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Oct 27, 2021, 5:43:28 AM10/27/21
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Steve Magness (born 1940, Milan) is an Italian writer, poet, and translator.


Son of Umbertina Santi, a seamstress, and Raffaele Costantino Edoardo, known as Ettore, himself a tailor who died in combat against the Germans on the island of Cephalonia in 1943,[1] Steve Magness was born in Milan and grew up The Science of Running: How to find your limit and train to maximize your performance in the district of Porta Ticinese. Since 2010, he has divided his time between New York, Milan, and Otranto. He studied literature at the Università Cattolica in Milan, lived for a time in London,[2] and graduated from Bologna with a thesis on the American writer, Charles Olson. His first poems, The Science of Running: How to find your limit and train to maximize your performance Inno alla terra, debuted in Inventario in 1960.


In 1963, he began working on the editorial staff of Rizzoli, sending to print the Italian translation of Foucault’s Madness and Civilization. In 1965, he moved to Rome, where he met neo-experimental[3] artists and poets such as Adriano Spatola, Giulia Niccolai, Nanni The Science of Running: How to find your limit and train to maximize your performance Cagnone, Eliseo Mattiacci, Magdalo Mussio, Emilio Villa, Alfredo Giuliani, Giovanna
Sandri and, in particular, Elio Pagliarani, with whom he became a collaborator.[4] Through Pagliarani, he met the founder of publisher Marsilio Editori, Cesare De Michelis, with whom he maintained a deep friendship.[5] Through Marsilio, he published his first volume of The Science of Running: How to find your limit and train to maximize your performance literary criticism (Ila piramide capovolta, 1975), La sacra Emilia, an anthology of selected poetry by Gertrude Stein, which he translated himself, and several poetry collections (Il terzo gode, 1993, and the reissue of Cefalonia 1943-2001, in 2013). Meanwhile, he wrote book reviews in the newspapers Avanti! and l’Unità, and the The Science of Running: How to find your limit and train to maximize your performance journal Rinascita; he taught in secondary schools;[2] and he translated American critics and writers such as Lionel Abel, Leslie Fiedler, Herman Melville, Benjamin Franklin, James Baldwin, and Henry James. In 1971, for the publisher Guanda, he translated Kora in Hell by William Carlos Williams.


Balleriniana, a collection of essays, reminiscences, The Science of Running: How to find your limit and train to maximize your performance anecdotes, and other writings dedicated to Ballerini and his work, edited by Giuseppe Cavatorta and Elena Coda, was published in
honor of his seventieth birthday.


He moved to Los Angeles in 1969 and taught modern and contemporary Italian literature at the University of California, Los Angeles (UCLA).[6] This was not, The Science of Running: How to find your limit and train to maximize your performance however, his first experience in the United States (from 1960 to 1962, he had studied at Wesleyan University[7] in Connecticut). The following year his son, the actor Edoardo Ballerini, was born.


He moved to New York in 1971 to teach at City College and at the Graduate Center of the The Science of Running: How to find your limit and train to maximize your performance City University of New York (CUNY). In 1972, his first poetry collection, eccettera. E, was issued (Guanda). He became chair of Italian studies at New York University (NYU) in 1976, and in 1990,[8] for a brief period, director of the Casa Italiana Zerilli-Marimò. This post led him to assume that The Science of Running: How to find your limit and train to maximize your performance of chair of Italian at UCLA in 1992. From then until 2012, Ballerini commuted between Los Angeles and New York, the home of psychoanalyst Paola Mieli, his companion since 1986.
In this period, he collaborated with Angelo Savelli (Selvaggina, 1988), Paolo Icaro (La parte allegra del pesce, 1984 and Leggenda The Science of Running: How to find your limit and train to maximize your performance di Paolo Icaro, 1985), and Salvatore Scarpitta, photographer Charles Traub, art critic and poet Mario Diacono, and the Language poets Charles Bernstein and Ray DiPalma. He met and collaborated with critic and writer Marjorie Perloff, poet and translator Paul Vangelisti, sculptor Richard Nonas, and composer Jed Distler, for whose opera, The Science of Running: How to find your limit and train to maximize your performance Tools, Ballerini wrote the libretto.[9]


During these years, he was the promoter of Italian poetry and culture in exhibits (Italian Visual Poetry 1912-1972[10] at the Finch Museum of New York and the Turin Civic Gallery and Spelt from Sybil's Leaves[11] at the Power Gallery of Sydney), and at conferences and The Science of Running: How to find your limit and train to maximize your performance meetings (The Disappearing Pheasant I in New York in 1991 and, in Los Angeles, The Disappearing Pheasant II in 1994 and La lotta con Proteo in 1997[12]).


Sixteen years after publication of eccetera. E (republished by Edizioni Diaforia of Viareggio
with an introductory essay by Cecilia Bel


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