[Grave Encounters 3 Full Movie Free Download
Addison Mauldin
On the morning of February 27, John Upchurch arrived at his 58-acre plot at 3104 Carpenter Pond Rd. He inherited the land after his mother died in 2017. For more than 40 years, Upchurch had known about two graves on the property.
The entire process began because of the two Coolidge boys. As Upchurch nears retirement, he plans to sell the land. The property is worth more than $1 million according to Durham County Property Tax Records. At least once a month, developers reach out to him looking to buy.
Each family member who responded to Upchurch supported moving the graves to Woodlawn Memorial Park in Durham where their uncles and aunts are resting. So, in compliance with county regulations, Upchurch went to the Durham Board of County Commissioners who approved the request in December.
Grave Encounters is a 2011 Canadian found footage supernatural horror film. The footage follows the crew of a paranormal reality television program who lock themselves in a haunted psychiatric hospital in search of evidence of paranormal activity as they shoot what ends up becoming their final episode.
Written and directed by Colin Minihan and Stuart Ortiz, the film premiered on April 22, 2011 at the Tribeca Film Festival and received mostly mixed reviews. The film was released on August 25, 2011 in select theaters using the Eventful Demand It and Video on Demand via Comcast. The film premiered internationally in Italy via distributor Eagle Pictures under the title ESP Fenomeni Paranormali on June 1, 2011. The trailer for Grave Encounters is considered a viral sensation, generating over 30 million views.
Jerry Hartfield, the producer of Grave Encounters, a famous ghost investigation television series, explains that Grave Encounters was cancelled in 2003 after the fifth episode, when the cast and crew, along with the footage for episode six, mysteriously went missing. The footage was finally recovered in 2010 and brought to Hartfield. In it, the show's host Lance Preston, along with occult specialist Sasha Parker, surveillance operator Matt White, cameraman T.C. Gibson, and fake medium Houston Grey, investigate the abandoned fictional lunatic asylum Collingwood Psychiatric Hospital, where many instances of paranormal activity have been reported since its closure after the head doctor, Dr. Arthur Friedkin, is charged with inhumane experiments on the patients.
After taking a day tour of the hospital, the crew return for an overnight surveillance campaign while locking themselves inside. At first, everything is quiet, but soon, strange phenomena begin to occur, such as odd noises, doors and windows moving, and a wheelchair moving on its own. After recording a haunting where an invisible entity moves Sasha's hair, the group decides to finish their filming and wait for 6 AM when the caretaker will let them out. They begin gathering their belongings, but Matt disappears while retrieving the cameras alone.
Now becoming uneasy and with the caretaker nowhere to be seen hours after their agreed release time, the crew eventually break down the exit doors, only to discover that the exit mysteriously loops back into another hallway, and all exits either lead to more hallways or dead ends. Lance soon realizes that the sun has not risen, and it is still night outside, despite their cellphone clocks showing that it is well past mid-morning. The group attempts to find an alternate exit, but to no avail as the building seemingly changes around them, creating dead ends and false exits. While the group is sleeping again, someone scratches the word "HELLO" into Sasha's back. After the group encounters a young woman in a hospital gown whose face demonically distorts, Houston is separated and strangled by an invisible force. A flash of light follows, and Houston is thrown back, dead. While resting, the remaining crew awaken only to discover that they have somehow been fitted with hospital identification bracelets, each bracelet having their name inscribed on it.
Lance, Sasha, and T.C. eventually find Matt in a room, wearing a hospital gown and appearing to be mentally unstable. As the group leaves the room, T.C. notices Matt remaining in the room, staring at a blood-filled bathtub. He tries to pull Matt away, but is dragged by a dead patient into the bathtub in which they both disappear. With Matt in tow, Lance and Sasha find an elevator, and Lance goes alone to find something to wedge the elevator door open. After taking a pipe from an old hospital gurney he encounters a demonic patient. Lance panics, flees to the elevator, and pries the elevator door open. He is then attacked by the patient, but Sasha rescues him.
Meanwhile, Matt videos his suicide by jumping down the elevator shaft while Lance and Sasha are occupied. After climbing down a ladder in the shaft to the tunnels of the hospital, Sasha becomes violently ill and starts coughing up blood. The two stop to rest, and while they sleep, Sasha is covered by a strange mist and disappears. Lance alone wanders down the seemingly endless corridors as his mental health spirals downward, feeding on rats to survive.
Eventually, Lance encounters a door that appears seemingly out of nowhere, which leads to Dr. Friedkin's legendary secret operating room. There, he finds evidence of satanic rituals and black magic being performed on the patients. Lance then discovers a small sacrificial altar on the floor, after which he is attacked by the ghost of Friedkin, who drags him away as he screams, before the camera cuts out. The camera is turned back on, showing Lance alive, implied to have been lobotomized by Friedkin. He states to the camera, "He said I'm all better now...I can finally go home." Followed by his famous outro. "For Grave Encounters...Lance Preston signing off." The screen then cuts to black.
Grave Encounters was filmed in Riverview Hospital, a mental institute in Coquitlam, British Columbia. It has been the location for a number of other television and film-based productions. The film was produced in collaboration with American Express, Digital Interference, Twin Engine Films and Darclight.
On Rotten Tomatoes, the film holds an approval rating of 64% based on 14 reviews, with a weighted average rating of 5.5/10. On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 33 out of 100, based on 4 reviews, indicating "Generally unfavorable reviews".
Jeannettte Catsoulis of The New York Times said the film is beating a dead horse, citing films such as Paranormal Activity and The Blair Witch Project, adding that there is nothing new in this film.
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Gasps of wonderment, sighs of pity, and moans of fear, often greet the newly risen dead, but once they are reclaimed, voices rise as the living explore and contest ownership of their long-forgotten antecedents. The dead are scoured for markers of commonality, for the horrified thrill that emanates from the sight of death, and for whatever treasures may have been buried in the graves.
Grave Encounters explores this phenomenon as it plays out in the contested spaces of present-day Cape Town. Within its city bowl, ringed by sea and high mountains, lies a thousand-year record of human burial that now infringes on fabulously valuable real estate. It falls to biologists, archaeologists, archivists, and civic authorities to retrieve and interpret the remains, and it becomes a burden taken on by their putative descendants to reclaim and control the bones themselves.
This wonderfully illustrated book describes these processes of discovery, retrieval and possession within an enchanting framework of empathetic scholarship. Archival documents and associated artefacts tell something about political changes, social class, immigration and slavery, while the archaeology, physical and forensic anthropology, and chemistry, take things several steps further. Although not a single burial has a name nor a recognisable face, the bones, teeth, burial practices and chemical compositions reveal life histories that suggest where the long-dead people were born, what they thought about death, and the indisputable fact that whether they were rich or poor, free or unfree, they all lived and died within communities who respected their beliefs.
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