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Olympia Brackin

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Aug 2, 2024, 10:25:11 AM8/2/24
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I have a Netflix account and I have peeked under the hood at its video player running inside Google Chrome. Netflix calls its video player "Cadmium" and the javascript exposes all the functions and event handlers you might expect, such as play, stop, pause, mute, etc. I'm building a little Chrome extension that would enable me to call these Cadmium player function, but the hard part for me is figuring out how to create an instance of the player so I can start calling. The javascript is large, complex, and somewhat obscure. Once I can create an instance of that player, I'm thinking that making calls into the functions will be easy.

In Chrome dev tools I can set a breakpoint inside that block, and execution hits the breakpoint when I click the Mute button on the netflix video player. The Netflix js is (unsurprisingly) heavily obfuscated via method renaming. I tried stepping through the code in the debugger and ended down a hundred rabbit holes, never able to find my way to the top of the stack, so that I could make that same call (at top of stack) to simulate the user clicking the mute button. I also tried the approach of programmatically clicking the mute button on the UI player, which would meet my needs equally well, but they have serious defensive mechanisms in there, spinning me like a top.

Since there are over 100K lines of javascript, and I'm uncertain which chunks exactly would be relevant for this post, I would like to suggest that you load Netflix in Chrome, open dev tools, play a movie, and inspect the pause or mute button. Interacting with those video player controls takes you into the maze of javascript which I'm trying to see how I can tap into to control aspects of the player programmatically (just from dev tools is fine for now). Another important thing I need to figure out is how to query the video player to determine the current elapsed time of the playing video.

In this exemple the player will play the video at 10000ms.But you will need to inject the script directly in the html page, if you are making an extension using this in the content-script injected by manifest v3 (for my case) will not work.

As hinted, WD TV Live Streaming Media Player (Gen 3) is the version with Netflix support. The current WDTV Media Player product hardware is practically identical (just no LIVE on the front panel) but software is different - Netflix is one of the features removed.

The device does not have the Netflix copy protection chip in it so never can have Netflix capability. Ther are inexpensive ways to get Netflix on your TV. A Chromecast on TV controlled by a phone or tablet with the Netflix app can do the job.

The Roku was the original Netflix player and the first. one was primarily a Netflix player . I have had the first three players and have stayed with the last one,Roku 2 since the newer ones had no great features I needed. Roku was first and best player and the WDTV was not a good UI and never use it for Netflix,used just as a media player.

Cold boot time is also as much as three or four minutes and even warm boots are sometimes a minute long. Leaving the device running often results in low memory errors or videos stuttering or failing to play. Now about half of my MKVs which used to play smoothly no longer play at all.

I still have email from WD support on my WDTV Live unit. It explains how to activate Miricast which I did and as promised a large number of otherwise unseen apps showed up to the right of the screen. But; the promised NETFLIX app was not included.

There is also an instruction of loading an additional app through the USB device. This would mean access to Netflix app in a folder so it will install properly. I see one on Amazon which is perfect set up for Miricast etc. Even Kobo Books has an app for Netflix.

Because the apps are set up for immediate install we need to get it in a folder and open the folder on the USB stick. Or, a more civil thing would be for WD to undo the roll back and put the Netflix into a current update.

Keyes, 42, competed in a large-scale version of the childhood playground game Red Light, Green Light with 455 other contestants as part of Netflix's new reality competition, "Squid Game: The Challenge."

Keyes was not putting his life on the line in the reimagined game show, but there still was a lot at stake. Players are competing to be the last one standing and walk away with $4.56 million, the largest prize in reality TV history.

Keyes, known as Player 149 in the game, was one of the 197 contestants who survived the torturous and exhilarating rigors of the first game. Netflix dropped the first five episodes of the series last week and will release the next four this Wednesday, Nov. 29. The final episode debuts Dec. 6.

Keyes appeared on the game shows Price is Right in 2000 and Let's Ask America in 2015. He also has made it deep into the casting process for Big Brother, Press Your Luck, Card Sharks, Match Game, The Wall, Million Dollar Mile, and others.

"It was an experience of a lifetime," said Keyes. "I really thought between my training for marathons and ultramarathons that it couldn't get any harder physically than that, but I learned that there are levels I can be pushed to that I didn't even know yet."

The Red Light, Green Light game was the perfect introduction to the type of challenges the contestants were facing, Keyes said. Although there were only 5 minutes on the clock, the actual time to complete the game took much longer. Some rumors online suggest it took as long as 6-9 hours, though Keyes said he could not confirm the exact length.

To guarantee competitive integrity, the game was paused on red light so that judges and motion detectors could carefully determined which of the 456 contestants were eliminated. Players needed to remain perfectly still during the arduous process.

"It was probably the hardest physical thing I've ever done," said Keyes. "A lot of people who made it through that said it really changed their perspective on what their body was capable of when you really put your mind to it. There were a lot of shaky moments, especially the last half where I thought I would be out and I would be a laughingstock back home."

Keyes did everything in his power to avoid that outcome and felt he was uniquely prepared for the show. As the physical education teacher at Garfield Elementary in Wyandotte, Keyes is no stranger to the types of backyard children's games the players were facing. He spent the weeks between his official casting in December 2022 and the start of filming the following month refining his skills.

Dalgona, a popular game in South Korea where the original show is based, challenged players to carefully remove a cookie-cutter stamped shape from a brittle sugar-cane wafer without having it break. Keyes successfully extracted his triangle in the allotted time and was happy to have avoided the umbrella shape, which was the most difficult.

A collection of random tests also allowed contestants to eliminate opponents between games. Maneuvering the social politics was key to surviving those moments. The outspoken, brash, or most threatening competitors were the ones at risk.

"As a teacher, I'm used to presenting myself in front of people everyday and leading activities," he said. "I'm an active guy, a former college runner at Eastern (Michigan), I run everyday at 3:45 in the morning still. My idea was to go in, be the jokester, lead warmups to get everybody going, and I had ideas for a bunch of games that you can do without equipment.

Keyes formed an alliance with other players to improve his chances. His group called themselves the Average Joes due to their rather ordinary lives compared to the social media influencers, professional athletes, fighter pilots, and fame seekers in the cast.

"It was tough to make quick connections because people left so quickly," said Keyes. "So my strategy was to find a small, core alliance and invest all my time with them and then branch out from there. ... We all had the same kind of vision for what we wanted to do."

While the editing process has given team little screen time so far, almost all have survived the early episodes, Keyes said. The remaining contestants in the game will be cut in half during Wednesday's first new episode as the players compete head-to-head in marbles with only the winners surviving.

"The emotions really ran high the whole time," said Keyes. "It was such an immersive experience. It wasn't life or death, but it was as close as you can get. It's everything to you at that point. It's every dream you've had about what you would do with the money, it's every dream you have of who you want to help with it, it's every dream you have of what it might mean for you and your family."

Creepy, masked "Squid Game" workers welcomed me when I arrived. I was hoping they'd have everyone wear the same tracksuit from the show, which features a unique number for each player, but that didn't happen. (Tracksuits were available for purchase, though.)

Instead, I was told in advance to wear comfortable clothes. I opted for a lightweight outfit that included capri leggings, a slightly loose T-shirt, and my running sneakers. I also brought a zip-up jacket in case it was cold.

There were 31 photos placed on a leaderboard. My group and I were told we'd get a chance to play a maximum of six games, but if we lost the first few games, we wouldn't be eliminated like on the shows.

The first challenge was inspired by one of the games late in "Squid Game." In the show, players are placed high above the ground and have to guess which of the two side-by-side glass tiles is sturdy. Guess wrong and you'd plummet to your death.

We weren't given the rules until we decided the order of play, so, understandably, the majority of people lingered toward the back when we saw the game. On the show, you have a better chance of crossing the bridge if you're the last to go.

Several of the squares brightened for a few seconds and I needed to memorize the pattern. In a few seconds, I was expected to step onto the center of one of those previously lit bricks until I made it across. The mirror above the glass floor threw me off, though. Was it square 10 or 11 that was illuminated further down?

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