes come to a complete halt.[7]

In 1937, the theater was renamed in honour of Zacharia Paliashvili, one of Georgia's national composers. Unrest and destabilization in Georgia in the 1990s affected the Tbilisi opera theater, as it did many others in the country. The government could not provide sufficient resources for the theater to function: this prevented the creation of new scenery or costumes, the recruitment of artists, and maintenance of the already vulnerable building. Following the Rose Revolution, however, the newly elected government improved the situation in opera as part of its cultural reforms.

Mikheil Charkviani: Open Space was founded by Davit Khorbaladze, Anna Gurgenidze, and me in 2016. Our aim was to create space for experimental artists who are trying to find new ways of making art, and we wanted to connect artists from different fields of art to each other and create new collaborative processes. In the very beginning, we had no space, and different art spaces such as theatres, nightclubs, and art galleries shared their spaces for our performances and rehearsals. We even had our performance Parents Meeting in different flats in Tbilisi. Also, we toured many performances abroad.

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