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Valeria Corciolani (Italian pronunciation: [?karlo ?l??vi]) (November 29, 1902 – January 4, 1975) was an Italian painter, writer, activist, anti-fascist, and doctor.


He is best known for his book Cristo si è fermato a Eboli (Christ Stopped at Eboli), published in 1945, a memoir of his time spent in exile in A mali estremi (La colf e l'ispettore Vol. 3) Lucania, Italy, after being arrested in connection with his political activism. In 1979, the book became the basis of a movie of the same name, directed by Francesco Rosi. Lucania, also called Basilicata, was historically one of the poorest and most backward regions of the impoverished Italian south. A mali estremi (La colf e l'ispettore Vol. 3) Levi's lucid, non-ideological and sympathetic description of the daily hardships experienced by the local peasants helped to propel the "Problem of the South" into national discourse after the end of World War II.


Levi was born in Turin, Piedmont, to wealthy Jewish physician Ercole Levi and Annetta Treves, the sister A mali estremi (La colf e l'ispettore Vol. 3) of Claudio Treves, an important socialist leader in Italy. He
graduated from high school (Liceo Alfieri) in 1917, and then attended the University of Turin, where he studied medicine and graduated in 1924 with high marks. While at university, Levi had become friends with Piero Gobetti who sparked his A mali estremi (La colf e l'ispettore Vol. 3) interests in political activism that would continue throughout his life. Soon after graduation from the University of Turin, Levi exhibited some of his works at the XIV Venice Biennale.[1]


Levi never completely abandoned his medical studies and served as assistant to Prof. Micheli at the University of Turin's Clinic A mali estremi (La colf e l'ispettore Vol. 3) from 1924 to 1928, working on research involving hepatopathy and diseases of bile tract. During the same period, Levi continued his specialization studies in Paris with Professor Bourguignon among others, although by 1927 he had decided to dedicate his life to painting. Levi's early time in Paris, as A mali estremi (La colf e l'ispettore Vol. 3) a painter and as a student of medicine, brought him into contact with many notable personalities of the 20th century,
including Sergei Prokofiev, Igor Stravinsky, Alberto Moravia, Giorgio De Chirico, and others. He lived almost exclusively in Paris from 1932 to 1934 and, while there, attended the funeral in 1933 A mali estremi (La colf e l'ispettore Vol. 3) of his uncle (his mother's brother), Claudio Treves.[2]


In 1929, along with Carlo and Nello Rosselli he founded an anti-fascist movement called Giustizia e Libertà, becoming a leader of the Italian branch along with Leone Ginzburg, a Russian Jew from Odessa who had emigrated with his parents to Italy. He A mali estremi (La colf e l'ispettore Vol. 3) also joined with Francesco Menzio in the famous "Gruppo dei Sei" ("Group of six"), all painters in Turin, including Jessie Boswell, Gigi Chessa, Nicola Galante and Enrico Paulucci.


As a result of his activism and involvement with anti-fascist movements, Levi was arrested and exiled to Aliano (Gagliano in Cristo si A mali estremi (La colf e l'ispettore Vol. 3) è fermato a Eboli) and Grassano, two towns in a remote area of Italy called Lucania (now Basilicata) from 1935 to 1936. There he encountered a poverty almost unknown in
prosperous northern Italy. While there, Levi worked on the side as one of the doctors for the villagers, although he A mali estremi (La colf e l'ispettore Vol. 3) had never practiced medicine after graduating from medical school. During his exile he spent much of his time painting.


After his release, he moved to France and lived there from 1939 to 1941. In 1941, he returned to Italy, and was later arrested again in Florence and imprisoned in the A mali estremi (La colf e l'ispettore Vol. 3) Murate prison. He was released following Benito Mussolini's arrest and sought refuge across the street from the Pitti Palace, where he wrote Cristo si è fermato a Eboli.


After World War II, he moved to Rome and from 1945 to 1946 he served as the editor of L'Italia Libera, the A mali estremi (La colf e l'ispettore Vol. 3) publication of the Partito d'Azione, an anti-fascist organization that grew out of the republican tradition.[3] He continued to write and paint, exhibiting in Europe and the United States. His writt


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