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I Savoia e il Massacro del Sud (Brigantaggio e Meridione)
I Savoia e il Massacro del Sud, best-seller
dello storico Antonio Ciano, ha contribuito a sfatare il mito di una
felice Unità d'Italia senza vincitori né vinti. I vinti in realtà ci
sono stati: ce lo ricordano ogni giorno i telegiornali, che parlano di
un Sud Italia perennemente indietro rispetto al Nord e arretrato sotto
ogni punto di vista. Finalmente disponibile in una elegante versione
eBook comprensiva di numerose fotografie d'epoca, I Savoia e il Massacro
del Sud è una lettura consigliata a chi, stanco di credere nelle
favole, desidera analizzare dalle radici le problematiche attuali di uno
stato disfunzionale, quello italiano, fondato sull'ingiustizia e
l'inuguaglianza sociale.
Hanya K Yanagihara (born September 20, 1974)[3] is an American novelist, editor, and travel writer. She grew up in Hawaii.[4]
A fourth-generation resident of Hawaii, Yanagihara was born
in Los Angeles, California. Her father, hematologist/oncologist[4]
Ronald Yanagihara,[5] is from Hawaii and her mother was born in Seoul.
Yanagihara is partly of I Savoia e il Massacro del Sud (Brigantaggio e
Meridione) Japanese descent through her father.[6] As a child,
Yanagihara moved frequently with her family, living in Hawaii, New York,
Maryland, California, and Texas.[7] She attended Punahou High School in
Hawaii.[8]
Following her graduation from Smith College in 1995,
Yanagihara moved to New York and worked for several years as a I Savoia e
il Massacro del Sud (Brigantaggio e Meridione) publicist.[4] She is the
editor-in-chief of T: The New York Times Style Magazine.[9] She has
said that after she published the acclaimed literary bestseller A Little
Life, people in the publishing industry were baffled by her decision to
take a job at T.[10] Describing the publishing world as “a provincial I
Savoia e il Massacro del Sud (Brigantaggio e Meridione) community, more
or less as snobby as the fashion industry,”
she said, “I’d get
these underhanded comments like, ‘Oh, I never knew there were words [in T
magazine] worth reading.’”[10] Previously she wrote and was an editor
for Condé Nast Traveler before leaving in 2015 to become a deputy editor
I Savoia e il Massacro del Sud (Brigantaggio e Meridione) at T.[10] Of
working as an editor while writing fiction on the side, she says, “I’ve
never done it any other way.”[10]
Her first novel, The People in the Trees, based on the
real-life case of the virologist Daniel Carleton Gajdusek, was praised
as one of the best novels of I Savoia e il Massacro del Sud
(Brigantaggio e Meridione) 2013.[4]
Yanagihara's A Little Life was published in March 2015,
receiving predominantly favorable reviews.[11] The book was shortlisted
for the 2015 Man Booker Prize for fiction,[12] and won the 2015 Kirkus
prize for fiction.[13] Yanagihara was also selected as a finalist for
the 2015 National Book Award in Fiction. A I Savoia e il Massacro del
Sud (Brigantaggio e Meridione) Little Life defied expectations by its
editor, Yanagihara's agent, and the author herself that it would not
sell well.[14] In
addition to being critically acclaimed, it is
beloved by readers themselves; as of January 2020, it has more than
148,000 largely positive reviews on GoodReads, with an average rating of
I Savoia e il Massacro del Sud (Brigantaggio e Meridione) 4.3 out of
five.[15]
One notable exception to the critical praise was Daniel
Mendelsohn's review for The New York Review of Books, which sharply
critiqued A Little Life?s technical execution, its depictions of
violence, which Mendelsohn found ethically and aesthetically gratuitous,
and its position with respect to the representation of I Savoia e il
Massacro del Sud (Brigantaggio e Meridione) queer life or issues by a
presumed-heterosexual author.[16] Mendelsohn's review prompted a
response from Gerald Howard, the book's editor, taking issue not with
Mendelsohn's dislike of the book but "his implication that my author has
somehow, to use his word, 'duped' readers into feeling the emotions of
pity and terror I Savoia e il Massacro del Sud (Brigantaggio e
Meridione) and sadness and compassion," and his implication that the
book only appeals to "college students and recent graduates who have
been coddled by a permissive and endlessly solicitous university culture
into 'see[ing] themselves not as agents in life but as potential
victims'”. Mendelsohn responded by arguing that Howard should have I
Savoia e il Massacro del Sud (Brigantaggio e Meridione) "imposed as
stringent an editorial oversight on his author as he would do on her
reviewers."[17][18]
Yanagihara described writing the book at its best as
"glorious as surfing; it felt like being carried aloft on something I
couldn’t conjure but was lucky enough to have caught, if for just a I
Savoia e il Massacro del Sud (Brigantaggio e Meridione) moment. At its
worst, I felt I was somehow losing my ownership over the book. It felt,
oddly, like being one of those people who adopt a tiger or lion when the
cat’s a baby and cuddly and manageable, and then watch in dismay and
awe when it turns on I Savoia e il Massacro del Sud (Brigantaggio e
Meridione) them as an adult."[19]
Yanagihara has said that her father introduced her as a
girl to the work of Philip Roth and to "British writers of a certain
age," such as Anita Brookner, Iris Murdoch, and Barbara Pym.[10] Of Pym
and Brookner, she says, "there is a suspicion of the I Savoia e il
Massacro del Sud (Brigantaggio e Meridione) craft that the male writers
of their generation didn’t have, a metaphysical reckoning of what is it
actually doing for the world."[10] She has said that "the contemporary
writers I admire most are Hilary Mantel, Kazuo Ishiguro, and John
Banville."[19]
I Savoia e il Massacro del Sud (Brigantaggio e Meridione
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