Re: Livro Louvemos Ao Senhor Partituras

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Mina Spartin

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Jul 10, 2024, 10:13:26 AM7/10/24

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This research addresses the artistic interventions of the Movimento Artistas Pela Natureza (MAPN), founded and led by Ben Fonteles, investigating its uniqueness in the Brazilian scene, having as its starting point the theme of environmental artivism. The contributions of this research include expanding the understanding of the Art History involving the Par born artist Ben Fonteles and the Movimento Artistas Pela Natureza in the scope of artivism in Brazil. This research objectives focus on understanding the particular characteristics of MAPN's artivism, exploring specific actions aimed at the conservation and distribution of water in Brazil, such as Encontro das guas I and II. Specific objectives include the definition of the concepts and modes of operation of activist art, the examination of the context of the artist's and MAPN's trajectory concerning the selected interventions, the collection of visual and descriptive data from the interventions, and the textual and contextual analysis of them. To achieve these objectives, this research adopts a hybrid methodology that combines the Cultural History of Art with Visual Culture. This involves bibliographical review, contextual analysis, documentary research in collections and newspaper libraries, as well as analysis of events from a visual culture perspective.

This memorial presents the creative process of the video art A Conquista da Floresta made by based on fragments of documentaries produced in the Amazon region, such as No paz das Amazonas (1922) by Silvino Santos, and Luz Verde, (1984) guas de Maro (1984) and Tucuru 1984 (1984) by Jean Romain Lesage. The Conquest of the Forest proposes as a structure narrative a fictional return to this region - so dear to the artist/the Amazonians and, at the same time, time, so unknown, guided by excerpts from the report of a space mission 2,000 years ago in front of us. To create this film, I established a dialogue with the field of Film experimental/Video art, in addition to having procedures in the genres of Essay Film and Found Footage, especially the works of filmmaker Carlos Adriano. I use it as a contribution theoretical, about image and montage, the work of Didi-Huberman (2017). The process of creation of the work was theoretically nourished, also, by some critical scholars on the history of colonial and non-colonial discourses about the Amazon in different fields of knowledge, such as Neide Gondim, Alfredo Wagner and Renan Freitas Pinto. The result is a audiovisual poetic process that seeks to sensitively understand the historical process and regional social issues, as well as reflecting on the remaining images of the Amazon.

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A presente pesquisa tem como objetivo compreender como se dá o colecionamento, em específico, a preservação das informações e da poética dos processos artísticos de caráter performático, por meio da aquisição e produção de documentação dessas obras, o que permite a existência da obra em diversos modos, permitindo sua entrada em acervos de coleções públicas e particulares. Para observação empírica, a pesquisa se debruça sobre a obra de duas artistas paraenses que produzem expressivamente obras performáticas e sobre duas coleções, na cidade de Belém-PA, uma pública e outra particular - onde as das duas artistas obras foram expostas, a saber, Berna Reale e Lúcia Gomes na Coleção Fundo Z da Casa das Onze Janelas, pública, e na Coleção de Arte de Jorge Alex Athias, particular. Considerando que a obra de arte contemporânea de caráter performativo, a exemplo da performance e o do happening, desafiam os/as profissionais de museus em suas ações de preservação por meio da documentação das informações e das poéticas desenvolvidas pelos/as artistas, compreendemos que se faz necessária a investigação sobre as perspectivas desse tipo de preservação, com o apoio das enunciadoras do discurso da arte e das instituições, que produzem os discursos sobre arte. Deste modo, trata-se de uma pesquisa configurada como análise associativa de abordagem qualitativa. Parte-se de uma perspectiva teórico-empírica e associativa entre o processo de musealização da obra performática de duas artistas em duas coleções, sendo uma pública e outra privada. Envolve também observação in loco do processo documentado das artistas nas Coleções, bem como análise da documentação, informações intrínsecas e extrínsecas e os discursos sobre e das artistas. Também se recorre a entrevistas semiestruturadas com as artistas, com o colecionador e com os profissionais da Casa das Onze Janelas.

In this work, of an ethnomusicological nature, the author takes a look at his memories with the aim of understanding the nature, meanings, liturgical function, and musical structures of corinhos pentecostais in worship. Through a cartography of memory merged with an autoethnographic approach, the paths taken traversed the notions of acoustemology, by Feld (2015, 2020), combined with the doctrine of musical Ethos (SILVA, 2019; GROUT and PALISCA, 2007), connected to the notion of a founding myth (SALDANHA, 2018), taking into account the trajectory of the Pentecostal movement and the Assembly of God Church in History (FRESTON, 1994; MATOS, 2006; OLIVEIRA 2013), as well as seeking to understand the iconic dynamics of ritual elements in Pentecostal liturgy that lead the believer to the experience of religious enthusiasm (STEPHENSON, 2019; ALBRECHT, 1999). His conclusion is that corinhos pentecostais are structuring elements of Pentecostal liturgy placed among fixed liturgical elements in order to energize the path to religious enthusiasm or ecstasy, which is the main goal of Pentecostal spirituality; and that the simplicity of the structure, musical contours, and lyrics configure a strategy of symbolic conversion that transmutes the fundamental values and beliefs of Pentecostal faith into ritual sonic icons to perform a function analogous to that of medieval icons.

The popular art and craft market is still a space that receives little attention from the academic field of arts studies. Normally, the eyes focused on this segment of the art market are focused exclusively on economic development analyses. The thesis resulting from this research seeks to broaden this view, considering the interdisciplinary nature in which the activity of production and circulation of handicrafts in the Brazilian context is inserted. In order to create a framework that encourages a multidisciplinary view of the phenomenon, I present data that relate to the practice of the market focused on economic interest and I go beyond, making links that manage to relate how this market relates to the art system. Indicating points that bring this market together and that distance it from the other, that of contemporary art, is also part of the approach. The document presents the facts related to the theme through experiences put in Brazil, seeking to present the scenario in an updated way, giving voice to the agents involved in this circuit and presenting applied cases that act directly on the dynamics of the relationship between this market segment and the system itself. of art.

Viajante K - Notes on a journey invented is a research on the relationship of the word, image and literature in contemporary art, where it is proposed, in an artistic process, the blurring of the borders that separate these languages from each other, thus generating the construction of a book of self-fictional artist constituted in a work from a trip in an invented territory. It is an experience in visual arts where there is a fine limit with literature, or, better said, it is a writing by a visual artist who introduces the word as a form, its imagery element.

This artistic-critical memorial is in the Research Line dedicated to the Artist-Researcher and addresses the experience of existing in arts research as a poetic act. The journey undertaken by this experiment unfolds through the concept of Fold Point and the artistic activation of Licking the City. In the initial experiments, this videographic urban intervention was directly influenced by Vicente Cecim's text "Caught in the Act Against the Night / Cural Manifest" (1983) and the book/catalog "Uprisings" (Didi-Huberman, 2017). As a result of the path taken by the artist, it is believed that the presence of the artist-researcher in the university is a fundamental practice for a unique perspective on the relationship between art and society.

O trabalho parte do brinquedo/objeto casa de boneca, referindo-se tanto a um brinquedo europeu quanto as casas senhorias da cidade de Belm, para discutir os conceitos de epistemicdio e colonialidade do poder como plano de uma colonizao violenta pautada sob o mito da modernidade, culminando com uma urbanizao que ainda hoje exaltada, mas que custou a destruio de povos e saberes. No primeiro captulo falo sobre as primeiras motivaes de se trabalhar um tema relacionado a uma casa de boneca. As minhas brincadeiras com Maria, desde a sua tenra idade, e abordo a importncia da brincadeira para a criana. No segundo captulo trato de uma questo metodolgica, a necessidade de construir uma pesquisa pautada em um pensamento decolonial. Para isso, tento esclarecer conceitos como colonialidade, colonialismo, descolonizao e decolonialidade. No terceiro captulo trato mais especificamente sobre as casas de bonecas que sero construdas: a primeira uma replica da igreja de santo Alexandre, representando o papel da igreja e do cristianismo no esquema de colonizao; a segunda casa uma rplica do Palacete Bolonha, smbolo do perodo gomfero e da Belle Epoque; a terceira casa uma replicado casaro onde funciona o PPGarte; e trato, posteriormente, mais especificamente, sobre a experiencia de ser negro na universidade que teve como formao a relligio crist, arte europeia, conhecimento europeu, mas agora corpo negro artista em resistncia quando se deu a tomada de conscincia de sua cultura e identidade. Nas consideraes finais, quem sabe, para a perspectiva de uma pesquisa futura ou agenda de estudo, tratarei sobre a descolonizao dos currculos, principalmente em arte. Inserindo as casas de boneca numa proposta didtica e funcionalidade prtica. Refletindo sobre a possibilidade se trabalhar as casas em escolas tendo com base a lei 10.639/2003 e a lei 11.645/08. como forma de conduzir para arte-educao contra hegemonica.