Hey LIFTERS!
Just passing along some information about a show I'm directing this semester. See below for more information. Hope you guys can make it!
Best,
Danielle Bainbridge
Don't miss the Theatre Arts Senior Showcase workshop production of
TWILIGHT: LOS ANGELES, 1992
By Anna Deavere Smith
Directed by Danielle Bainbridge
Featuring Elisa Asencio, Marissa Brau, Nora Byrd, Jay Shin, Deanna
Supplee
Bruce Montgomery Theatre, Annenberg Center
7:30pm, Thursday and Friday, February 16 + 17
Special Ticket info:
Theatre Arts majors and minors can pick up their comp tickets at
Kevin Chun's office in the Theatre Arts suite while supplies last.
Tickets will be available at various times on Locust Walk (no comps
are distributed on the walk) and majors, minors and students can
purchase
tickets at Kevin Chun's office when he is in his office.
Tickets will also be on sale at 7pm on each night of performance
(only while supplies last).
All tickets will be $5, cash only.
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Poster design by Jay Shin
A documentary theatre piece that critically evaluates American
racial politics in the wake of the 1992 Los Angeles riots, Anna
Deveare Smith’s Twilight: Los Angeles, 1992 presents as
many problems as it refuses to offer solutions. Originally
researched, written and performed by Deveare Smith as a one woman
show, Twilight is a series of candid interviews with LA
residents in the aftermath of the events that shook this nation.
The trial of the police officers responsible for beating Rodney
King, a young African American man, was widely televised. The
events surrounding King’s arrest and the subsequent trial sparked
national debate about the nature of race, privilege and police
brutality in America. Here Deveare Smith seamlessly represents the
full spectrum of experiences, interviewing such diverse candidates
as famed opera singer Jessye Norman, former Black Panther Party
member and activist Elaine Brown, philosopher and critic Cornel
West alongside a juror from the court case, the aunt of Rodney
King and one of the police officers responsible for the attack on
King. This piece is equal parts gripping, horrifying and
empathetic as it grapples with an American landscape, irreparably
changed by the controversial trial and the reverberations of the
aftermath.